Showing posts with label Alma Fullerton. Show all posts
Showing posts with label Alma Fullerton. Show all posts

March 16, 2017

Hand Over Hand

by Alma Fullerton
Illustrated by Renné Benoit
Second Story Press
978-1-77260-015-5
24 pp.
Ages 5-8
April 2017

Alma Fullerton is becoming well known for taking young readers to other parts of the world to appreciate different ways of life.  There was A Good Trade (Pajama Press, 2012) set in Uganda; Community Soup (Pajama Press, 2013) which is based  in a school garden in Kenya; and In a Cloud of Dust (Pajama Press, 2015) which emphasizes the long distances Tanzanian children travel to school.  Now Alma Fullerton, with Renné Benoit’s soft illustrations, transports young readers to the Philippines in Hand Over Hand and takes up the cause of a young girl determined to not let her gender limit the life she wants to have.

It’s evident that Nina is expected to stay on shore and tend to racks of drying fish because she is a girl.
From Hand Over Hand 
by Alma Fullerton 
illus. by Renné Benoit
When she proposes to her grandfather, Lolo, that he take her out fishing in the banca boat with him, he scoffs at first.  But Nina is determined and insists she will bait her own hook and remove the caught fish.  It is obviously a milestone for the young child but one her grandfather accepts and even defends to the other fishermen who discount Nina.  However, though Lolo instructs his granddaughter in the art of baiting and jigging, demonstrating the hand-over-hand technique for drawing his line in, Nina is catching no fish.  When she becomes dismayed, repeating the other fishermen’s refrain that a girl can’t fish, Lolo shares the wise words, “Posh! The fish can’t tell you’re a girl.” Just when she is checking that the bait is still intact, she gets a tremendous tug on her line.  Nina, fearful she might not be strong enough to bring in the fish, almost gives it up to Lolo but he instead encourages her to use the hand-over-hand technique and persevere.

From Hand Over Hand 
by Alma Fullerton 
illus. by Renné Benoit
Hand Over Hand is a story of empowerment and determination when faced with naysayers and traditions that keep opportunities at bay.  Alma Fullerton’s simple story is loaded with lessons in seeing beyond gender, of courage to take on new struggles, both emotional and physical, and of the amazing things that can be accomplished with a supportive hand.  Even the other fishermen are surprised when they see the big fish little Nina brings in. The messages are evident but the context of Hand Over Hand is just as powerful, revealing the fishing traditions of the Philippines, as well as the stereotyping of roles that are being broken all over the world.  With a charming but realistic relationship between grandfather and granddaughter, Alma Fullerton encourages cultural competence amongst all readers.

Illustrator Renné Benoit whose artwork has garnered numerous awards and nominations (e.g., Proud as a Peacock, Brave as a Lion by Jane Barclay, Tundra, 2009;  The Secret of the Village Fool by Rebecca Upjohn, Second Story Press, 2012; A Year of Borrowed Men by Michelle Barker, Pajama Press, 2015) was the perfect choice  for Hand Over Hand.  Her watercolour and coloured pencil with pastels lend an airiness to the outdoor setting of sky and water, and an innocence to Nina and her endeavours.

Hand Over Hand has a purity of text and image that promotes an appreciation for another culture but it extends beyond by furthering the idea of gender equality, helping a little girl and her grandfather both see a new way of doing things.
From Hand Over Hand 
by Alma Fullerton 
illus. by Renné Benoit

October 06, 2016

When the Rain Comes

by Alma Fullerton
Illustrated by Kim La Fave
Pajama Press
978-1-77278-012-3
32 pp.
Ages 4-8
October 2016

When the Rain Comes may be the story of the monsoons hitting Sri Lanka and the flash floods that can occur but it’s also that of a little girl who finds the courage to do the right thing at the right time, demonstrating that it doesn’t matter how small or insignificant you may feel, you can make a difference.  Malini certainly does.

Alma Fullerton’s text takes the reader to Malini’s Sri Lankan village of choruses of spurfowls, bright warm colours and a ox-driven cart carrying a load of rice seedlings ready for the important seasonal planting. For Malini, it’s a milestone day because, as little as she is, she would finally learn how to plant those seedlings. Her worries that she might do it wrong are supplanted when the bullock driver asks her to keep on eye on the massive creature while he pops into a café for a break.

Then the  uproar of wind and rain takes over.
The skies go dark
and even the birds
take cover. 
Their songs silenced
by wind whipping
through the palms,
bringing a sheet of rain
toward the village
POUNDING
     POUNDING
  POUNDING.

                       (pg. 13)
From When the Rain Comes 
by Alma Fullerton, illus. by Kim La Fave
With an orchestration of flip-flap, whooshes, booms and cracks, the thunder claps and rains descend, creating a river of water down the road separating the bullock driver, as well as her parents, from Malini and the cart.  Yelling above the uproar of water and wind, they instruct the terrified little girl who is being knocked down by the wind to get to the barn on higher ground and save the rice seedlings.  It’s a monumental task of coordination and connection between Malini and the ox but one that ends in safety and a bond, even if only as long as the rain comes.
She leans close to him,
                                 stroking
                      whispering
           calming. 
They wait
slowly,
breathing together 
     in
         and
               out
     in
         and
               out.

                       (pg. 26)
When the Rain Comes may tell the circumstances of a single flash flood, but Alma Fullerton’s text, as well as her endnote about Sri Lanka, enlighten young readers about a life unknown to many: one of monsoons, poverty, agriculture, and children’s contributions to family needs.  But it’s Alma Fullerton’s rhythmic lines and sound scape of life and weather that carries the story, along with Kim La Fave’s stirring illustrations. From the brightly-coloured warmth of Malini’s home life to the turmultous gloominess of the storm of flashing water, wind and sound, Kim La Fave contrasts the two realities, echoing Alma Fullerton’s cheerful and fearful situations. Moreover, Kim La Fave’s distinction between the gargantuan ox and the tiny child reinforces a message that anyone, no matter how small or young, can move mountains, or oxen, if need be.
From When the Rain Comes 
by Alma Fullerton, illus. by Kim La Fave
When the Rain Comes is a resoundingly effective addition to our diverse youngCanLit collections and for enabling cultural competence for all readers, adult and young.

February 03, 2015

In a Cloud of Dust

by Alma Fullerton
Illustrated by Brian Deines
Pajama Press
978-1927485620
32 pp.
Ages 4-8
For release March, 2015

Like so many children who live in isolated communities in Africa, Anna accepts the need to travel long hours if she is to attend school.  The opportunity for schooling is worth it.  While others may be playing football during lunch break, Anne completes her homework which she cannot do at home as she always arrives home after dark.  This day, however, she has missed the arrival of the bicycle library and all the bicycles are snatched up by her classmates.

But, Anna still recognizes the value of these donated bicycles and goes out of her way to help her friends learn how to ride, experiencing their joy vicariously.  However, by accompanying them on their rides home, she finds her own journey takes much less time,  especially when her friend Mohammad shares his with her.

In a Cloud of Dust provides a glimpse into the lives of children who must travel long distances for the chance to attend school. Alma Fullerton's text is modest in its quantity but weighty in its simple message of compassion and support, similar to her A Good Trade (Pajama Press, 2012) and Community Soup (Pajama Press, 2013) picture books.  And, while I look forward to seeing more of Alma Fullerton's own artwork in future endeavours, Brian Deines' illustrations are incomparable, effectively portraying the dusty and lengthy distances over Anna must travel to school. Because of his reliance on oils, Brian Deines' illustrations are highly evocative of the landscape and mood of the remote areas of Anna's Tanzanian home, providing less detail and more ambiance than other media might provide, particularly in the brush of the illustrator of Bear on the Homefront (Innes and Endrulat, Pajama Press, 2014).

In the hands of Alma Fullerton and Brian Deines, the story of Anna and her travels to and from school are never lost In a Cloud of Dust.

May 27, 2013

Community Soup

by Alma Fullerton
Pajama Press
978-1-927485-27-9
32 pp.
Ages 4-7
May 15, 2013

Ah, it's soup day, and everyone has something to do.  Jomo, Dalila, Matu and Amundi are collecting beans, a pumpkin, sweet potatoes and corn from their school garden.  The teachers are stirring the pots.  And Kioni? She's like Mary of the lambs but with goats who follow her to school although against the No Goats rule! But goats will be goats and they are soon into the garden.  While the children herd the goats away from their produce, Kioni comes up with a tasty solution that allows the goats to participate in the community soup-making, without coming to any harm.

Alma Fullerton may be known for her award-winning novels in verse such as In the Garage (Red Deer Press, 2006), Walking on Glass (HarperCollins Canada, 2006), Libertad (Fitzhenry & Whiteside, 2008) and Burn (Dancing Cat Books, 2010) but last year's A Good Trade, also from Pajama Press, heralded her auspicious entry into the club of CanLit picture book authors.  With Community Soup, her newest offering, Alma Fullerton can now add CanLit picture book illustrator to her resumé.

Still putting her story into the joyous rhyme of a favourite nursery tale, Alma Fullerton enhances it with her three-dimensional artwork in mixed media with collages of paper cutouts creating a bounty of textures, teeming with the bold and evocative colours of a Kenyan community.  And the satisfaction of creating a dish cooperatively from the fruits (and vegetables) of their labour and successfully with solving the dilemma of the errant goats is all the greater, for the children and the readers.

But Alma Fullerton doesn't stop there.  In addition to sharing her art and rhyme, she provides the recipe for Pumpkin Vegetable Soup (see below) and donates a portion of her book proceeds to the Creation of Hope Project, delivering further to the cooperative quality of Community Soup. Bon appetit!

August 23, 2012

A Good Trade

by Alma Fullerton
Illustrated by Karen Patkau
Pajama Press
978-0-9869495-9-3
32 pp.
Ages 5+
Release October 1, 2012

Alma Fullerton, one of my favourite writers of novels in verse (e.g., Libertad, Fitzhenry & Whiteside, 2008; Burn, Dancing Cat Books, 2010), has applied her formidable craftsmanship to create a text light in word count but powerful in message. The story of A Good Trade features a young Ugandan boy Kato whose daily routine has him waking at dawn to collect the day's water at the local well.  Carrying two jerry cans, Kato skips, races and treks to the borehole where he joins other children in filling the cans.  On his return journey, he glimpses into an aid worker's truck and the routine of Kato's day takes on a new spirit and task.

Kato's story could be a sombre one, considering that for his whole life Uganda has been in the midst of a civil war in which children were abducted and terrorized to fight for the rebel forces. But, while not ignoring the presence of armed soldiers, A Good Trade accepts the unrest and horror as only one aspect of Uganda.  There are also the gardens, hills, trails, fields with cattle, and villages with neighbours and children.  And those who offer help.  Alma Fullerton emphasizes the hope that accompanies that aid and the touching gratitude of a young boy, while smoothing the wrinkles of Kato's life to remain a textured canvas of many threads: some thicker, some brighter, some coarser, others frail.

And Karen Patkau's illustrations are the embodiment of that texture, in mosaics of bold colours and angular shapes, recreating Kato's Uganda as a rich landscape.  While Karen Patkau has illustrated many books (e.g., One Watermelon Seed, Fitzhenry & Whiteside, 2008; Creatures Great and Small, Tundra, 2006) and has had her artwork recognized with awards, nominations and honourable mentions, I believe that the pairing of Alma Fullerton's text with Karen Patkau's art style in A Good Trade is inspired.  It's almost as if Karen Patkau's art was destined to evoke the landscape and story of Uganda.  Her sultry skies alone capably recreate the shimmering heat of an African day. 
Whatever forces, human or supernatural, that brought together these two artists, one of words and the other of graphics, knew exactly what they were doing.  There's gratitude all around here: from Kato, from picture book lovers, from compassionate readers.

*     *     *     *     *

By bringing together Alma Fullerton and Karen Patkau, Pajama Press, which was only established in April 2011, continues to impress me with the quality of the titles it publishes. I'm starting to feel like a groupie, promoting great book after great book like True Blue by Deborah Ellis; Last Airlift: A Vietnamese Orphan's Rescue from War by Marsha Skrypuch; and Don't Laugh at Giraffe by Rebecca Bender.  The only one I've missed reading is No Shelter Here: Making the World a Kinder Place for Dogs by Rob Laidlaw and that's only because I'm too much of a wuss about animal non-fiction.  Continue to look for reviews of Pajama Press' books here at CanLit for LittleCanadians and at your bookstore.

April 24, 2012

Rocky Mountain Book Award 2012 Winner Announced!


For the past month, readers in Grades 4-7 have voted for their favourite book from twenty fiction and non-fiction nominees and the results tallied and announced yesterday. 



The Winner of the 2012 Rocky Mountain Book Award Gold Medal is...

Dear George Clooney, Please Marry My Mom 
by Susin Nielsen 
Tundra Books
978-0-88776-977-1
229 pp.
Ages 10-14
2010 
--> After Violet's TV-director dad leaves Vancouver and reshapes his life into that of a rich LA bigshot with a beautiful actress-wife and perfect twin daughters, he doesn't see the wreckage he has left behind: Violet's younger sister begins bed-wetting; Violet's mother, a stylist, starts dating loser after loser; and Violet is seething with such anger that it compels her to make abominable and hilarious decisions, including looking to match her mom up with George Clooney, the actor.


First two runners-up are:

Burn  
by Alma Fullerton
Dancing Cat Books/Cormorant
978-1-897151-95-2
255 pp.
Ages 10-13
2010



Tower of Treasure: Three Thieves 
by Scott Chantler
Kids Can Press
978-1-55453-414-2
978-1-55453-415-9
112 pp.
Ages 9-12
2010 


Congratulations to the winners and all nominated titles.

April 16, 2012

Exceptional Novels in Verse for Young Readers

With April designated as National Poetry Month, I thought I'd include a post about a unique genre of poetry. Free verse novel, novel in verse and the verse novel are all epithets used for novel-length stories told in verse. Writing a book is challenge enough, but to write it in verse, rhyming or not, seems almost inexcusable. Luckily, more than a few Canadian authors have successfully tried their pens at it, with several writers like Pamela Porter and Alma Fullerton finding their voices in this writing style. Judging by the awards bestowed upon these tomes, it is a style that all readers appreciate.

Ann and Seamus
by Kevin Major
Groundwood Books
978-0888995612
2003

In 1828, seventeen-year-old Ann Harvey helps her father rescue Irish immigrants stranded off the coast of Newfoundland when their ship runs aground. The story, based
The Crazy Man
by Pamela Porter
Groundwood Books
978-0888996954
2005

After twelve-year-old Em loses her right foot in a farming accident, her father blames himself and ultimately leaves. Her mother enlists the help of Angus, a quiet, hard-working man from the local mental hospital, to help with the farm. While dealing with her own disability, and desperately trying to find her father, Em witnesses how prejudice and abuse, particularly that levelled against Angus, has its roots in fear.

In The Garage
by Alma Fullerton
Red Deer Press
978-0889953710
2006

Living with her port-stain birthmark on her face, overweight Barbara Jean has been outcast by all, except Alexander. Their friendship, however, is challenged when Barbara Jean betrays him for the opportunity to be socially accepted.


Walking on Glass
by Alma Fullerton
HarperCollins Canada
978-0060778521
2006

Through his journal which his therapist has encouraged him to keep, a young man reveals his thoughts about his mother's suicide attempt which has left her in a coma and his father devastated.

Zorgamazoo
by Robert Paul Weston
Razorbill
978-1595141996
2008

On the run from her wicked guardian, Katrina Katrell meets Morty the Zorgle who is looking for all the missing Zorgles. Together Katrina and Morty look to save the mythical creatures from the evil Dulbert Hohummer III of the planet Graybalon-Four.

Libertad
by Alma Fullerton
Fitzhenry & Whiteside
978-1554551064
2008

Libertad tells the painful yet hopeful story of a family struggling to survive in a garbage dump in Guatemala City. After the tragic death of their mother, Libertad and his brother Julio realize they cannot stay in the dump, and they begin an incredible journey to find their father in the United States.

The Apprentice's Masterpiece: A Story of Medieval Spain
by Melanie Little
Annick Press
978-1554511907
2009

In fifteenth century Spain, the Benvenistes, a family of conversos (Jews who converted to Christianity) must keep their secrets well once Queen Isabella comes to power and imposes her intolerance on the country. After Amir, a young man in Muslim attire, is welcomed by the family, shocking events, including the Spanish Inquisition, transpire to divide and destroy the family.

Wolf Pack of the Winisk River                                        
by Paul Brown
Lobster Press
978-1897550106
2009

Wolf, a lone wolf, makes his way through the northern landscape south of Hudson Bay, dealing with humans, hunger, rivals, and other animals to make it to the mouth of the Winisk River.

Burn
by Alma Fullerton
Dancing Cat Books
978-1897151952
2010

When Casey's mom leaves to go on the road and perform as she did before she settled down with John and had Ginny, Casey's autistic sister, Casey is overwhelmed by what she must endure, virtually alone: John’s despair, heartless bullying, Ginny’s special needs, and her own need to connect with her mom again. Sadly, the concept of smoke signals, familiar from childhood, becomes one of her choices to amend her life.


Yellow Mini
by Lori Weber
Fitzhenry & Whiteside
978-1554551996
2011

After his dad dies, Mark is left his yellow mini, which Mark enthusiastically drives around town. Through Mark’s voice, and those of his new girlfriend, Stacey, and other teens, the reader bears witness to their hidden fears and desires, as they all try to make sense of their worlds and their places in it.

I’ll be Watching
by Pamela Porter
Groundwood Books
978-1-55498-096-3
2011

In 1940’s Saskatchewan, the Loney family endures hardship upon hardship. Their mother, Margaret, has passed on; their dad, George, drinks and remarries bitter and self-righteous Effie Slade; eldest son, Ran, enlists in the military to make some money for the family which disappears repeatedly in the mail; and fourteen-year-old Nora is ultimately left in charge of her younger brother with little money for lights, heat or food.

Karma                                  
by Cathy Ostlere
Penguin
978-0143174721
2011

After her mother’s suicide, fifteen-year-old Maya and her father carry the ashes to India. However, it is 1984 and their arrival coincides with the assassination of Indira Gandhi, the prime minister. In the mayhem, Maya is separated from her father and gets help from Sandeep, a mysterious boy, who she grows to love.