Spirited Away: Fairy Stories of Old Newfoundland

Written by Tom Dawe

Illustrated by Veselina Tomova

Running the Goat, Books & Broadsides Inc.

978-1-927917-13-8

60 pp.

Ages 9+

October 2017

If the cover of Spirited Away leaves you with a feeling of dark and foreboding forces at play, then artist Veselina Tomova has done her job admirably because the stories that Tom Dawe recounts from family members and others about the nefarious fairies of old Newfoundland are truly spooky and frightening, if they are to be believed.  Tom Dawe and those who tell and listen believe, and so do I.

From Spirited Away 

by Tom Dawe

 illus. by Veselina Tomova

Nine stories, addended with a glossary and notes about each story's derivation, recall stories of children, a war bride, a visiting nurse, grandmothers and more as they were touched by fairies or were witness to such encounters.  In the first story In a Place Like This, a girl recalls an abandoned house near a pool where her grandfather gathered eels.  She'd heard the warnings of it being a place of spirits and evil fairies and the tales of a man in green dancing upon the house's door ledge.  But her story relates to evil done to the baby sister she watched over as her family cut hay in the adjacent fields.  Only the baby and a green butterfly know how her arm was broken as she lay on a blanket.

Paddy the Hermit, called the Music Man, often told scary stories but they became reality when walking home he is encircled by a group of little fairies who put a spell on him to play his harmonica until he collapses.

From Spirited Away 

by Tom Dawe

 illus. by Veselina Tomova

In several stories, people seek shelter inside at night when fairies seek to harm them outside.  In The Marsh, floating lights, said to portend death, follow two young men on their return from a dance.  Only shelter in a church all night with the light hoovering outside kept the men safe. Where Water Ran the Other Way tells of trapper Solomon finds refuge in a small cabin when caught at dusk.  Though feeling compelled to open the door to those calling him, he wills himself not to listen or look out the windows at the strange goings-on.

There's the story of The Fairy Funeral, Bones and Fallen Angels (from which the cover illustration is derived)  but the other two most compelling stories for me were Spirited Away and The Changeling.  In Spirited Away, a grandmother disappears from a family outing of blueberry-picking.  She recalls being lured deep into the forest by drumming and hours later being found but without memory of her extraordinary walk including the crossing of major rivers. The Changeling is perhaps the most disturbing.  It is the story of a visiting nurse called in the night to the home where less than two months earlier little Gracie was born.  Fearing the only child of John and Sally was ill, she discovers a mother declaring that there was something in the crib but not her child.

Finally, I found the courage to approach the crib. I pulled back the sheet.  And then, God protect us all! I'll never forget the sight. (pg. 46)

It's a chilling story of fairies taking babies and leaving something in its place but it's the certainty of what that nurse saw that was the most compelling.

I know what I saw.  And I know what happened.  John and Sally lost their only child. And that night in an outport years ago, I witnessed an evil transformation.  Something ugly and strange was left in the cot where Gracie was supposed to be. (pg. 49)

Tom Dawe tells some disturbing stories in Spirited Away, enhancing the atmosphere with the flavour of Newfoundland and coastal Labrador.  From the music to blueberry picking and the vocabulary much unknown to me (you may not need to look up duckish, emper, fetch, livyers and herts but I did), these are the stories of the people of Newfoundland.  Veselina Tomova's woodcut illustrations, in dark tones and snatches of light, reflect the very settings in which the fairies appear.  These are not your Disney fairies.  These are frightening, and Tom Dawe ensures that we know that they are real.

From Spirited Away 

by Tom Dawe 

illus. by Veselina Tomova

The Hobo's Crowbar: Book launch (Toronto)

Join the award-winning author 

of Sidewalk Flowers (Groundwood, 2015)

 JonArno Lawson 

and

visual artist Alec Dempster

for the launch of their new book

The Hobo's Crowbar

Text by JonArno Lawson

Woodcuts by Alex Dempster

The Porcupine's Quill

 9780889843998

96 pp.

All ages

October 2016

on 

Sunday, October, 16, 2016

from 2-4 p.m.

at

Maizal

133 Jefferson Avenue

Toronto, ON

This illustrated book of poetry is described, as follows, at The Porcupine's Quill website:

The latest wacky and wonderful collection of children’s poetry, Governor General’s Award winner JonArno Lawson’s The Hobo’s Crowbar presents a world of word botchers and bird watchers, of vile versifiers and vigilante interventionists, of nobodies and somebodies, big guys and small fries. Lawson’s world is one of logic and language, of wit and words, of contradictions and conundrums, but it is also a world in which looking and learning go hand-in-hand, with laughter never far behind. 

The book is as fun to see as it is to say, and vibrant woodcuts by artist Alec Dempster are a perfect accompaniment to Lawson’s poems. Together, they help to expose the highs and lows of life, and celebrate goofiness, absurdity and the profound truth of human experience.