November 11, 2016

Adrift at Sea: A Vietnamese Boy's Story of Survival: Book launch (Brantford, ON)

Join 
award-winning author Marsha Forchuk Skrypuch 
and
  Tuan Ho

for the launch of their collaborative non-fiction picture book

Adrift at Sea
A Vietnamese Boy's Story of Survival
by Marsha Forchuk Skrypuch with Tuan Ho
Illustrated by Brian Deines
Pajama Press
978-1-77279-005-5
40 pp.
Ages 6+
September 2016

on

  Tuesday, December 6, 2016

7-8 p.m.

at

Station Coffee House and Gallery
(at the Train Station)
5 Wadsworth Street
Brantford, ON
N3T 3V5


The authors are generously donating proceeds from the book sales 
to the Brant Anglican Churches Support for Syrian Refugees.



November 10, 2016

Little Fox, Lost

by Nicole Snitselaar
Illustrated by Alicia Padrón
Translated by Erin Woods
Pajama Press
978-1-77278-004-8
32 pp.
Ages 3-6
September 2016

This is certainly a week for Pajama Press on CanLit for LittleCanadians with Little Fox, Lost being the third book from this publisher that I've reviewed in the past 4 days.  That says a lot about Pajama Press's releases. Except for review copies, which I get from many publishers, I receive no renumeration for any reviews. I just review those books that I believe need to be read and Little Fox, Lost is such a book.  Written by French author Nicole Snitselaar and illustrated by Venezuelan Alicia Padrón, and translated by Pajama Press’s own Erin Woods, Little Fox, Lost is a beautiful, soft book in textual sentiment and physical texture (it has that wonderful cushioned cover) with illustrations evocative of the majesty and solitude of a forest in winter.

After a brilliant snowfall, Mama Fox takes Little Fox out of their den for a walk.  Though cautioned to stay close, Little Fox becomes distracted by his paw prints in the snow while his mother chats away with Mrs. Gray Fox.  It doesn’t take long for Little Fox to realize that he’s gone a little deeper into the forest than he’d planned.  He can’t even retrace his steps which run in every direction.  Fear overcomes Little Fox who starts to cry.  Even when an old owl tries to reassure Little Fox and suggests leading him out of the forest, Little Fox recalls his mother’s wise words:

"If ever you are lost, my child,
Don’t let a stranger guide you.
Be still, and I will search the wild
Until I am beside you." (pg. 20)
From Little Fox, Lost 
by Nicole Snitselaar 
illus. by Alicia Padrón
Even better, Little Fox begins to sing his mother’s rhyme aloud, with the owl’s help, hoping to draw his mother to him.  With the help of some other animals who are also drawn to the singing, Little Fox is reunited with Mama Fox.

From Little Fox, Lost 
by Nicole Snitselaar 
illus. by Alicia Padrón
Little Fox, Lost has a happy ending to a fearful situation for both parent and child, and I suspect that the rhythmic verse in Little Fox, Lost could become a go-to teaching tool for telling a child what to do when lost.  If there is a tune with it, that verse could become widespread in child safety measures.  But, in the meanwhile, read Little Fox, Lost with your children at home and at school to inform them about what to do if lost and reassure them that they will be found.  Because of Alicia Padrón’s stunning artwork, children will lulled into the story and captivated by her delicate creatures and expansive landscapes. There’s a softness and quiet that comforts and envelops the reader in a blanket of safety and support, and even have you looking forward to winter and snow. (I just wish my scanner could depict more accurately the colours within.)

Everything about Little Fox, Lost is sublime, from the lyrical text and its message, to the artwork, the cover, the framing of the words on the page, and the endpapers. Little Fox, Lost is lovely, through and through, and deserving of appreciative readings, over and over.


November 08, 2016

How Do You Feel?

Written and illustrated by Rebecca Bender
Pajama Press
978-1-77278-013-0
32 pp.
Ages 2-5
November, 2016

Little ones often have difficulty differentiating between feeling, the emotion, and feeling, the sense of touch, and Rebecca Bender, creator of the award-winning Giraffe and Bird books (Giraffe and Bird, Dancing Cat Books, 2010; Don’t Laugh at Giraffe, Pajama Press, 2012; Giraffe Meets Bird, Pajama Press, 2015), has some fun word play with that to compare textures of a variety of animals.

The little hedgehog guides the story, going from animal to animal–toad, snake, duckling, rabbit, snail, and kitten– asking how it feels.  Each animal answers with a descriptive adjective –bumpy, smooth, fuzzy, silky, slimy and soft–and a simile that expresses and clarifies what each feeling is like.   And then all the animals turn things around and ask, "Hedgehog, how do YOU feel?"  Though they suggest a variety of textural synonyms for prickly,  the hedgehog does a fun shift in declaring he feels…"happy, like a hedgehog having his tummy tickled!"
From How Do You Feel? 
by Rebecca Bender
Pajama Press has started putting out these lovely padded-cover books for preschoolers that are so much more inviting to hold than ordinary board books.  With its soft, cushioned cover, the parade of animals within and the repetitive text, How Do You Feel? will become a popular read-aloud book for parents and teachers of preschoolers and kindergarteners.  The rhythm and predictability of the text offers great opportunities for little ones to suggest answers to each question.  It’s a great teaching tool.  I can just imagine parents and teachers asking, just as they often play that game asking what a dog or cat says, how a snake or a kitten feels.

From How Do You Feel? 
by Rebecca Bender

But, kids will see beyond the content of the book and fall in love with Rebecca Bender’s adorable creatures. Every one of them has darling eyes–all bright, some laughing, several inquisitive–and bodies of evocative textures that will delight little ones who will want to reach out and touch.  They’ll be surprised to only stroke paper but Rebecca Bender’s illustrations will still give readers starting points for further discussions.  It could be about the sense of touch–and the other senses as well– or about synonyms and the thesaurus or about similes and metaphors.  How Do You Feel? may be targeted for the pre-reader who will be charmed by the whole package of art and text, but teachers should look beyond the cuteness and see the book as having applications far beyond the very youngest.  That's how I feel.  How do you feel? 

November 07, 2016

Timo's Party

by Victoria Allenby
Illustrated by Dean Griffiths
Pajama Press
978-1-77278-008-6
48 pp.
Ages 5-8
October, 2016

Bunny rabbit Timo Vega learned in last year’s Timo’s Garden (Pajama Press, 2015) that he needed to spend a little bit more time tending to his friendships rather than obsessing about his garden and he’s learned that lesson well.  With food critic Madame LaPointe coming to Toadstool Corners as part of her search for the best small towns to visit, Timo agrees to host an apple festival in his orchard so that his friend Hedgewick Stump, the hedgehog, can show off his culinary skills.  But as soon as he’s made the offer, the crowd-averse rabbit is regretting his decision.
From Timo's Party 
by Victoria Allenby
illus. by Dean Griffiths

Organizing his tasks into a list of three things–invitations, decorations and games–Timo begins to feel that the Toadstsool Corners Apple Festival might be manageable after all. Though Hedgewick sees the attributes that will make Timo a great host–he is organized, generous and thoughtful–Timo’s other friends, knowing how much he hates big parties, advise him how to be confident and comfortable around lots of people.

With the help of his many friends, Timo is able to pull off a great party, and Hedgewick, with only a small cooking mishap, caters an impressive apple festival.  Like the very different apples and bananas in the recipe at the conclusion of Timo’s Party, Timo and Hedgewick come together spectacularly. Each brings their own strengths to their endeavour and are successful in supporting the other when needed.
From Timo's Party
by Victoria Allenby
illus. by Dean Griffiths
Timo’s Party is an exceptional early reader for imparting an engaging life lesson. But author Victoria Allenby never preaches or instructs the reader how to live life well, or be a good friend or be brave.  Instead, she swathes that message in Timo’s daily experiences, taking advantage of a true story-telling opportunity.  It’s easy to see beyond the anthropomorphized animals–with their clothes, speech, and human endeavours–as just a bunch of friends whose lives the reader is pleased to share.  Though not a fully-illustrated book, Dean Griffiths's artwork helps take the reader into the friendly world of Toadstool Corners.  From the plaid jacketed Timo with his subtle smile and relaxed ears, to the rose-toqued badger Rae and the bustling Hedgewick, Dean Griffiths gives life to the animals in Timo’s Party, taking them from characters to neighbours.  And, let me say, we are all pleased to have been invited to this party, and look forward to more good times in Timo’s neighbourhood.
From Timo's Party 
by Victoria Allenby
illus. by Dean Griffiths

November 03, 2016

On Our Way to Oyster Bay: Mother Jones and her March for Children’s Rights (A CitizenKid Book)

by Monica Kulling
Illustrated by Felicita Sala
Kids Can Press
978-1-77138-325-7
32 pp.
Ages 6-9
September 2016

Kids Can Press’ newest title in its CitizenKid series of books that promote children’s global citizenship has at its core the fight for those very rights.  Monica Kulling, who excels at sharing biographies of key individuals from science, engineering, the arts and social justice by partnering with illustrators to convey those stories, focuses this time on a pivotal moment in child labour activism.

From On Our Way to Oyster Bay
by Monica Kulling, illus. by Felicita Sala
Eight-year-olds Aidan and Gussie are fictionalized cotton mill workers in 1903 but they could be any child of the time: working twelve hour days, six days a week to help their families with much-needed earnings, yet yearning to be able to go to school.  The matronly Mother Jones, a labour activist who had helped organize picket lines and strikes and fought for better wages and working conditions, saw a new challenge in ending child labour.  Her plan was to get the message out to President Theodore Roosevelt that child labour was unacceptable and that children should be taken out of the work force and given the opportunity to attend school.  Her plan was to march with a contingent of adults and children from Kensington, Pennsylvania to the President's summer home in Oyster Bay, over a hundred miles away.

The July 1903 march required long days of walking in hot temperatures and camping out at night.  Not surprising that some marchers quit along the way, though Monica Kulling's fictionalized characters Gussie and Aidan stick by Mother Jones to the end.  Even with a partial train ride and local townspeople offering their support with food and shelter, the march took weeks.  Banned by the major of New York City from speaking at Madison Square Gardens and from holding a public parade, Mother Jones still found a way to spread her message and give the remaining thirty marchers the treat of a day at Coney Island.  But, when they finally arrived in Oyster Bay, the President refused to speak with Mother Jones.

Many might feel that Mother Jones and her march for children's rights had been a failure, but not Mother Jones, and she shares this with Gussie and Aidan on the train ride back home.  She had drawn attention to the problem of child labour in their country and that small step would become a massive step in getting children out of the mills and factories and into schools.

The story of Mother Jones a.k.a. Mary Harris Jones is an important one in the fight for children's rights and, though her march for children's rights took place in the United States, her cause was a just and global one, still being fought in some countries today.  Not only does Monica Kulling help readers understand the daunting task that Mother Jones took upon herself, she encourages them to take action themselves, providing references of current organizations fighting against child labour, and background information about child labour today and the work of other activists like Craig Kielburger and Kailash Satyarthi.

Though Monica Kulling does provide valuable information about the fight against child labour in her story text and afterword, On Our Way to Oyster Bay: Mother Jones and her March for Children's Rights is still at its heart a picture book, and Australian-born Felicita Sala's bold illustrations support both a lightness and the importance to the story.  Felicita Sala's artwork, which appears to be a mixture of pencil, ink and watercolours, shows the strength of Mother Jones and her supporters' commitment while balancing that against the Herculean nature of their task.  Bold outlined characters and placards give way to expansive landscapes in which the marchers seem insignificant.
From On Our Way to Oyster Bay 
by Monica Kulling, illus. by Felicita Sala
On Our Way to Oyster Bay: Mother Jones and her March for Children's Rights illustrates in text and pictures an important historical event in labour activism while bringing that event into the 21st century and inspiring children to think about what they can do to support children's rights. Mother Jones would be proud.

November 02, 2016

What is Peace?: Book launch (Toronto)

Another Story Bookshop 

and 

the Toronto Public Library

present

award-winning author and illustrator
of

Wallace Edwards

for the launch of his newest book

What is Peace?
Text and illustrations by Wallace Edwards
North Winds Press/Scholastic Canada
978-1-4431-4843-6
32 pp.
Ages 4-10
November 2016

on 
Saturday, November 5, 2016

at 2 p.m.

at

Lillian H. Smith Library
(branch of the Toronto Public Library)
239 College Street
Toronto, ON





November 01, 2016

What is Peace?

Text and illustrations by Wallace Edwards
North Winds Press/Scholastic Canada
978-1-4431-4843-6
32 pp.
Ages 4-10
November 2016

If you’re seeing the red felt poppy pins on coats, you’ll be starting to think about Remembrance Day and war and peace.  The concept of peace is a prodigious one.  Imagine attemping to encompass all aspects of peace in a single book, especially a picture book?  Fortunately, with Wallace Edwards at the helm of that undertaking, and the use of his glorious illustrations and a multitude of questions to guide this reflective discussion of peace, enlightenment is on the horizon.

Each double spread has one page of text–a series of questions, culminating with a final line “What is peace?”–and a full page illustration.  From a bird on a cherry blossom branch with accompanying questions on the temporal and spatial nature of peace–old, new, near, far– there follows a range of quiet and evocative illustrations and questions about peace’s inclusivity, its study, its sensory nature, as well as expressions and attributes of peace.  Wallace Edwards covers all nature of peace without ever defining what it is, relating to this in the appending text titled “What Do You See?” (pg. 30), in which he admits that there are no right or wrong answers.

From What is Peace? by Wallace Edwards

In the preface to the book, Wallace Edwards discusses how, after being asked to do a series of paintings on the theme of peace, he found it himself meditating on the question that is the title.  And after recognizing how big a question it is, Wallace Edwards hopes that the book “inspires you to think and talk and maybe draw or write or sing about what peace means to you and the other creatures who share this world.” (pg. 3) Ever thoughtful, Wallace Edwards inspires with his words and artwork of all nature of creature and substance: mandrill, luna moth, zebra, crumbling wall, rhinos, and the ubiquitous white bird evident on every illustration.

By recognizing the distinctiveness of peace and a commonality to it as well, Wallace Edwards has shown us the way that is peace without actually driving his own definition of it onto the reader.  What is Peace? is an eloquent discussion starter and contemplative tome for a month of remembrance and loss and hope.

From What is Peace? by Wallace Edwards

Look for my post tomorrow about the book launch for What is Peace? in Toronto this weekend.