December 19, 2011

The Circle Game

Text by Joni Mitchell
Illustrations by Brian Deines
Dancing Cat Books
978-1-77086-042-1
32 pp.
Ages 3-6
2011

Turning song lyrics into children's books is not unusual, especially for those tunes that were originally written for children such as nursery rhymes and camp-fire songs.  There are wonderful children's performers like Eddie Douglas who take poetry (e.g., Dennis Lee's poems from Alligator Pie (Macmillan, 1974), Garbage Delight (Macmillan, 1977),  Jelly Belly (Macmillan, 1983) and The Ice Cream Store (HarperCollins, 1991) and adapt it for children's music.  But, in Canada, we don't have a long history of taking the poetry in song or hymn lyrics and adding graphics to produce children's books. Until now, I can only think of two such songs:
  • The Huron Carol by Father Jean de Brebeuf, illustrated by Frances Tyrrell (Key Porter, 2003) 
  • The Huron Carol by Father Jean de Brebeuf, illustrated by Ian Wallace (Groundwood, 2006)
  • Canadian Railroad Trilogy by Gordon Lightfoot, illustrated by Ian Wallace (Groundwood, 2010)
Now we can add Joni Mitchell's song, The Circle Game, to that list. 

The lyrics of Canadian-born Mitchell's song describe growing up and looking forward to new experiences, apparently in response to Neil Young's lament of lost youth in "Sugar Mountain". (1) The honest but hopeful words are beautifully embodied by Deines' paintings in complementary colours of purples and oranges.  Although impossible to tell whether Deines' medium is oil or pastel on canvas, the softness of his illustrations, whether the warm joys of capturing a dragonfly or the dark tremors of thunder and falling stars, always with uniquely dotted backgrounds, capably expresses the joys with the uneasiness of new experiences.  Moreover, just as our perspective of these experiences change as we grow up (dare I say it, age), so does the view of and from the carousel, never allowing one to return but accessible in our memories.

December 16, 2011

Accomplice

Written by Valerie Sherrard
Dundurn Press
978-1554887644
142 pp.
Ages13-16
2011

Dundurn's newly established Keystone Hi-Lo series hits the mark with Accomplice by Valerie Sherrard, enticing readers with a cover suggestive of a female criminal, a less likely combo than you might expect.  Our covergirl, fifteen-year-old Lexie Malton, starts her story with her arrest, and spends the remainder describing the circumstances by which she ends up nestled in a sheriff's van.

The story is fairly simple: Lexie gets her boyfriend, Devlin, to go to a party where she is enticed into trying heroin and encourages the reluctant Devlin to follow.  Unlike her, Devlin becomes addicted, eventually ending up on the street.  Though Lexie eventually moves on and starts going out with Oscar, her overwhelming guilt at her role in turning a great guy into a junkie continues to compel her to get what little money she can for Devlin whenever he calls.  Regardless of Devlin's insistence that he's going to stop the drugs and get clean, even returning to rehab, he thoughtlessly wrenches Lexie into a brutal situation that results in a death and Lexie marked as an accomplice.

The mandate of Hi-Lo books, i.e., grabbing the reader with its engrossing plot without dissuading reading with challenging vocabulary, can result in uninspired writing around a weak storyline.  However, in the hands of an accomplished writer such as Valerie Sherrard, most recently winner of the 2011 Geoffrey Bilson Historical Fiction for Young People Award for The Glory Wind (Fitzhenry & Whiteside, 2010), there is no chance of mediocrity.  Accomplice presents a straightforward but not light-weight plot involving common teen trials dealing with curiosity about drugs, discriminating between right and wrong, dating and communicating, and accepting responsibility.  More than just a hi-lo read, Accomplice provides a glimpse into how innocent errors in judgement can produce unfathomable consequences.

December 15, 2011

Blink and Caution

Written by Tim Wynne-Jones
Candlewick Press
978-0-7636-3983-9
342 pp.
Ages 14+
2011

Selecting a book cover is not a simple process of finding an image and a font that work. Check out Quill & Quire's regular page, Cover to Cover, to witness just a few steps in the design process of a single cover. That said and with the enriching reads of earlier books by Tim Wynne-Jones (see November 30, 2011 blog),  I should have known better than to hastily (and consequently erroneously) predict the story of Blink & Caution (Candlewick Press, 2011). It is not a story of crime and violence, or of a dark place where bad things happen, or even of traffic. (Don't ask me how I got that one, but I did.) It is a story of family.

Having left his mother and abusive stepfather for a life on the streets, Brent Conboy a.k.a. Blink has established a variety of strategies to get by without bringing attention to himself: following teens to their lockers to get fresh clothes, grabbing breakfasts from trays outside of hotel rooms and finding privacy at the Toronto Reference Library. When he witnesses a ruse to create the impression of the abduction of Jack Niven, CEO of a high-profile mining development company, Blink carelessly involves himself by snatching Niven's Blackberry from the scene. Relentless phone calls from Niven's daughter, whose photo captivates Blink, further entangle him in a journey, both physical and emotional, for which he is unprepared.

Caution is actually seventeen-year-old Kitty Pettigrew from the countryside of Wahnapitae. Caution, who took to the streets after the accidental shooting death of her cherished older brother, Spence, has evolved handily into the benumbed girlfriend of drug-dealer Merlin, taking extraordinary chances as though willing death upon herself. But, when Caution realizes the twisted nature of Merlin's "love" for her, she embarks on her own journey, away from Merlin and with a reluctant baby-step towards family.

The inevitable merging of Blink's and Caution's stories at Union Station may begin with conflict but each unconsciously recognizes the other as an opportunity, a chance to journey together, with the possibility of some positive outcome. Luckily, Blink and Caution are both gutsy teens with the insight that comes from lives rich in experiences, both comforting and despairing. Together they pursue the truth behind Niven's disappearance, hopeful that it should prove lucrative for them, never guessing the true value of the wealth they will gain.

The use of second-person narrative (with Blink referred to as "you") is very rare in literature, even more so when coupled with third-person narrative (as Caution's story is told), but Tim Wynne-Jones uses this bold technique impressively, emotionally engaging the reader from several perspectives. Through Blink's and Caution's eyes, we see through "the knife-blade of your vision"(pg. 9) or the "rooming house, tall as a nightmare" (pg. 72); we experience their need for sleep, finally getting "to work on those years of rest" (pg. 173) or Blink's inner Captain Panic, always his herald; we understand Blink's reluctance to ask questions "too jittery to land near a grumpy girl" (pg. 169) and how his voice could be "just a tattered bit of white cloth" (pg. 317).

Tim Wynne-Jones's expressive writing, remarkable characters and intricate plot are perfection. But, word of warning: read with caution, as it flows so seamlessly that it'll be read in just a blink.

December 13, 2011

Dear Baobab

by Cheryl Foggo
Illustrated by Qin Leng
Second Story Press
978-1-897187-91-3
24 pp.
Ages 5-8
2011

After the death of his parents, seven-year-old Maiko is transplanted from his home in Africa to live with his Uncle Peter and Aunt Ajia in a country like Canada, where there are spruce trees, Halloween, snow, and Leonard, a boy who laughs at Maiko's ears.  Missing the massive baobab tree in his birth village, Maiko connects with a small spruce tree at his new home, sharing his secrets and loneliness with the little evergreen. But the spruce is growing too close to the house's foundation and its fate must be decided upon.

For Maiko, his "Hello tree, same age as me" spruce is his confidant and empath, as they both experience a tenuous future, clashing with their environments. Fortunately, Maiko's aunt, uncle and others show the compassion and wisdom necessary to help the little ones, be they arboreal or human, flourish.

Calgarian Cheryl Foggo's impressive writing credentials foretold the jewel of Dear Baobab, her first children's picture book, a sympathetic but hopeful portrayal of finding a way to fit it.  Qin Leng's ink and paint illustrations (also in Blue Spruce nominated A Flock of Shoes, Sarah Tsiang, Annick Press, 2010) have a freshness that recreate the Africa of Maiko's memories and his expansive and overwhelming new surroundings of his new country.

A perfect gift for a child new to Canada, sure to elicit hope for their new circumstances.

December 12, 2011

Once Every Never

by Lesley Livingston
Puffin Canada
978-0-14-317795-1
302 pp.
Ages 12+
2011


Lesley Livingston, author of the Canadian Library Association's Young Adult Book of the Year Wondrous Strange (HarperCollins Canada, 2008), continues to provide young adult readers with riveting fantasy based in the supernatural with just a shimmering of romance and an ample seasoning of humour in her newest, Once Every Never (Puffin Canada, 2011).

Torontonian Clare (Clarinet) Reid is sent to England to stay with her Aunt Maggie, a professor of archaeology, while her parents are away on their orchestra's world tour.  Luckily her best friend, Allie (Alice) McAllister, also 17, has managed to arrange a stay in London with relatives including her former-geek-turned-hottie cousin, Milo, an Oxford student working with the British map-making agency.

Although Clare considers her supervision under her aunt mundane, Allie, an archaeology buff, is thrilled to get an opportunity to examine a new exhibit of bog people (perfectly preserved corpses found in a peat bog) and a variety of antiquities such as a shield, torcs (neck rings), and helmets set for restoration.  While her Aunt Maggie consults with the curator, Dr. Ceciley Jenkins, Clare unpardonably touches the shield and discovers herself in another time and place, witnessing a meeting of two men, one in possession of the shield.

Returning to the museum, Clare enlists Allie's help to witness her disappearance after touching the Snettisham Great Torc (a particularly unique torc).  This time Clare returns with an account of the handsome young man seen earlier interacting with a raging, red-haired woman who'd been whipped and to whom he gives the torc.   Hidden behind a rock, Clare is not seen by anyone until a young woman chances to touch her, thereby making her visible.  After asking for Clare's help and surreptitiously slipping a brooch to her, the young woman is grabbed by a Roman soldier.

Based on Clare's observations and what she hears (and understands, although in a unknown language), the girls' internet research reveals the injured woman to be Boudicca, the Queen of Britain in 1 AD, who rebels against the Romans, and the young woman who asks for Clare's help is Comorra, one of Boudicca's two daughters.

When the Snettisham Torc is stolen from the museum, Aunt Maggie suspects a former colleague, now presumed dead.  Unfortunately, she is correct and this same man, Stuart Morholt, who claims to be a Celtic mystic, learns of Clare's gift of shimmering (that's what they call her time-travel) and uses threats to coerce her into locating a buried cache from Bouticca's time.

The plot is complex but not confounding, all the more substantial for the different times into which Clare shimmers, sometimes earlier, sometimes later, always revealing.  Livingston excels at bringing two very different worlds into contact, without either losing integrity.  In each, the voices, hearts and actions of the times' characters successfully immerse the reader in that time.  Even poor Clare, who must modify her behaviour to meld with those in the past, is true to herself, showing less cockiness  when dealing with the Celts and Druids, although her erratic train of thoughts still compel her to misspeak occasionally.

But, it is the humour that continues to pull me along for the journey, particularly Clare's attitude that comes across as self-deprecation with snarkiness.   When returning from the time when Connal's blue body paint (in preparation for his sacrifice) smeared onto her, Clare declares that, "I was partying with Smurfs.  I wanted to fit in." Teens will also appreciate the hint of romance in Once Every Never, particularly as Clare is attracted to two different young men, one in the present, one in the past, confusing her even more.  Expertly, Livingston epitomizes the teenage mind, sharing Clare's thoughts, both erratic and sure, as she tries to figure things out, whether it be history or people and their motivations.

Just added: video of Lesley Livingston talking about Once Every Never

December 10, 2011

Canadian Fiction in Ancient Civilizations


Young Canadian readers may choose from a plethora of fiction in which travel from the present to an earlier historical time period fantastically occurs. However, there are far fewer fiction titles in which the entire story is set in that time period, especially when we focus on ancient times. Depending on discussions by economists, archaeologists, historians, etc., the end of ancient times will vary, but for the purposes of this blog, we'll use the early Middle Ages as its end point (although apparently that doesn't jive with Ancient Chinese history.)

Also, there are many books of nonfiction that may be based in ancient times (e.g., Good Times Travel Agency series, Linda Bailey and Bill Slavin, Kids Can Press) or retell myths or legends (e.g., Island of the Minotaur: Greek Myths of Ancient Crete, Sheldon Oberman, Tradewind Books, 2003) or even fictionalized accounts of historical persons (e.g., Cleopatra VII: Daughter of the Nile, Kristiana Gregory, Scholastic, 1999) but I have focused here on novels with new story lines set in ancient times. (Sadly this prologue is longer than the list.)


Torn from Troy: Odyssey of a Slave

Written by Patrick Bowman
Ronsdale Press
978-1-55380-110-8
199 pp.
Ages 10+
2011
See this blog on December 8, 2011 CanLit LittleCanadians review


Shen and the Treasure Fleet

Written by Ray Conlogue
Annick Press
978-1-55451-103-7
320 pp.
Ages 11-15
2007
When the city of Nanjing is under siege, Shen's mother is imprisoned and his father, an Imperial Bodyguard, is presumed dead. Shen and his sister Chang flee with a travelling acrobat troupe, that gains passage on the new emperor's armada, the Treasure Fleet, led by the powerful Zheng He and then the notorious government official, Yang Rong, who has the power to free their mother.


The Roman Conspiracy

Written by Jack Mitchell
Tundra Books
978-0-88776-713-5
164 pp.
Ages 10-13
2005
In the first century B.C., young Aulus Lucius Spurinna must formally be recognized as the head of the household with the sudden death of his uncle and incursions by bands of retired soldiers onto the estate's holdings. Aulus immediately sets off for Rome to inform the family's Protector (who happens to be the Consul Cicero) of the bandits' threats and of his uncle's death/murder. In Rome, Aulus meets Cicero and his enterprising daughter, Tullia, who manages to get him thoroughly involved in their attempt to foil the Roman conspiracy i.e., a plot to take over the government. Soon Aulus finds himself involved in burgling the house of a senator, reporting on traitorous speeches, and even taking command of a troop of Roman cavalry!


Ancient Ocean Blues

Written by Jack Mitchell
Tundra Books
978-0-88776-832-3
187 pp.
Ages 10-13
2008
Not content to create the stereotypical characters of Ancient Rome, Jack Mitchell seamlessly melds historical politicos and literati with the story of Marcus, a young man recently sent to Rome for an education. Because of his cousin, Gaius, Marcus is soon sailing to Athens on a mission to thwart Cicero's political machinations which could foil the rise of young Julius Caesar. Marcus seeks Spurinna (from The Roman Conspiracy) as does Paula, his romance-loving, Spurinna-crushing betrothed who stowed away in Marcus' trunk of scrolls. But this is no lame ship voyage: there are pirates, bribes, a poet, a shipwreck, a rescue, battles, romance, and much humour.


Rise of the Golden Cobra

Written by Henry T. Aubin
Annick Press
978-1-55451-059-7
255 pp.
Ages 11-15
2007
Nebi, a 14-year-old Egyptian scribe, learns of a traitorous plot involving the Assyrians and Count Nimlot to take over Egypt. Nebi travels south to warn King Piankhi, a principled and compassionate man, chosen by the god Amon to rule the African kingdom of Kush. King Piankhi is guided by maat, the ethical principle of ancient Egyptian religion denoting a life committed to justice, order, and truth. He goes to war to protect his people from the harsh rule of the Assyrians, but Nebi finds himself dealing with the King's hot-headed young nephew, Sheb, who wants to win the war and exact revenge.


Germania

Written by John Wilson
Key Porter Books
978-1-55470-112-4
279 pp.
Ages 11+
2008
As Vesuvius erupts, old Lucius records his biography from his time as a young Roman soldier, battling the barbarians in Germany and Illyria, through the revolts of the barbarians against the Romans.

____________________________________________
n.b. As stories set in Viking times may or may not belong here, I will prep a list of those titles separately. (Update: I posted one here on January 15, 2013.) But, if any reader discovers a Canadian title (excluding nonfiction and time-travel) set in an ancient time that I have not included here, please leave a comment to help me address any omissions.

December 08, 2011

Torn from Troy: Odyssey of a Slave

Written by Patrick Bowman
Ronsdale Press
978-1-55380-110-8
199 pp.
Ages 10+
2011

Reading (and undoubtedly writing) a novel for children that is set in ancient times can be challenging, with its new vocabulary and cultural references, but the experience of immersing yourself in a completely foreign time-period is without equal.  Learning about ancient civilizations using non-fiction texts is valuable but incomparable to living the life through a character.  How many adults enjoy the experience of Canadian Pauline Gedge's Ancient Egypt  in The King's Man Trilogy (Penguin Canada), 8th century China in Guy Gavriel Kay's book Under Heaven (Penguin, 2010) or Ancient Rome in the Marcus Didius Falco series (Lindsey Davis)?  Our young readers have a rare opportunity to do the same here, with Patrick Bowman's Torn from Troy: Odyssey of a Slave (Ronsdale Press, 2011), a selection nominated for this year's Red Maple Fiction Award.

In Torn from Troy: Odyssey of a Slave, fifteen-year-old Alexi lives with his older sister, Melantha, in Troy when, after ten years of fighting, the Greeks capture the city using deceit and an infamous wooden structure.  By sacrificing herself in attacking and killing a Greek soldier, Melantha helps Alexi escape, although he is captured the next day.

Taken as just another slave with other Trojans, Alexi's ability to speak Greek (his grandmother was Greek) wins him favour with the Greek commander, Lopex (a.k.a. Odysseus, son of Laertes).  On board their ship, the Pelagios, Alexi's attention and cleverness continue to impress Lopex, but his tongue makes an enemy of him to Ury, a brute who Alexi learns is the brother of the Greek soldier killed by Melantha. After skirmishes with the Cicones (allies of Troy), Alexi is recognized as a healer, just as his father, Aristides of Herakleon, was and declared hagios (set apart as sacred) by Lopex.

Alexi's responsibilities continue to put him in tenuous situations: stupefied by the ophion and ministrations of Apollonia and the beautiful women of her town; fabricating stories (about miasms sent from Poseidon) to appease the Greeks threatening revolt; and surviving the attack by a legendary one-eyed creature.  Luckily, Alexi's good sense and cunning win him allies amongst the slaves and Greeks alike, save for Ury who continues to tyrannize the boy.

Alexi's exploits and ordeals command the reader's attention and support, but it's his sense of justice and loyalty that will endear him to the reader.  I found Bowman's writing captivating, although I might recommend that a glossary of Greek terminology be included to explain terms whose meanings could not discerned.  Regardless, the mystery which Alexi ultimately feels he must uncover (you'll need to read the book for this) will ensure my reading of his subsequent adventure, The Sea God's Curse (Ronsdale Press, fall 2012).