Sammy and the Headless Horseman

by Rona Arato

Fitzhenry & Whiteside

9781554552696

156 pp.

Ages 9-11

May/September 2016

Yes, I know summer is almost over but here's one last summer hurrah for readers to enjoy a 1920s Catskill Mountains resort and solve a mystery with 11-year-old Sammy Levin and his cohort of young sleuths.

Sammy has been invited by his Aunt Pearl to travel with her and his cousins, Joshua and Leah, to the Liebman’s summer resort to get him away from his gang in New York City and to give Sammy’s father some time with his new wife Martha.  But upon his arrival Sammy learns she has arranged for him to work at the resort while she and her family enjoy the benefits of being guests.  Although initially chagrined at this turn of events–as are his Uncle Milton and his father when they visit–Sammy realizes soon enough that he enjoys the work and palling around with other teens who work at the hotel, especially fourteen-year-olds Adam Van Dorn and the owner’s daughter Shayna Liebman, and even performing with the hotel’s entertainer, Moishe.

It was exhilirating and nerve-wracking, but Sammy never felt more like he belonged. (pg. 80)

But there seem to be ghostly forces at work creating havoc at the Liebman’s hotel and on the property of the nearby Hermit, a former slave, including broken dishware, a trampled vegetable garden, a ceiling light falling, and a fire at the Hermit’s chicken coop.  Mrs. Leibman is convinced it’s her dead grandmother expressing her annoyance at the hotel owner’s use of her recipes, but that doesn’t explain the headless horseman (“Some fool hidin’ his head in a black cape and ridin’ a horse”; pg. 44) whom the Hermit witnesses and who later makes appearances at the hotel.  Sammy, who recalls the terrorizing of his Polish village by soldiers, is determined to stop good people like the Hermit and the Liebmans from experiencing further distress and damage.  Together with Adam and Shayna and the annoying Joshua–who always makes sure to clarify to others that “I’m a guest” (pg. 43)–Sammy pursues the mystery of the headless horseman and does a little ghost-busting.

There’s a mystery to be solved and Rona Arato, award-winning writer of The Last Train (Owlkids, 2013), sets up all the clues for the kids to discover the solution and make things right.  Sammy and the Headless Horseman is a Jewish Hardy Boys for the middle-grade set.  But it’s the setting and atmosphere with which Rona Arato infuses her plot that makes the story all the better (and she provides historical notes and photographs to enhance her story).  Sammy and Headless Horseman takes you back to a time when a mountain resort and swimming in a pool and a lake and playing cards and hanging with your peers was summertime bliss.  But by saturating the story with the foods, vocabulary and culture of a Jewish community of the 1920s, many of whom recall their emigration from the old country to the States, Rona Arato has ensured that Sammy and the Headless Horseman is seasoned with a distinctive flavour and ambiance that leaves the reader and the characters feeling good.

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If you're in the Toronto area, don't miss the opportunity to get a signed copy from Rona Arato this Sunday, August 28, 2016 at Indigo Yorkdale.  Details here. 

Sabotage

by Karen Autio
Sono Nis Press
978-1-55039-208-1
293 pp.
Ages 10+
2013

In 1915 Port Arthur Ontario, Saara Mäki and her younger brother John, from Karen Autio's Second Watch (Sono Nis Press, 2005) and Saara's Passage (Sono Nis Press, 2009), may seem to be typical Finnish children in their community but, with the Great War on in Europe, nothing is typical anymore. John's Ukrainian friend Fred has had his father herded away to an internment camp. Then a man at the grocery store calls the Mäki family "enemy aliens". Even Saara has worries that she may not progress from Junior Fourth to Senior Fourth because she's been away for months helping her aunt who has TB. And the news is rife with the case of Carl Schmidt, a German who participated in dynamiting an armory, a plant and the Nipigon River railway bridge, almost. Suspicions abound.

Alternating chapters in the voices of Saara and John, Sabotage begins at the onset of summer holidays. While Saara, now 14, must work away at delivering her mother’s sewing work and completing assignments that would allow her to pass into the next form, John (9) delivers newspapers with Fred, and keeps his ears open to all the gossip and any news the reporters might share. Though Saara is pestered by John’s pranks and outrageous ideas, she is forced to watch him and even work with him whenever directed by their mother. When a new boy, Peter Schmidt, joins them in playing war, Saara meets his sister, Birgitta, and they become fast friends.

While John’s suspicious but observant nature helps him to find evidence of sabotage and get him rewarded with the moniker of “Scoop”, he and many others see sabotage and saboteurs everywhere, whether it be a fire in a grain elevator (a fairly common occurrence) or a person speaking German. But when their own actions are misinterpreted as suspicious, and their father is accused of attempting to blow up the grain elevator, John and Saara must work together and ask for help of those who disapprove of them if they are to help their father and prove that all landed immigrants are not dangerous enemy aliens.

Although the premise behind Sabotage is, well, sabotage, Karen Autio paints a picture of a Canadian community on the edge: men away at war, never coming back; women need to find work to help support their families and help with household duties previously shared with their spouses; families of internees are left without support, financial and emotional; flagrant prejudice is leveled against those who speak other languages regardless of their loyalties, community connections, and valuable contributions; censorship of letters shows up between children; attempts to unionize workers and institute labour reforms are seen as suspicious; and paranoia about everyone and everything abounds. The little pleasures of an ice cream with a beau are few and far between (though sweet), as is play for children. Youth like Saara and John, as well as Fred, Birgitta, Peter and others are slammed hard with the realization that the world and the adults running it are not always hospitable and generous, or even rational. It was a hard lesson to learn, I’m sure. Credit to those adults who could demonstrate sound judgement during a time of war, and impressed that model upon children, because in a world where there really were saboteurs aiming to do harm, there was enough to worry about.