The Pencil

Written by Susan Avingaq and Maren Vsetula

Illustrated by Charlene Chua

Inhabit Media

978-1-77227-216-1

36 pp.

Ages 5-7

April 2019

Maybe you think a pencil is just a pencil, a utensil that is easily replaced and should be thrown away when it becomes too difficult to manipulate. But, for Susan Avingaq whose story this is, a pencil is so much more.

From The Pencil by Susan Avingaq and Maren Vsetula, illus. by Charlene Chua

When Susan's mother leaves their iglu to help a neighbour with a birth, she and her sister Rebecca and brother Peter are left in the care of their father. Play for the children includes having a jumping contest, a game of hide-and-seek and the two older girls practising their letters on the frost surface of the ice window. But when Ataata pulls out the pencil from the special box of Anaana's things, everything changes.

From The Pencil by Susan Avingaq and Maren Vsetula, illus. by Charlene Chua

The pencil is already very short from Anaana's writing of letters to people in other camps, using whatever paper she might save including from tea boxes and sugar bags, but it is still gold.

Anaana always said that we needed to be very careful with the pencil and that it wasn't a toy.

Ataata also gives Susan a piece of paper and suggests she draw pictures for her brother. Though nervous, she draws seals and caribou and her family. Then Rebecca practises her writing, and Peter draws some scribbles and their father draws different inuksuit.  The pencil gets shorter and Ataata has to sharpen it with his knife.

When their mother returns and is somewhat taken aback by their use of her pencil, she still cheers their efforts and is pleased that they'd had a good day.

From The Pencil by Susan Avingaq and Maren Vsetula, illus. by Charlene Chua

Susan Avingaq's reminiscence of that special day with a pencil is so charming. The children's reverence for that pencil is absolutely palpable. They know how important it is to their mother and that it is not a trifle. With every stroke of that pencil, they showed knowledge of their culture and respect for Anaana and her need to be frugal.  Together Susan Avingaq and Maren Vsetula, who'd first collaborated on Fishing with Grandma (Inhabit Media, 2016) which was also illustrated by Charlene Chua, bring Inuit life on the land into a meaningful but genuine depiction in The Pencil. I have no doubts that Susan and her family, like many, had to be resourceful and careful with what they had and how it was used but The Pencil goes beyond a lesson in frugality and becomes a story of family, of play and of culture, which many children will appreciate. Charlene Chua, whose art has enhanced the stories of Akilak's Adventure (2016) and Elisapee and Her Baby Seagull (2017) among others, always finds a way to illustrate the love of family and the cultural wisdom of the storytellers.  Children will see the delight in Charlene Chua's characters when the pencil is brought out, when their father pretends to be a polar bear and the children's regret when their mother reminds them about using the pencil.

 "You know the reason we have to use our things very wisely is because they are quite difficult to get. We have only one pencil right now, and we won't be able to get another until we return to the trading post," she said.

A pencil may only be a pencil to many people, but it's an opening to a new world of connection to Susan and her family and deserving of being treasured.

From The Pencil by Susan Avingaq and Maren Vsetula, illus. by Charlene Chua

Fishing with Grandma

by Susan Avingaq and Maren Vsetula

Illustrated by Charlene Chua

Inhabit Media

978-1-77227-084-6

32 pp.

Ages 5-7

2016

The beginning of the year is a wonderful time to catch up on hidden gems that I missed last year, especially ones that were released at extraordinarily busy times or at incongruous times, like a winter book in the spring.  To that end, I am so pleased to review Fishing with Grandma, a marvelous picture book that provides a glimpse into Inuit traditions of fishing and food and the important role of female elders in the family and community.

A young boy and his sister go to visit their grandmother, Anaanatsiaq, in search of an adventure.  With the house smelling of bannock, the children playing string games, and their grandmother sewing a sealskin, with her ulu on the ground beside her, the setting will be familiar to many Inuit but eye-opening for many others.  The children ask their anaanatsiaq to take them jigging for fish, a type of fishing the uses a jig or a lure. Their grandmother instructs them how to dress appropriately for the outdoor activity and then loads up the ATV with the appropriate equipment and they're off. While teaching her grandchildren how to test the ice for walking, how to make holes in it, and the movements of the wrist necessary to entice the fish, Anaanatsiaq introduces them to tools such as a tuuq, an ice skimmer, a jigging stick and an ice probe.  But it's the excitement of the sounds of the ravens and other fisher people jigging from their mats and of the sights of fish swimming by, as well as the thrill of the catch that elevates the outing to an adventure.

From Fishing with Grandma 

by Susan Avingaq and Maren Vsetula 

illus. by Charlene Chua

The story of Fishing with Grandma balances the blending of old and contemporary cultures with a special intergenerational relationship, making it a wonderful story for teaching acceptance and cultural competence. I love the children's grandmother, wise in tradition and facility, knowing the right thing to do and with the right tool.  I suspect that Nunavut author Susan Avingaq learned from her own grandmother just as she now would take her own grandchildren fishing and camping to teach them important land skills.  Susan Avingaq and Maren Vsetula's text of Fishing with Grandma is like Grandma herself, forthcoming without preaching, modelling acceptance and wonder and a joie de vivre.  Illustrator Charlene Chua, whose artwork in Akilak's Adventure (Inhabit Media, 2016) drew much attention, keeps the children's admiration and fascination for their grandmother and the adventure elevated as she does for young readers of the story.  Most importantly, the essence of being Inuit, from going jigging and sharing their catch with the community, is always uppermost in the story's text and illustrations, both teaching and entertaining readers of all cultures.

From Fishing with Grandma 

by Susan Avingaq and Maren Vsetula 

illus. by Charlene Chua