September 08, 2017

The Winnowing blog tour: Q & A with author Vikki VanSickle

Let's celebrate the release of Vikki VanSickle's newest novel!

The Winnowing
Written by Vikki VanSickle
Scholastic Canada
978-1-4431-4886-3
312 pp.
Ages 12+
September 2017


As part of the blog tour for The Winnowing, Vikki VanSickle kindly answered some questions about her new book.  Her answers are revealing and provide background to the book's premise and her writing of it, and I am delighted to share this interview with readers of CanLit for LittleCanadians.



HK:  Using the word “winnowing”–an agricultural term for cleaning the chaff from the grain–is a brilliant term for the process to which adolescents are subjected in The Winnowing.  How did you ever come up with this term?

VVS:  I actually came up with the title long before the plot or characters, which is something that has never happened to me before. I stumbled across the word in another book and even though it's an agricultural term, it felt eerie to me. I walked around for days thinking 'the winnowing, the winnowing' and eventually ideas started to come together. The first image I had was of the kids gathering at the abandoned pool in the middle of the night for a secret meeting. I didn't even know why they were there, I just liked the image. Things started to snowball from there.



HK:  The process of winnowing comes about to help alleviate the detrimental effects of puberty, like going ACES (Adolescent Chronosomniatic Episodes) and imps (Adolescent Physical Impairments).  The coming of age that is puberty is never an easy transition for young people and this has been a common theme in your earlier novels.  Why make puberty a focus of the government’s control? 

VVS:  I'm obsessed with puberty! I have very vivid memories of that period (pun intended) and how out of control I felt. Everything was so intense. I wanted SO much to be an adult, but I also felt a deep sense of loss, as if childhood was something physical I had left behind and could never get back. It didn't help that the transition was rockier than I expected. I found a lot of solace in books, which is one of the reasons I write for this age group. It's really for my 11-year-old self. Years later as a camp counselor I worked with kids in the midst of puberty and found I was STILL fascinated by it. There's still a lot of shame, confusion, and a lack of conversation around puberty. I like to think I'm adding to the conversation in small ways.

I'm highly aware of the ways in which governments control our bodies already, mostly through health care and legislation. I'm thinking specifically of women's bodies, but this extends to children's bodies and our health and autonomy over our bodies as a human race. I don't think it's that farfetched to imagine a situation in which a government intervenes as drastically as it does in The Winnowing.



HK:  There is much discussion about natural vs. normal when someone who is Natural i.e., conceived without aid of SuperGen hormone, is made to feel abnormal.  The idea of different being worrisome is especially poignant in today’s world.  What message did you hope readers would take from this in light of our current climate?

VVS:  I want readers to think carefully about labels and what they imply. Natural vs unnatural, villain vs hero, conqueror vs refugee, all of these labels depend on the perspective of the person doing the labeling. At the beginning of the book Marivic is a black or white kind of thinker, but as the book progresses she learns to live in the grey space between these opposites. This is also part of adolescence. We teach the concept of opposites very young (think of all those board books: cold/hot, wet/dry, up/down), but as we grow up we learn about ranges, spectrums, and all the possibilities that exist between those opposites. Most importantly, we learn that these differences are okay. Adolescence is an age where people should be expanding their horizons, not limiting them.



HK:  When I saw Dr. Roddenberry’s name, it brought to mind the creator of the original Star Trek TV series, Gene Roddenberry.  Then I noticed several other characters shared surnames with key writers of speculative fiction like J. J. Abrams, William Barton and Lois Lowry.   Is it just a coincidence or did you honour more than several characters with famous writers’ names? 

VVS:  This is definitely intentional! I am a science fiction fan and I wanted to pay homage to creators who made an impact on me. Some of them (like Roddenberry and Lowry) are more obvious than others. I also like the idea of leaving Easter eggs for readers to discover throughout the book. Because there is so much secrecy and conspiracy in the book I thought it would be fun to drop hints and references here and there for the reader in a way that doesn't affect the narrative.



HK:  On your blog at www.vikkivansickle.wordpress.com you write about being a fan of The X Files TV show, even winning a story pitch contest.  The  Winnowing has so many of the elements that made the series popular: conspiracy theories, aliens, the little guy fighting nefarious plots, secret government practices.  Is there any overlap between that story pitch and The Winnowing?

VVS:  That's a great question! The pitch was a response to a scenario the moderator gave us, which was "How does Mulder find out the truth about his sister?" (I'm paraphrasing a bit here). If you're not familiar with The X-Files, Mulder's sister Samantha was abducted (potentially by aliens) when they were kids. This mystery drives him to become an FBI agent and study the supernatural and unexplained. In my pitch, Mulder is called into an FBI tribunal and discovers his sister Samantha is not only in charge of covert FBI operations, but is a double agent for the aliens. So not exactly related, but this is essentially Abrams' biggest fear come to life. I never made that connection before! The mind works in mysterious ways.



HK:  There are probably quite a few YA readers who will be craving a romance between characters.  Is there a reason you chose not to include one?  

VVS:  First love and crushes are definitely a huge part of adolescence, but I think this need is very well serviced in YA and even middle grade fiction. It can be trickier for kids who are not into romance to find books that don't go down that route. I wanted The Winnowing to be another kind of love story, about the love between friends. Marivic isn't motivated by heroism or altruism- in fact she has very little interest in 'saving the world.' She wants to avenge/save her best friend, Saren. At no point during the writing process did it feel natural to give Marivic (or Abbot or Kamal) a crush–they were all far too busy!



HK:  Though you tie up all loose ends in The Winnowing, making it a perfect stand-alone novel, there are many stories within that could still be told.  Abbot’s, Kamal’s or Ren’s stories could all reveal so much more about their world.  Even a story from the perspective of the Kesla is viable.  Are there any plans for follow-up stories? If not, will you continue to write science fiction or speculative fiction?

VVS:  After doing all the world-building for The Winnowing I understand why fantasy and science fiction writers create series.  I have so much material that no one will ever see! It feels like an awful lot of work for one book. That being said, I don't have any plans for a direct sequel. At one point I conceived of a three book ARC for The Winnowing, but in the end I was more interested in telling a small, singular story (Marivic's tale) in the midst of a big, highly conceptual story (what if puberty was dangerous and controlled by the government?) I would like to explore science fiction again. I have been noodling a time travel story around in my head for ages, maybe I'll try that next!

⇲⇲⇲⇲⇲⇲

Thank you to Vikki VanSickle
for sharing her writing with us,
 in The Winnowing and in this Q & A,
 and for allowing us a glimpse into her world.



⇲⇲⇲⇲⇲⇲

You can learn more about Vikki VanSickle 
and her books and writing
at



If you're in southern Ontario this weekend, you can purchase 
a copy of The Winnowing at the Eden Mills Writers' Festival this Sunday 
and even get Vikki VanSickle to autograph it.  Bonus!

September 07, 2017

2017 Canadian Children's Book Centre Awards: Finalists announced


Today, the Canadian Children's Book Centre, our nationally-renowned authority on all things related to youngCanLit, announced the finalists for the 2017 Canadian Children's Book Centre Awards. (See their website announcement here.)

The eight major children's book awards, which will be awarded at two invitation-only galas in November, include:
  • TD Canadian Children’s Literature Award ($30,000) Sponsored by TD Bank Group;
  • Le Prix TD de littérature canadienne pour l’enfance et la jeunesse ($30,000) Sponsored by TD Bank Group;
  • Marilyn Baillie Picture Book Award ($20,000) Sponsored by A. Charles Baillie;
  • Norma Fleck Award For Canadian Children's Non-Fiction ($10,000) Sponsored by the Fleck Family Foundation;
  • Geoffrey Bilson Award for Historical Fiction for Young People ($5,000) Sponsored by the Canadian Children’s Book Centre’s Bilson Endowment Fund;
  • John Spray Mystery Award ($5,000) Sponsored by John Spray of Mantis Investigation Agency;
  • Amy Mathers Teen Book Award ($5,000) Sponsored by Amy Mathers' Marathon of Books; and
  • Le Prix Harry Black de l’album jeunesse ($5,000) Sponsored by Mary Macchiusi
There is also the Fan Choice Award/Choix du public littérature jeunesse which invites young readers to to choose their favourite book from the titles shortlisted for the TD Canadian Children’s Literature Award and Le Prix TD de littérature canadienne pour l’enfance et la jeunesse.  CBC in partnership with the CCBC will start launch the voting process in early October.

The 2017 awards differ from previous years in that Le Prix Harry Black is being presented for the first time and the Monica Hughes Award for Fantasy and Science Fiction is not being presented this year.

Here are the short lists for each award category, as announced by the Canadian Children's Book Centre:



TD Canadian Children's Literature Award
A Day of Signs and Wonders
Written by Kit Pearson
HarperTrophy Canada



The Skeleton Tree
Written by Iain Lawrence
Tundra Books

Tokyo Digs a Garden
Written by Jon-Erik Lappano
Illustrated byKellen Hatanaka
Groundwood books
Reviewed here

The Tragic Tale of the Great Auk
Written and illustrated by Jan Thornhill
Groundwood Books
Reviewed here


When We Were Alone
Written by David Alexander Robertson
Illustrated by Julie Flett
HighWater Books








Le Prix TD de littérature pour l'enfance et la jeunesse canadienne





Aaah!bécédaire
Écrit par Elaine Turgeon
Illustré par Martin Laliberté
Éditions Druide

En voiture! L'Amérique en chemin de fer
Écrit et illustré par Pascal Blanchet
Éditions de la Pastèque

Même pas vrai
Écrit par Larry Tremblay
Illustré par Guillaume Perreault
Éditionas de la Bagnole

Niska
Écrit par Étienne Poirier
Éditions du soileil de minuit

Y'a pas de place chez nous
Écrit par Andrée Poulin
Illustré par Enzo Lora Mariano
Éditions Québec Amérique












Marilyn Baillie Picture Book Award 






The Artist and Me
Written by Shane Peacock
Illustrated by Sophie Casson
Owlkids Books


The Darkest Dark
Written by Chris Hadfield and Kate Fillion
Illustrated by Eric Fan and Terry Fan
Tundra Books

I Am Not a Number
Written by Jenny Kay Dupuis and Kathy Kacer
Illustrated by Gillian Newland
Second Story Press
Reviewed here

The Snow Knows
Written by Jennifer McGrath
Illustrated by Josée Bisaillon
Nimbus Publishing
Reviewed here

We Found a Hat
Written and illustrated by Jon Klassen
Candlewick Press












Norma Fleck Award For Canadian Children's Non-Fiction


Canada Year by Year
Written by Elizabeth MacLeod
Illustrated by Sydney Smith
Kids Can Press
Fight to Learn: The Struggle to go to School
Written by Laura Scandiffio
Annick Press

Level the Playing Field: The Past, Present and Future of Women's Pro Sports
Written by Kristina Rutherford
Owlkids Books


The Tragic Tale of the Great Auk
Written and illustrated by Jan Thornhill
Groundwood Books
Reviewed here

Water Wow! An Infographic Exploration
Written by Antonia Banyard and Paula Ayer
Illustrated by Belle Wuthrich
Annick Press




Geoffrey Bilson Award for Historical Fiction for Young People 





Every Hidden Thing
Written by Kenneth Oppel
HarperCollins Publishers

Freedom's Just Another Word
Written by Caroline Stellings
Second Story Press
Reviewed here
Heart of a Champion
Written by Ellen Schwartz
Tundra Books

Mark of the Plague (Blackthorn Key, Book 2)
Written by Kevin Sands
Aladdin

When Morning Comes
Written by Arushi Raina
Tradewind Books




John Spray Mystery Award






The Dark Missions of Edgar Brim

Written by Shane Peacock
Tundra Books

Howard Wallace, P.I.
Written by Casey Lyall
Sterling Children's Books

The Road to Ever After
Written by Moira Young
Doubleday Canada

Shooter
Written by Caroline Pignat
Razorbill Canada
Reviewed here

Sophie Quire and the Last Storyguard (The Continuing Adventures of Peter Nimble, Book 2)
Written by Jonathan Auxier
Puffin Canada












Amy Mathers Teen Book Award

Exit, Pursued by a Bear
Written by E. K. Johnston
Dutton Books
Reviewed here
Girl Mans Up 
Written by M-E Girard
HarperCollins

Julia Vanishes
Written by Catherine Egan
Doubleday Canada
Reviewed here
Shooter
Written by Carline Pignat
Razorbill Canada
Reviewed here

With Malice
Written by Eileen Cook
Houghton Mifflin Harcourt
Reviewed here









Prix Harry Black de l'album jeunesse


Au-delà de la forêt
Écrit par Nadine Robert
Illustré par Gérard DuBois
Comme des géants
Azadah
Écrit et illustré par Jacques Goldstyn
Éditions de la Pastèque

Je ne suis pas ta maman
Écrit et illustré par Marianne Dubuc
Comme des géants
N'importe quoi!
Écrit et illustré par Élise Gravel
Éditions Les 400 coups

Y'a pas de place chez nous
Écrit par Andrée Poulin
Illustré par Enzo Lora Mariano
Éditions Québec Amérique






Hosted by the Canadian Children's Book Centre and TD Bank Group, the Canadian Children's Literature Awards will celebrate great Canadian children's books and present the winners of the awards on the evenings of November 8, 2017 and November 21, 2017 in Montreal and Toronto, respectively.