Illustrated by Rhael McGregor
Coloured by Azby Whitecalf
Lettering by Kielamel Sibal
HighWater Press
978-1-77492-137-1
64 pp.
Ages 12–14
Releases March 10, 2026
Sonya Ballantyne, a Swampy Cree filmmaker based in Winnipeg, did not just spring onto the scene with her first movie Crash Site or as a writer for The Walking Dead: Last Mile or Acting Good. Her origin story helped make her who she is. But what is that story?
![]() |
| From The Unbeatable Sonya Ballantyne, written by Sonya Ballantyne, illustrated by Rhael McGregor, coloured by Azby Whitecalf, lettered by Kielamel Sibal |
As a child, Sonya Ballantyne had a lot of dreams of what she would be when she was older. She considered being Bret Hart or a marine biologist or a musician, but becoming a writer was a special dream. Problem was that Sonya knew that girls like her—Indigenous—didn't often finish high school or get to fulfill their dreams. And though she had incredible support from her parents and much family love, there were others who reminded her that her options were limited by being an Indigenous girl. Sonya was determined to find a way.
Sonya imagined herself as a superhero who'd arrived on Earth as an alien whom her parents found and protected, along with her grandparents. After all, the origin stories of all superheroes were clouded with tragedy, and they still went on to do good.
![]() |
| From The Unbeatable Sonya Ballantyne, written by Sonya Ballantyne, illustrated by Rhael McGregor, coloured by Azby Whitecalf, lettered by Kielamel Sibal |
![]() |
| From The Unbeatable Sonya Ballantyne, written by Sonya Ballantyne, illustrated by Rhael McGregor, coloured by Azby Whitecalf, lettered by Kielamel Sibal |
Because The Unbeatable Sonya Ballantyne is a graphic novel, the art gives much of the story, supporting it with visuals of Sonya's real life and that of her superhero alter ego. Rhael McGregor shows us both a child and then teen who enjoys the warmth of those who care for her but also has struggles against those who bully, anger, insult, or wrong her. And they give us very real depictions of Sonya from a young child to middle grader to teen so that she is recognizable and still changing as she grows up. But it is the context of that development, from Sonya imagining herself as a superhero rescued as a baby, to a child enjoying play—versus an overprotective grandmother—and a teen journalling her angst that Rhael McGregor makes us see Sonya through all her phases and faces. With the art coloured by Azby Whitecalf and lettered by Kielamel Sibal, these graphic elements enhance the storytelling of the life of Sonya Ballantyne, while making us want to know more.




No comments:
Post a Comment