Root Beer Candy and Other Miracles

by Shari Green

Pajama Press

978-1-77278-007-9

240 pp.

Ages 8-12

September 2016

I’m trying to have faith
trying to believe everything
will be okay.
But what if things don’t work out?
What if Jasper leaves,
Daniel can’t breathe,
my parents aren’t in love?
What if my family falls apart,
and I have to choose a parent
and not
the other?
Then what good
 is faith? (pg. 145)

It must feel like the weight of the world is upon Bailey’s small eleven-year-old shoulders.  Being sent with her 8-year-old brother to stay with their hitherto-unknown grandmother, Nana Marie, at Felicity Bay on Arbutus Island on the west coast seems trepidatious enough but this strangeness is compounded by her concerns for her parents who are attending Marriage Repair camp.

My parents should be here.
We should be together
the four of us–
diamonds, clubs, spades, hearts,
Crazy Eights on a Sunday afternoon,
four quarters making a whole
like we always used to be
but might never be
again. (pg. 13)

Still Bailey has the joie de vivre to find adventures in everything from the pancakes in which she searches for the face of God–Aunt Debbie saw Tom Hanks’ face in her pancakes once– to a piece of driftwood that becomes a mermaid she christens “Our Lady of the Bay.”  And when the prophecy-delivering ice-cream man Jasper, a former preacher, foresees a stranger coming who will change everything, Bailey is hopeful that it’s Our Lady of the Bay who will bring about some good fortune.  With her parents’ marriage in need of repair, her friend and neighbour Daniel suffering with cystic fibrosis, a community divided and occasionally hostile, the compassionate Jasper being disgraced and driven out of town, and the church’s chalice missing, Bailey and Felicity Bay need a miracle or two.

But, even with these uncertainties and burdens, don’t ever think of Root Beer Candy and Other Miracles as anything but a story, told magnificently in verse form, of hope and courage and trust in the universe.  Good and bad may ebb and flow like the tides but that’s just the nature of  things.  In the end, it is what it is, and Bailey accepts it to be so.  Nonetheless it doesn’t stop her from making an all-out effort to help, whether it be her parents, Jasper, or a beached dolphin, and try to turn the tides of adversity.

Root Beer Candy and Other Miracles is Shari Green’s debut novel but it is an accomplished story in form and content worthy of a seasoned writer.  If you’ve enjoyed reviews on CanLit for LittleCanadians, you know that I am fond of novels in verse, but I fully comprehend the titanic challenge of writing one well.  Balancing structure with plot is complicated.  Yet Shari Green dives right in, creating characters and circumstances that effortlessly carry the reader from beginning to end on waves of sentiments, some fearful, most benevolent, all heartfelt.  Root Beer Candy and Other Miracles is in itself a miracle of a free verse of

“…moments
of significance,
ordinary things
that turned out to be
extraordinary.” (pg. 232)

Driftwood

Written by Valerie Sherrard
Fitzhenry & Whiteside
978-1-55455-305-1
200 pp.
Ages 10+
October, 2013

With the recent awarding of the Nobel Prize in Literature to Alice Munro, I think we can consider the short story as coming into its own.  And while Valerie Sherrard's Driftwood is not a collection of short stories, it has at its heart the telling of short stories as perfect vignettes of life lessons. 

Although eleven-year-old Adam's summer at a cottage on Schooner Point, Miramachi for two months has a rough start when his best friend Billy cancels the day before they're supposed to leave, it becomes a pivotal one for him.  It's a coming-of-age summer with Adam learning to see, not just look. While Mom tries to recharge her artistic juices (her popular paintings of their local covered bridge seem less inspired) and Dad works away on his computer, Adam explores the area, finding new acquaintances amongst the other cottagers.

Though Adam meets an assortment of kids, older and younger, male and female, friendly and arrogant, it's his first cottage friend, Joey, who introduces him to Theo, an older blind gentleman, who pays $5 for interesting pieces of driftwood.  Better than the money are the stories that Theo shares based on the wood's origins.  But as  entertaining as his stories are about the lychee, the oak, the mountain mahogany, the baobab and the mountain ash, it's what his audience derives from these tales that is the most significant.  Sometimes there are life lessons about telling the truth, or karma, or friendship, or secrets.  What the listener or reader can take from the stories depends on their own circumstances and whether they're listening.

"Our hearts hear the whispers they need to hear.  If we are wise, we take them in." (pg. 174)

The driftwood provides the impetus for life lessons to be taught but it is Adam who is the most significant driftwood, set loose by a no-show friend.  He goes into the summer with a disappointment chip on his shoulder and then drifts from one situation to another, never really taking root.  By melding these interactions–many endearing, some humourous, at least one frightening–with Theo's stories, Valerie Sherrard turns a summer vacation into a summer of growth for Adam, though it's unlikely that he recognizes it completely for what it is until he returns home.  In Driftwood, Adam finds his own story, beginning to understand himself and those around him, and discovering that he can control how he establishes himself with others.  He's looking and finally seeing, hearing and finally listening, and learning and finally understanding.  Similarly Driftwood encourages the reader to read beyond the words to discover the beauty of a boy's simple summer.