My Life Before Me: Interview with author Norah McClintock

With my review of Norah McClintock's book My Life Before Me, her contribution to the Secrets series from Orca Book Publishers, posted above, I am pleased to offer a little something extra.  As part of Orca's Secrets Blog tour–in which I'm delighted to be participate!–I have the pleasure of posting a Q & A with Norah McClintock in regards to her amazing book and the writing process.

I'm pleased to post that interview here. Enjoy!

Norah McClintock, author of My Life Before Me

HK:  The plot in My Life Before Me is so intense, mixing a young woman’s search for her past with a murder mystery and racism and the civil rights movement.  What germ of an idea did you focus on as the starting point for the story?

NM:  I once read about a woman who had discovered that her father had attended a lynching along with many other seemingly respectable white people in town. It happened in the 1930s, I think, and, contrary to what one thinks when one hears about lynching, it didn’t happen in the American south. It happened in a northern state. That was the sum total of my initial idea. This bears absolutely no relationship to Cady or her quest. But it was the thing that maybe me wonder about family and knowing: what we think we know versus what really happened; how what happened can change everything in a moment.



HK:  The whole Seven Secrets takes place in 1964.  How did you research this time period to ensure setting authenticity in My Life Before Me?  What was the hardest about writing about a teen for a time period during which you were a very young child?

NM:  I would like to say that I wasn’t even born then, so I had to slog through tons and tons and tons of sources to make sure I was as accurate as possible. That’s certainly true for some members of the group. But I was able to draw on actual life experience. When I was a kid, a cousin several years older than me – about Cady’s age, in fact – lived with us for her high school years. She shared a room with me. So I had a pretty good idea about what 1960s teens were all about. 



HK:  Nellie Bly and the field of journalism are important aspects of My Life Before Me.  Why did you choose to emphasize this in your book?

NM:  I gave Cady my passion. I also gave her my part-time job. I actually did what I describe for a local newspaper.

Cady was adopted once in her past and then given up to an orphanage. She has been rejected by two sets of parents, not just one. So her focus was never going to be on where she came from. She doesn’t care. At least, she doesn’t want to care. When we meet her, she has just been dumped by her boyfriend because of his mother’s prejudice against orphaned girls, who, at that time, were more often than not children who were born to unmarried women – something that was deemed shameful and for which women suffered terrible consequences. So Cady’s focus is on finally taking charge of her life, following her dream, refusing, despite all the odds, to give up until she proves herself – just like Nellie Bly.

HK:  Considering the circumstances with which she has had to endure most of her life, Cady could be justified in harbouring a lot of anger and bitterness.  Yet she accepts most situations with a grain of salt and much wisdom.  How did you keep from embittering her to her life’s realities?

NM:  Well, she is kind of bitter about her boyfriend and his mother and the whole town that she can’t wait to leave. But she’s not a person who is interested in her own past. She is focused firmly on the future and who she wants to be. She can’t wait to get started. But her life experience is not one of being ill-used, abused, or even badly brought-up. The orphanage were she was raised was not a huge institution. It was small, charity-run, not well-financed, but it was home. Cady’s resentment is not directed there, although her restlessness stems from there.



HK:  Co-authoring books can be an odious task as well as fulfilling as authors attempt to work with each other’s strengths and weaknesses.  But writing Secrets, just as with Seven the Series and the Seven Sequels, must be a completely unique writing process as you and six other authors must co-ordinate your works.  What did you find most compelling about this process–you have done it three times now–and what recommendations would you make to other authors who might like to attempt this?

NM:  You have to be willing to go with a premise that is not necessarily your own and prepared to negotiate with other writers to make sure that the story elements you all need are included, where necessary, in the basic proposition of the series. You have to deal with a few curve balls, too. I was thrown a huge one when work started on the Seven prequels, but that’s another story. Coordinating the instigating situation is probably the hardest part. The person I feel sorriest for is the series editor, who had to make sure that nothing in one of the books contradicted anything in the other six, etc. It was a lot of work and sometimes meant that the editor had to negotiate with two writers to come to a compromise. I think maybe sometimes she also issued fiats. The result was always fine.



HK:   I don’t know if Eric Walters is thinking of a set of sequels to the Secrets series but if it happens, I can think of a number of ways to take it.  Cady’s journalism, another crime or mystery, her remaining family,  a possible romance.  Where would you like to take Cady’s story given the chance for a sequel?

NM:  Oh, there are so many possibilities. She’s young. She has drive and ambition, the 1960s, as they are thought about in popular culture (which is not a true reflection of reality, by the way), are just getting started, and change is in the air. 


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Thanks to Orca Book Publisher publicist Melissa Shirley for arranging this Q & A and to author Norah McClintock for sharing with CanLit for LittleCanadians’ readers a glimpse into her writing and her new book My Life Before Me.

My Life Before Me

by Norah McClintock

Orca Book Publishers

978-1459806627

248 pp.

Ages 12+

September 29, 2015

Cady Andrews has dreamed of being a newspaper reporter and when her home, the Benevolent Home for Necessitous Girls, burns down, the story she is going to pursue is her own.  Just like the other six older girls–Toni, Sara, Betty, Tess, Malou and Dot–from the Home who must set out on their own, Cady is given clues to her identity or heritage.  Though she wants to reject it at first, hopeful of a new and exciting life, totally different than the pathetic one of twice-orphaned Cady Andrews, she takes that single clue–a yellowed newspaper clipping of a photo of the vandalized tombstone of Thomas Jefferson who died in 1948 in Orrenstown, Indiana–as the means to grab the attention of the Toronto newspaper editor who thinks the newspaper office is no place for young women.  

But it’s 1964 and it’s a time of the growing civil rights movement and a time of anger by those who can’t abide change.  Not surprising Cady’s questions in Orrenstown and then in Freemount where the grave is located draw a lot of attention. From the  three old men whom she meets at the diner, one of whom becomes her go-to person for local info, Sheriff Bradley Hicks who keeps popping up, a black youth named Daniel and his mother Lila Jefferson, and Maggie Nearing, who runs the local newspaper and the rooming house where Cady stays, Cady gets everyone gossipping and sometimes answering her questions.  Though she learns that Thomas Jefferson had been imprisoned for killing a white man and died while trying to escape, the story details seem to take on different perspectives depending on with whom she is speaking.  And his status as a war hero seemed to rub some people the wrong way.

What Thomas Jefferson, a black man, has to do with blond, blue-eyed Cady is not readily evident, but as with any crime story, a little bit of digging goes a long way to uncovering a few bones and ultimately some skeletons that many would have preferred left hidden.  In fact, some locals are threatened by Cady’s interest in the story as evident by threats she endures because of her enquiries.  Luckily she’s a determined and clever young woman and follows her single clue from one lead to another, meeting more and more people, and revealing an overwhelming racial discrimination and a story of murder, lies and corruption.  That clue may have been given to her to help find her family, but it’s probably more important in what she learns about herself.

But I promised myself that I would never commit the same sin.  I would never be afraid to do the right thing.  I didn’t want to go through life hating myself or regretting decisions. (pg. 242)

There’s a great reason that Norah McClintock is the queen of YA crime writing and I’m so impressed with the story she was able to create within the premise of the Secrets series and still accommodate a plot involving murder, mystery, and civil rights.  My Life Before Me demonstrates that our lives are more than the total of our own experiences; they are also shaped by experiences before our own births.  That single newspaper clipping clue about a man of no relation to Cady is able to open the doors to her past and her origin, though never obvious or confusing.  She will learn from whence she came, though her birth is neither a happy nor a horrific story.  But the story in which her birth is embedded is greater than her own, because it tells of a society that was hurtful and dishonest and prejudiced, and in 1964 still only starting to change for the better.  Moreover,  Norah McClintock easily places the reader in a different time–a time in which skin colour sadly mattered and justice was not always so.  And yet, readers will be impressed by Cady’s strength of character, regardless of the roadblocks constantly placed in her way, and the way she faced adversity with wisdom and poise.

Never spit into a well you may need to drink from. (pg. 7)

And even though much of the mystery regarding Thomas Jefferson skirts Cady’s own story, she makes it into a story that was important to tell and share, for a good greater than her own need.  I truly hope that Cady will continue to be given voice by  Norah McClintock as I think they both have lots more important ideas and stories to share, whether about being given to the orphanage for a second time or about the new life she makes for herself as a newspaper reporter.  Lots for more stories to be told, I’m sure.

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Something special as part of the Secrets blog tour!

Read my interview with author Norah McClintock about her writing and her new book My Life Before Me in my next post today.