February 22, 2012

Saskatchewan Book Awards

On February 16, 2012, the shortlists for the annual Saskatchewan Book Awards were announced at the University of Regina.

Saskatchewan is the only province in Canada that has a provincially-focused book award program i.e., one representing Saskatchewan's writing and publishing contributions.  With an impressive community of over 300 authors and 75 book publishers, Saskatchewan has much to celebrate and promote.

Established in 1993 by the joint efforts of the Saskatchewan Writers’ Guild, the Saskatchewan Publishers Group and the Saskatchewan Library Association, the Awards have grown from four to fourteen, although the specific awards vary year to year.

This year, the Saskatchewan Book Awards announced its short lists in thirteen award categories:
  • Scholarly Writing Award
  • First People’s Writing Award
  • Saskatoon Book Award
  • Regina Book Award
  • Award for Poetry
  • First Book Award
  • Children’s Literature Award
  • Fiction Award
  • Non-fiction Award
  • Book of the Year Award
  • First People’s Publishing Award
  • Publishing in Education Award
  • Award for Publishing
Congratulations to all nominees.  As we are CanLit for LittleCanadians, we'd like to honour those nominated for the Children's Literature Award:
  • Adele Dueck, Racing Home (Coteau)
  • Leah M. Dorion; Rita Flamand, trans., Relatives with Roots: A Story About Métis Women’s Connection to the Land (Gabriel Dumont Institute)
  • Alison Lohans, Picturing Alyssa (Dundurn)
  • Anne Patton, Full Steam to Canada: A Barr Colony Adventure (Coteau)
  • Judith Silverthorne, The Secret of the Stone Circle (Coteau)
  • Alison Uitti, First Days: Night Movies (Hear My Heart Books)
I'd also like to recognize those children's and YA titles that have been nominated for other Saskatchewan Book Awards.
 
For the Saskatoon Book Award:
  • Beverly Brenna, Waiting for No One (Red Deer Press)
For the Regina Book Award:
  • Alison LohansPicturing Alyssa (Dundurn Press)
For the Fiction Book Award:
  • Arthur SladeEmpire of Ruins: The Hunchback Assignments III (HarperCollins Canada)
For the Publishing in Education Award:
  • Penny Draper, Ice Storm: Disaster Strikes #6 (Coteau)

The Saskatchewan Book Awards will be presented on April 28, 2012 at a gala ceremony in Regina.

February 21, 2012

Freedom to Read Week

February 26 to March 3, 2012


"Freedom to read can never be taken for granted. Even in Canada, a free country by world standards, books and magazines are banned at the border. Schools and libraries are regularly asked to remove books and magazines from their shelves. Free expression on the Internet is under attack. Few of these stories make headlines, but they affect the right of Canadians to decide for themselves what they choose to read."


Freedom to Read Week is an annual event organized by the Freedom of Expression Committee of the Book and Periodical Council to raise awareness of issues involving intellectual freedom, which is guaranteed under Canada's Charter of Rights and Freedoms.

From Vernon, B.C. to Coaldale, Alberta, and Regina, Saskatoon, and Winnipeg, to Innisfil, Toronto, Ottawa and Peterborough, all the way to Cornerbrook, Newfoundland Labrador, libraries and other organizations are organizing events to celebrate our freedom to read.   A wide variety of contests, displays, films, readings, concerts, workshops, read-a-thons, and benefits are planned throughout Canada.  Check the Freedom to Read Week 2012  web site for a full listing of events.


A personal note:
Many readers are able to choose their reading unhampered by the will of others.  When the readers are young, it's not unusual for parents to help direct their children's choices of reading materials.  Similarly, teacher-librarians (if you're fortunate enough to have one in the school) or public librarians are experienced in offering readers' advisory and can offer assistance.  But just as there is a wide range of readers, both in interest, capabilities and experiences, the richness of literature available to children and young adults is far-reaching (contrary to the "there's nothing to read" refrain).  What a child chooses to read or a parent of a child allows to be read is personal, as is their reaction to any text.  We all choose what we want to read, are willing to read, or refuse to read.  That's freedom to read.  But, censorship is the expectation that we have the right to choose what others may read.

As reviewers, we must be diligent to avoid focusing on those attributes which may be deemed objectionable by some and to instead focus on the literary quality of the book: the plot, the characters, the writer's craft, vocabulary richness, themes.  To overwhelm a review with red flags of inappropriateness is both arrogant and unprofessional.  Of course, I pick and choose what I review, based on what books are available, on my reading preferences and on my personal reactions to the theme or the author's writing or whatever.  After all, I can't review every book so I choose those I look forward to reading.

But, anyone who decides that a particular book should not be included in a school or public library, or used by a teacher for a novel study, or honoured with a nomination on a selection list (such as for the Forest of Reading) is practising censorship.  And don't for a second believe that they are protecting anyone with their book challenges.

Decide for yourself what you will read.  Don't decide for all readers.  Not your job.  Nor mine.

February 20, 2012

Chasing the White Witch

by Marina Cohen
Dundurn
978-1-55488-964-8
157 pp.
Ages 8-12
2011

The old adage "Be careful what you wish for" should have been the title of the book that twelve-and-a-half-year-old Claire picks up at the grocery story.  But it isn't.  While Claire deals with her first pimple (extraordinarily perched at the end of her nose), enduring the relentless taunts of her fifteen-year-old brother, Jordan ("But I can't see you behind the mountain in front of your nose. Oh wait a minute - that is your nose!"; pg. 10) and then noticing her enemy, the beautiful and perfect Hollis Van Horn, is in the grocery store too, the little book that flutters to her feet is titled Remedies, Rituals and Incantations.  It must have been a sign - right? Claire thinks so.

Her first order of business is to get rid of that nasty pimple, and fortuitously there is an acne remedy in the little green book penned by the White Witch.  When the concoction (which includes yogurt, oatmeal, Limburger cheese and garlic) with the prescribed chant doesn't work, Claire reads the introduction (which she had ignored earlier) that states that the spellcaster must be pure of mind and spirit.  After cleansing herself by being helpful, meditating and taking a hot bath, the pimple is gone, and Claire is encouraged to co-opt her best friend, Paula-Jean, into performing an avenging spell on  Jordan.  The  spell works but Paula-Jean's uneasiness with the magic makes her aloof and ready to yield to Hollis' offer of friendship.  In reaction, impulsive Claire puts a hex on Hollis.  The unforeseen consequences of that act send Claire to team up with seriously-ill Hollis in order to locate the White Witch and learn how to make things right.  

Marina Cohen's earlier books (Ghost Ride, Dundurn, 2009; Mind Gap, Dundurn, 2011), both well received by readers, examine the serious consequences of choices made by young men.  In Chasing the White Witch, the theme is similar but I enjoyed the light-hearted manner in which Marina Cohen addresses it.  While the consequences of casting spells could be dire, the reader is fairly sure that the outcome of this story will not be tragic; after all, first you have to suspend disbelief to even accept that this magic works.  And Cohen's choice of materials (Limburger cheese?) and the farcical nature of the chanting suggest a story based in "make-believe" rather than reality.

But, it is the humour in the story that is most enchanting (pun intended), from Jordan and Claire's relationship (e.g., "Jordan could bungee-jump over cactuses using spaghetti as far as I was concerned."; pg. 16) to the publisher's name (Mixed Pickle Press) to Claire's imagination (e.g., "I had imagined the green crusty blotches and hobbit-feet and all.."; pg. 85) and her father's endless stream of aphorisms (If you kick a stone, you'll hurt your foot; pg. 29; Where you are going is more important than how fast you get there; pg. 69) and her reactions to them (e.g., "Please, Dad, I don't have time to do something as trivial as think"; pg. 70). As convinced as Claire is about her power to cast spells, her take on the circumstances is so authentic but impetuous that the reader is engaged in following her through to the end.

Though a short read at only 157 pages, which is often insufficient to develop any character well and fully, Chasing the White Witch introduces us to several distinct characters, namely Claire, Jordan, Paula-Jean and Hollis, who could easily return in a sequel.  By not tying up Chasing the White Witch's ending in a nice bow, Marina Cohen has created an opportunity to take these characters in a totally different direction and still delight the reader.

February 16, 2012

Timber Wolf

by Caroline Pignat
Red Deer Press
978-0-88995-459-5
206 pp.
Ages 11-14
2011

Waking in the snow, numbed by pain and cold, the young narrator of Timber Wolf comes to the violent realization that he knows neither his name, what has happened nor where he's from.
"Homeless.  Nameless.  Hopeless.  Yet, try as I might, nothing comes to mind but the fat flakes drifting down from the endless winter black." (pg. 3)
Although his recollections return slowly and intermittently, it is the first, that of his father, Da, teaching him to carve wood with a knife, that has him hopeful of family searching for him.  While he awaits his rescue, he does his best to find shelter and food.  Two key events occur which set the stage for the young man's journey back to himself.  First, he has a frightening but companionable encounter with a wolf who continues to help him throughout his ordeal.  Second, when the young man retrieves a snared rabbit, which he shares with the wolf, he meets a young Anishnaabeg, Mahingan, who saves his life.

Under the care and guidance of Mahingan's Grandfather Wawatie, the young man regains his health and strength, and learns some of the Anishnaabeg ways.  But, Mahingan's relentless anger compels him to abandon the young man when they come across a logging camp shanty.  The memories unleashed by the shanty bring the young man closer to his story but they also reveal that he is responsible for harming others.  As he continues to search for his life, he encounters his companion wolf, a bear and a frightening trapper with his own memory issues.

While the narrator will not determine his own name until page 171, his identity has been introduced in the first two books by Caroline Pignat: Greener Grass (Red Deer Press, 2008) and Wild Geese (Red Deer Press, 2010).  In Greener Grass, the 2009 winner of the Governor General's Literary Award for Children's Text, we are introduced to Kit Byrne's family (Mam, Da, brother Jack, little sister Annie) who have endured the hardships of farming in 1800's Ireland.  With the famine and subsequent starvation and evictions, Kit and most of her family, as well as her friend Mick, escape to Canada, hopeful of a better life.  This background information is not necessary to appreciate the story of Timber Wolf, which capably works as a stand-alone text, but the connections revealed in the books are important.  Readers who have not enjoyed Greener Grass and Wild Geese are encouraged to partake in these fine reads, even after reading Timber Wolf.

In Timber Wolf, Caroline Pignat's emphasis on the characters within an accurate, historical context draws the readers in, effectively bringing fear, despair, and hope to the foreground. The challenges of survival without solid memories that could provide a foundation for endurance and success are overwhelming and powerfully told in Caroline Pignat's rich writing.  Her imagery ("They pull his full form up onto the log where he flops like a load of wet laundry"; pg. 77) and perspicacity (Grandfather Wawatie's assertion that "even the tiniest hole left too long will eventually destroy the whole boat"; pg. 192) provide the beauty for this adventure story.  Although Caroline Pignat, in the interview notes at the conclusion of the book, does not confirm whether there will be additional books related to the Byrnes, I will look forward to another book to enlighten me historically and emotionally, as all three of these books have.

February 14, 2012

Forest of Reading: Most Passionate Fan

CONTEST
Do you participate in the annual reading programs of the 
Ontario Library Association? 


Are you 18 or younger and love the Forest of Reading?
Could you effectively and enthusiastically 
share your love of the Forest of Reading?

The Ontario Library Association is looking for 
the Forest of Reading's biggest fan

Just tell us why you love the Forest of Reading
in an essay (max. 500 words)
or in a video (max. 5 min; uploaded to YouTube.com)

for a chance to win

VIP Tickets to the Festival of Trees
including backstage access and the chance to meet the authors
for your school or library (max. 20 tickets)

Email your entry (with link, if a video) to 
Communications Co-ordinator Carla Wintersgill at cwintersgill@accessola.com
Deadline for entry is April 1, 2012


• VIP tickets only includes the price of the tickets, not travel or accommodation to the Festival
If the winner is unable to attend the Festival due to distance, a set of the 2013 books from that reading program may be taken in lieu of the tickets

By submitting an entry, you authorize the Ontario Library Association to edit, alter, copy, publish or distribute your video or essay for purposes of publicizing the OLA’s programs or for any other lawful purposes. The prize of VIP Festival tickets cannot be exchanged or refunded for cash or credit.

February 13, 2012

Emily For Real

by Sylvia Gunnery
Pajama Press
978-0-9869495-8-6
196 pp.
Ages 12+
Available April, 2012


Secrets can be kept hidden, or they can be shared thoughtfully or they can slip out unceremoniously.  Regardless, depending on who is keeping the secret and the focus of that secret, the impacts can be catastrophic, enlightening or inconsequential.  Emily For Real involves many such secrets, crossing three generations. 

Seventeen-year-old Emily Sinclair attempts to keep her boyfriend Brian's breakup with her a secret just until after her family has dealt with the funeral of her grandfather, Karl Sinclair.  But, Cynthia Maxwell, an older and mysterious visitor to the funeral reception, gets Emily curious about her Granddad, particularly as he was not a warm, affectionate man.  In fact, Emily's mom, Winnie, clearly did not respect her father-in-law, although his twin children, Emily's dad, Gerry, and her Aunt Emma, have irresolute sentiments about him.  Although dementia prevents Meredith, the caring woman who Granddad married within a year of his first wife's death, from offering clarification, additional probing by Emily and others brings new information about the accidental death of Gerry's and Em's mother.

With Granddad's secret revealed only after his death, the family is left to find their own ways to deal with it: ignore it, pursue it, embrace it, accept it.  Whether by cowardice, shame or self-righteousness, he left the family with more questions than answers.

Meanwhile, Emily continues to berate herself about Brian, hardly sharing with anyone, especially Leo Mac, a new student with whom Emily is asked to work.  His absence from a group presentation as well as a chance Halloween encounter has her asking questions of Leo who freely but angrily reveals his hidden truths.  Still reluctant to share all her secrets, except with the disinterested Meredith, Emily capably determines the nature of Leo's complicated situation and offers him friendly support, sadly something that she cannot accept.  However, when a final secret, both more personal and unnerving, is carelessly revealed, Emily's innermost feelings ask for a voice.

As the narrator who shares her responses to a stream of stupefying revelations, Emily becomes a real girl, not a cardboard cut-out of a teen.  In dealing with a death, a funeral and her family dynamics, her inertia is quite evident, few things rousing her attention or interest.  Her brain may keep taking her back to thoughts of Brian and the others' secrets, but she finds solace in visiting Meredith and in her own diversionary interest in Leo.  Leo's gruff and protective manner intrigues Emily while providing the reader with a sympathetic character for whom we can cheer.  

Although Emily's dad and aunt play significant roles in her dramas, I could not fully empathize with them, finding their reactions generally incredible or vague.  I was most responsive to Emily's mom whose sarcasm, indignation and resolve are more in keeping with the circumstances of her family life.  She may not be totally likeable (few people are) but she is more real than her husband or sister-in-law who probably should be more emotional and reactive, given the circumstances.  Luckily, Emily is real enough to deal with these issues in her own way; after all, she is Emily For Real.

February 10, 2012

The Taming

by Eric Walters and Teresa Toten
Doubleday Canada
978-0-385-67658-8
229 pp.
Ages 13-17
2012

If all the world's a stage, then high school provides the acting classes for life. Few teens have the confidence or wherewithal to be themselves; most take on roles they believe will make them popular or celebrated or conspicuous.  Not Katie.  She's happy being relatively invisible, enjoying the company of her two friends: brilliant, rich and nonconformist Lisa, and emo-boy, goth-looking Travis.  But everything changes when Katie gets the lead role in her drama class' production of  The Taming of the Shrew.  Not only does Katie enjoy the acting, but guys are starting to notice an attractive spark in her when on-stage. In fact, a dashing new student, Evan, whose familiarity with the play earns him the role of Petruchio, sees something captivating in Katie, asking her out.

The Taming's chapters alternate between Katie's voice and that of Evan, sharing different perspectives of their relationship. Living in subsidized housing with a single mother whose goal it is to capture a man, Katie has enjoyed anonymity, only sharing herself with Lisa and Travis.  But now, enjoying Evan's avid attention and her first dating experience, Katie has difficulties balancing her former life and friends with Evan's wishes.  It is evident, from Evan's entries, that he left his last school under negative circumstances, that he abhors his father, a jet-setting businessman, and that he carefully calculates every move involving Katie.  How their two lives intertwine is neither unexpected nor universal.

In a twisted contemporary version of The Taming of the Shrew, Katie is neither a shrew nor in need of being tamed.  However, Evan's knowledge of relationships is highly influenced by his parents' and his father's words and actions, whether he consciously chooses to follow them or not.  As such, although he seems to truly care for Katie, Evan's actions are focused on manipulating her to think and act according to his wishes, ultimately forcing her to make dangerous choices that threaten her sense of self.

Those readers who choose to read this book solely for its romance will not see the subtext that exists for most relationships.  Eric Walters and Teresa Toten meld their writing to bring the personal nature of any liaison with the challenges of understanding and relating to others.  Juxtaposing Shakespeare's tale of a strong woman subjugated by a suitor with Katie and Evan's contemporary dating situation, Eric Walters and Teresa Toten demonstrate that relationships through the ages may differ in context but the bases are essentially the same.  Relationships can be grounded in respect, trust and caring, or in false impressions, abuse and inequality.  The hope is that those who find themselves in superficial romances with private abuses find the strength and support to choose different roles as Katie is fortunate to do.