February 04, 2012

Neil Flambé and the Crusader's Curse

Written and illustrated by Kevin Sylvester
Simon & Schuster Books for Young People
978-1-44244-408-9
291 pp.
Ages 8-14
2012

It's not easy to empathize with Neil Flambé, teen chef and Vancouver restaurateur: he's precocious, arrogant and haughty.  How he ever got his cousin, Larry, to partner with him in the restaurant business or young perfumier Isabella Tortellini to become enamoured with him is beyond comprehension.  But, when his culinary skills and his extraordinary sense of smell (he is called The Nose, after all) seem to fail him, especially when hosting a group of food critics who send back their food or get food poisoning, those around him begin to worry.  After the setbacks Kevin Sylvester documented in Neil Flambé and the Marco Polo Murders (Key Porter, 2010) and Neil Flambé and the Aztec Abduction (Key Porter, 2011), Neil has had to refurbish Chez Flambé with new appliances, cutlery, furniture, heating/cooling, etc.  He should be in culinary nirvana, amazing everyone with his gifts, but now, on his fifteenth birthday, he's apprehensive and confused.  Something is very wrong.

Of course, the reader is privy to a series of historical episodes, starting in the 1200's, in which an ancestral Flambé chef (seems they were always great chefs) is prohibited from cooking but continues to create dishes using unlikely ingredients (e.g., seagull, tree bark, narwhal) and recording the recipes in a notebook of parchment.  History shows that, through time, many Flambés have been cursed.

Of course, the Nose knows no curse.  All he knows is that his glorious dishes now taste worse than sawdust and the restaurant's re-opening is doomed to fail.  Then Neil's life seems to flip out of the proverbial frying pan and into the fire: the safe with his recipes is stolen; a new restaurant, Carrion, is slated to open across the street; Greta Carbo from the Health Department shuts the restaurant down; and computer wiz and rival, Stanley Picón, with computer Deep Blue Cheese (DBC) challenges Neil to a cooking duel.  Luckily, Neil does have allies: Larry, Isabella, her bodyguard Jones, his mentor Angel Jícama, food critic Jean-Claude Chili, and police inspector Sean Nakamura.  With some clever sleuthing, innovative gastronomy, a little travel and even some charity, Neil and his associates discover a plot cooked up to flambé his reputation and his restaurant.

Kevin Sylvester has created a winning character in Neil Flambé. (Speaking of winning, did you know Neil Flambé and the Marco Polo Murders won the 2011 Silver Birch Fiction Award and Neil Flambé and the Aztec Abduction is nominated for the 2012 Silver Birch Fiction Award?) Of course, Neil is not necessarily likeable (his arrogance tends to rule his personality) but he is growing up and learning to get along better with people (hence his proliferating entourage).  All Kevin Sylvester's characters are quirky and rich with life, even those who only appear in a single caper.  There are no two-dimensional stereotypical players in these plots.  In fact, the plots which may seem directional (i.e., problem to solution) are quite rich, teeming with red herrings and subplots and sub-subplots, perfect for a younger reading audience.  What will always endear the Neil Flambé Capers to readers, as it does here, is the nutty humour of the narrator and the characters.  It is often so subtle,  just a play on words (e.g., "..humming now, a little ditty DBC liked to call 'Happiness Is a Warm Bun - an Ode to John Lemon.'"; pg. 63), that I wondered if all readers "get" it.  But, if you check out some of the book trailers made by enthusiastic young readers of the Neil Flambé Capers and attend a Festival of Trees™ celebration with thousands of cheering readers, you'll know that they "get" it and they love it.  We all do.

January 31, 2012

Ninja Cowboy Bear

Still doing rock-paper-scissors?  Need a bit more kinesthetic activity? Want to support Canadian authors and illustrators?  Then, have I got a series for you.

Two young men, David Bruins and Hilary Leung, have come together to produce Ninja Cowboy Bear, a series of books based on the unlikely friendship of these three characters.  Ninja, Cowboy and Bear love spending time together - swinging, cycling, baking, kite-flying - regardless of their very strong differences.  The stories revolve around the three friends and how they work through their differences in personalities and abilities in order to stay friends.

Illustrator Hilary Leung's charming characters are recognizable even to very young children, who will enjoy the detailed but unencumbered drawings of their activities.  Teachers and parents will love the lessons about accepting differences but the kids will love the playful interactions of the friends and learning how to play the new version of an old decision-making strategy.

To date, three books in the series have been published:

The Legend of Ninja Cowboy Bear
by David Bruins and illustrated by Hilary Leung
Kids Can Press, 2009
978-1-55453-486-9

Ninja Cowboy Bear Presents The Way of the Ninja
by David Bruins and illustrated by Hilary Leung
 Kids Can Press, 2010
978-1-55453-615-3

Ninja Cowboy Bear Presents The Call of the Cowboy
by David Bruins and illustrated by Hilary Leung
 Kids Can Press, 2011
978-1554537488




Of course, one of the best things about the series is the game Ninja Cowboy Bear.

To play the game:
1. Use Hilary Leung's illustration here to learn the 3 moves of the characters. Ninja looks ready to attack, one leg bent and raised.  Cowboy pulls two guns out, ready for a shoot-out. Bear holds both arms up to look big and scary.

2. Stand with your back to your partner and decide which character's pose you will use.

3. When ready, take 3 steps away from each other, counting to three.  Turn around on "3".

4. See who wins.
 (Both of the above game diagrams are provided as downloads at the Ninja Cowboy Bear website of David Bruins and Hilary Leung.)

I would recommend checking out their amazing Ninja Cowboy Bear website for information about the books and the game, as well as accessing colouring sheets, crafts, T-shirts, and contact for the author and illustrator.

I'm looking forward to the inevitable fourth book in the series.  Roar of the Bear? Hibernating with Bear? Your guess is probably better than mine.

January 30, 2012

Switch

by Tish Cohen
HarperTrophy Canada
978-1-55468-801-2
251 pp.
Ages 12-15
2011

Although the title and the front cover are fairly explicit about the book's general plot, specific elements and Tish Cohen's skill at effectively providing her teen characters with convincing voices take Switch from just another Freaky Friday (Mary Rodgers, 1972) wannabe to an unnerving tale corroborating the "be-careful-what-you-wish-for" truism.

The two teen girls involved in the Switch are Andrea Birch and Joules Adams who attend the same high school in Orange County, California.  Except for a passing acquaintance with each other, the girls' lives don't really cross until the day Andrea is forced by Joules to help rescue her when she's been fooling around with a boy other than her boyfriend, Will.  The simple physical switch of changing shirts and seats in Andrea's mother's new car gets Andrea into a lot of trouble, including from her mom whose focus is the foster kids who are staying with them.  Currently, between 14-year-old Brayden (who is always annoying her), two twelve-year-old girls (who always take stuff from her room), a set of adorable infant twins, and another young girl, Michaela, whose parents were critically injured in a hit-and-run, Andrea is feeling neglected.  As such, Joules' unbelievable life as a rock star's daughter is especially alluring to Andrea.  When overwhelmed by her Mom's perceived lack of interest and high expectations coupled with her long-time crush on Will, Andrea offhandedly wishes (while wearing a pair of funky dishwashing gloves from an African psychic) that she had Joules' life and, ta-da, she does.

Andrea as Joules isn't keen on Joules' wardrobe and body, but learns pretty quickly how cool it is to have Will as a boyfriend (even if he had been planning to break-up) and that rocker Nigel Adams adores his daughter, sometimes making poor choices to win her love.  Joules as Andrea, on the other hand, spends much of her time chagrined by the innumerable chores expected of her, furious with Andrea for getting closer to Will, and making choices to discredit real Andrea.  Several subplots, including one regarding Michaela's parents' hit-and-run, continue to fuel Andrea's determination to return to her old self, while saving her own reputation, enjoying Will's affections, and enlightening Joules about Nigel.

As the narrator, Andrea shares the girls' experiences as she perceives them, reacting and responding as a responsible young woman looking towards her future might.  She even berates herself for being too selfish not to see her parents as those who help make things right for children.  However, I felt that Andrea didn't give herself enough credit, often focusing on how exceptional her mom, Lise, is, without recognizing her own caring, compassion and sense of responsibility. But, I don't think Andrea realizes that abuse can take many forms, not just those in evidence in the homes from which some foster children come.  In reading Switch, I was cognizant of the emotional abuse that Andrea suffers from her mother's emphasis on the needs of her foster children above those of Andrea.  She uses guilt regularly to ensure Andrea's compliance: with sharing her room, with persevering taunts, with accepting her mother's inattention.  Andrea would have every right to shout, "It isn't fair."  I wonder how well Lise would have fared if the switch had been between mother and daughter.  I suspect that she'd be far less successful as Andrea than Andrea would be as her mom, and perhaps she'd be a little more sympathetic to the heavy responsibilities and lack of teen life faced by her daughter.  (Hey, wait.  Isn't that the switch in Freaky Friday or even in Vice Versa (Anstey, 1882), its precursor?)

Still, Tish Cohen capably gets into the heads of two very different young women with very different lives whose needs are not very different at all.  Any switch would certainly be a worthwhile opportunity for most of us, especially with a person we admire.  There's a reason there are so many sayings, about walking a mile in my shoes, the grass being greener on the other side and not reading a book by its cover, that suggest how ignorant we are about the lives of others.  Luckily (or not), Andrea and Joules had a remarkable learning opportunity and both were able to benefit from it. Guess Andrea should have listened to her mom when she was told, "Your life looks pretty good from where I'm standing" (pg. 25).  Do I sense a sequel?

January 26, 2012

First Descent

Written by Pam Withers
Tundra Books
978-1-77049-257-8
262 pp.
Ages 12+
2011

In kayaking, making a First Descent refers to being the first to successfully get down a wild river.  It would be a milestone for any kayaker, but for seventeen-year-old Rex Scruggs it also means completing the first descent on Colombia's Furioso River, which his Gramps did not complete sixty years earlier. 

Studying his Gramps' journal from that expedition, Rex learns much about the river and the people, but also of his grandfather's prejudicial views, especially to the indigenous Colombians, the indígenas.   It's hard to imagine how important this first descent would be to Rex, considering how crotchety and miserable his grandfather is, especially since Rex and his mom moved from Montana to Alberta prior to his grandmother's death.  It's even harder to believe that Gramps agrees to provide the remaining funds needed for Rex's expedition.  With the proviso that Rex be accompanied by two experienced expeditionists (Henrique and Tiago) and that he attempt to make contact with the Calambás family (who had helped his Gramps), Rex is on his way.

A parallel story of Myriam Calambás, a seventeen-year-old indígena, illustrates the hardships of her Colombian community brutalized both by the paramilitary soldiers who were established to fight the guerillas and the guerillas who have turned from supporting the poor to besieging their communities.  Although the Colombian army has gained the advantage over both corrupt forces in much of the country, they have no control over the more remote areas of the indígenas peoples such as where Myriam's family lives on the Furioso River.  Just as Myriam's grandmother, Abuela, had encountered Rex's Gramps sixty years earlier, Myriam and Rex will have their paths cross, bringing confusion, compassion and ultimately enlightenment to both their lives and the lives they touch. 

Few young adult novels could be identified as adventures nowadays but First Descent is certainly one.  Rex's kayaking expedition is the obvious adventure, one he undertakes to prove something to himself as well as to his irascible grandfather.  Pam Withers' experience with extreme sports (see her website for her bio and book list) serves the reader well, evocatively depicting Rex's need for the adrenaline rush, mixed with his confidence, sometimes arrogance, but tempered with expertise.  I checked out some unrelated videos showing kayakers on first descents in Colombia which were harrowing and impossible to imagine surviving; capably, Pam Withers' text takes the reader along for just such a ride.

However, Myriam and members of her community also experience adventures but on a daily basis, whether it be getting to market to sell their wares or going to the river to wash clothes.  Each activity is a hazardous undertaking, as they anticipate encounters with deranged soldiers, land mines, and even chemicals broadcast from planes to kill the coca plant but also harming the people and their food sources.  Any such affront could precipitate injury or murder, theft or devastation, kidnapping or recruitment, or a complete massacre.  Pam Withers' acknowledgements recognize the vulnerability of indigenous people throughout the world and her commitment to contributing a portion of earnings from this book to organizations that work for these groups. Just as Rex ultimately recognizes the incongruity of undertaking a first descent expedition while the indigenous people of the area fight for survival, I was comforted to know that my purchase and enjoyment of this book may provide some assistance for the indígenas or similar groups, courtesy of Pam Withers.

January 25, 2012

2012 Notable Children's Books


The Association for Library Service to Children (ALSC), a division within the American Library Association announced its 2012 Notable Children's Books on January 22, 2012 at the ALA's Midwinter Meeting in Dallas.  For the committee, the term "notable" is used to refer to a book that is...
...worthy of note or notice, important, distinguished, outstanding.  As applied to children's books, notable should be thought to include books of especially commendable quality, books that exhibit venturesome creativity, and books of fiction, information, poetry and pictures for all age levels (birth through age 14) that reflect and encourage children's interests in exemplary ways.
Retrieved from http://www.ala.org/alsc/awardsgrants/notalists/ncb on January 25, 2012
 The final (but uncorrected) list, posted at the ALSC website, is lengthy and the reader can peruse it at his/her leisure.  However, I would like to note those Canadian books that made the list, bolding the Canadian author or illustrator or publisher. Congratulations to all of you for creating outstanding literature for our children.



Notables for Younger Children
I Want My Hat Back by Jon Klassen  Published by Candlewick Press

Notables for Middle Readers
Migrant by Maxine Trottier and illustrated by Isabelle Arsenault  Published by Groundwood Books

No Ordinary Day by Deborah Ellis  Published by Groundwood Books  

Notables for Older Readers
Queen of Hearts by Martha Brooks  Published by Farrar Straus Giroux (from Groundwood Books) 

Sita's Ramayana by Samhita Arni and illustrated by Moyna Chitrakar   Published by Groundwood Books

Stones for My Father by Trilby Kent  Published by Tundra Books

January 24, 2012

Girls with Grit series

Groundwood Books (of House of Anansi)  has always published amazingly strong literature for young people and are now marketing some of those titles under the distinction of  Girls with Grit

The books in this series are exemplary stories depicting the courage and tenacity of girls and young women who endure and even overcome challenges that include poverty, homelessness, abuse, war, leprosy and conflicts of all manner.  Whether used in the classroom to teach character education (these young women have lots of character) or as poignant, thought-provoking reads about others' lives, the Girls with Grit books should be read and read with thoughtfulness.

Corroborating their excellence, the authors and books in the series include finalists and winners of the Governor General's Literary Award, the Canadian Library Association Book of the Year for Children Award, the Jane Addams Children's Book Award, the Canada Council Children's Literature Award, the Vicky Metcalf Award, the Ruth and Sylvia Schwartz Children's Book Award and many more. 


Based on books listed at the House of Anansi site and the video embedded below, the following books (listed here alphabetically by author's last name) are tagged as Girls with Grit:

  • Girl from Mars by Tamara Bach and translated by Shelley Tanaka
  • Between Sisters by Adwoa Badoe
  • True Confessions of a Heartless Girl by Martha Brooks
  • Two Moons in August by Martha Brooks
  • The Shepherd's Granddaughter by Anne Laurel Carter
  • Broken Memory by Elisabeth Combres 
  • earthgirl by Jennifer Cowan
  • Mary Ann Alice by Brian Doyle
  • Looking for X by Deborah Ellis
  • No Ordinary Day by Deborah Ellis
  • No Safe Place by Deborah Ellis
  • The Breadwinner by Deborah Ellis
  • Parvana's Journey by Deborah Ellis
  • Mud City by Deborah Ellis
  • Skinnybones and the Wrinkle Queen by Glen Huser
  • Wanting Mor by Rukhsana Khan
  • Home is Beyond the Mountains by Celia Barker Lottridge
  • The Crazy Man by Pamela Porter
  • I'll Be Watching by Pamela Porter
  • The Saver by Edeet Ravel
  • Snow Apples by Mary Razzell
  • Wheels for Walking by Sandra Richmond
  • Skim by Mariko Tamaki and illustrated by Jillian Tamaki
  • What Gloria Wants by Sarah Withrow 
(Any errors in exclusion from and inclusion in the list are completely my own, and will be amended as needed. HK)

I have to tell you that the reason I chose to post about the Girls with Grit series now was because yesterday I happened to come across a wonderful video of teens offering their takes on several books in the series.  I recalled my own emotional responses to several of the books and realized that, although published years earlier, these books should be read and revisited regularly, just to remind us of our own humanity.  Enjoy the books and the video, courtesy of Groundwood Books and House of Anansi.


Uploaded to YouTube by on Oct 20, 2011

January 23, 2012

American Library Association 2012 Awards

Each year, the American Library Association (ALA)  honours books for young people with several long-established awards:  the Newberry Medal, the Caldecott Medal and the Coretta Scott King Awards.  But these distinctions are only three of the awards presented annually at the ALA's midwinter meeting.  Although the American Library Association is based in the U.S., it occasionally selects titles by Canadian authors and illustrators, hence its inclusion here.

to

Paul Yee for his book Money Boy (Groundwood Books, 2011) which was selected as one of four Honor Books for the Stonewall Book Award -Mike Morgan & Larry Romans Children’s & Young Adult Literature Award

and


 

Jon Klassen, the Canadian-born author/illustrator of I Want My Hat Back (Candlewick Press, 2011) whose book was selected as one of three Honor Books for the Theodor Seuss Geisel Award 



FYI:
The full roster of ALA awards include:
  • John Newbery Medal for the most outstanding contribution to children's literature
  • Randolph Caldecott Medal for the most distinguished American picture book for children
  • Michael L. Printz Award for excellence in literature written for young adults
  • Coretta Scott King (Author) Book Award recognizing an African American author of outstanding books for children and young adults
  • Coretta Scott King (Illustrator) Book Award recognizing an African American illustrator of outstanding books for children and young adults
  • Coretta Scott King – Virginia Hamilton Award for Lifetime Achievement
  • Schneider Family Book Award for books that embody an artistic expression of the disability experience
  • Alex Awards for the 10 best adult books that appeal to teen audiences
  • Andrew Carnegie Medal for excellence in children's video
  • Margaret A. Edwards Award for lifetime achievement in writing for young adults
  • May Hill Arbuthnot Honor Lecture Award recognizing an author, critic, librarian, historian or teacher of children's literature
  • Mildred L. Batchelder Award for an outstanding children's book translated from a foreign language and subsequently published in the United States
  • Odyssey Award for best audiobook produced for children and/or young adults, available in English in the United States
  • Pura Belpré (Illustrator) Award honoring a Latino illustrator whose children's books best portray, affirm and celebrate the Latino cultural experience
  • Pura Belpré (Author) Award honoring a Latino writer whose children's books best portray, affirm and celebrate the Latino cultural experience
  • Robert F. Sibert Informational Book Award for most distinguished informational book for children
  • Stonewall Book Award -Mike Morgan & Larry Romans Children’s & Young Adult Literature Award given annually to English-language children’s and young adult books of exceptional merit relating to the gay, lesbian, bisexual and transgender experience
  • Theodor Seuss Geisel Award for the most distinguished beginning reader book
  • William C. Morris Award for a debut book published by a first-time author writing for teens
  • YALSA Award for Excellence in Nonfiction for Young Adults honors the best nonfiction book published for young adults, ages 12 – 18
ALA Press Release January 23, 2012