The Owl and the Lemming

by Roselynn Akulukjuk

Illustrated by Amanda Sandland

Inhabit Media

978-1-77227-120-1

32 pp.

Ages 5-7

November 2016

Like Aesop’s Fables, The Owl and the Lemming is a tale with a moral but it is more than just a morality story. Through the words of Nunavut-born filmmaker Roselynn Akulukjuk and illustrator Amanda Sandland, this fable is an Inuit legend with a lesson based on a local predator-prey relationship amidst that Arctic ambience of mossy and rocky tundra.  The Owl and the Lemming is as elegant in its story-telling and art as it is wise in its teaching.

A young lemming makes her way out of the den in the spring to partake in some much-needed feeding on tasty moss.  So engrossed in her eating, she fails to notice a snowy owl land directly in front of the entrance to the lemming’s den.   The young lemming tries to trick the snowy owl with some juvenile ploys based on distraction but, though young, the owl is wise to her intentions. Finally the lemming invites the owl to play a jumping game with the lemming’s fate as a meal the prize.  The owl is only too happy to show his prowess at jumping, sadly for him allowing the lemming to scurry back into her den.  Though his father cautions him, “Next time, don’t play with your food” (pg. 25), the little owl knows it was his pride that cost him his meal.

That old adage of pride going before a fall is ever so true in this Inuit tale, told with humour by Roselynn Akulukjuk who directed a puppet-based film of the story for Taqqut Productions, just winning Best Animation at the 41st annual American Indian Film Institute Festival.  It’s an auspicious recognition of the talent of Roselynn Akulukjuk to tell such a legend with both clarity and richness, staying true to her Nunavut roots while extending herself into her new pathways for story-telling.  Similarly, Amanda Sandland uses her artwork to combine the whimsical with the realistic, creating composite images of drawings with photographic backgrounds.  With only a few touches of comic design, like the den’s doorway and fencing, added to the true tundra landscape, Amanda Sandland puts all her efforts in creating a lemming and an owl worthy of the legend’s title.

From The Owl and the Lemming 

by Roselynn Akulukjuk, 

illus. by Amanda Sandland

Readers should look for the release of Taqqut Productions’s film of this story, but indulge in this literary version from Inhabit Media for teaching and learning an important moral about pride and survival from a very northern perspective.

The Wolf-Birds

by Willow Dawson

Owlkids Books

978-1-77147-054-4

40 pp.

Ages 5-8

2015

Sometimes I receive review copies of books that get office-bushwhacked on their way to reviews on CanLit for LittleCanadians.  Sometimes I get back to them, and sometimes I don’t.  And then sometimes because of award nominations I feel compelled to finally get that review out.  Such is the case with Willow Dawson’s The Wolf-Birds, recently nominated for the 2016 TD Canadian Children’s Literature Award and the Marilyn Baillie Picture Book Award, the 2016 Information Book Award and the 2017 Blue Spruce Award.  Mea culpa for not reviewing The Wolf-Birds sooner.

The Wolf-Birds is a story of survival in the natural world and it’s not an easy one.  But when life is governed by the weather and food availability, how can it be anything but perilous?  Two hungry ravens endure the cold of winter, scavenging for food wherever possible.  When they hear four wolves in pursuit of a buffalo, they follow, expectant of some scraps.  Instead, one of the wolves is killed and the three remaining wolves continue their own search for food, alerted by the ravens to a starving and injured deer.  

From The Wolf-Birds by Willow Dawson

In the wild winter wood…

…one animal’s life helps many others live.  

From strongest to smallest,

everyone feasts in turn, filling

bellies and beaks. (pg. 24-27)

The interdependent relationship between the ravens and wolves is recognized by the common use of the term “wolf-birds” for ravens, acknowledging the unique connection between the two creatures.  As Willow Dawson’s story reveals, ravens are prepared to steal food killed by wolves as well as lead them by call and display to potential prey, while wolves pay attention to where ravens congregate and willingly clean up that which the birds do not eat.  It’s a unique interdependence and one that affords greater discussion in science classrooms, discussions aptly supported by the book’s references and information guide available at the Owlkids website here.

But, The Wolf-Birds is an illustrated children’s book and one whose artwork must be recognized as fundamental in the telling of its story.  The text is spare and that is because the illustrations, acrylic paint on board, propel the story through the cycles of food and life. Eerily reminiscent of the sleek animals of cave dwellings, Willow Dawson’s fauna are simple, outlined creatures, unadorned but easily identifiable, coloured in muted earth tones of feathers and fur, alongside cool snow and winter skies, with occasional brightness of rose or green.

From The Wolf-Birds by Willow Dawson

There is a story to tell here of life in the wild and a mutualistic relationship of which many readers are unaware.  The Wolf-Birds, beautifully depicted by Willow Dawson's artwork, is a story that must be told and appreciated for its lessons and its message about working together and survival, teachings that go far beyond the natural environment portrayed within.