Written by
James Sage
Illustrated by
Pierre Pratt
Kids Can Press
978-1-77138-613-5
32 pp.
Ages 3-7
April 2017
I wish I could review more books illustrated by
Pierre Pratt. Unfortunately for me, his illustrations often accompany French-language texts and I am reluctant to reveal my lack of skill reviewing French books. So, although author
James Sage is British, I am delighted to be able to review an English-language text that is fortunate to be illustrated by Montreal's
Pierre Pratt, a man whose bio includes copious nominations and awards, including the Governor General Literary Award for Children's Book Illustration, Le Prix TD, Bratislava's Golden Apple Award, and the UNICEF-Bologna Book Fair Illustrator of the Year Award.
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From Stop Feedin' da Boids!
by James Sage
illus. by Pierre Pratt
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In
Stop Feedin' da Boids!, Swanda and her dog Waldo and her family move from the country to Brooklyn. Though she misses the wildlife, she soon finds herself enamoured with the birds that flock outside their apartment onto the iron fire-escape.
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From Stop Feedin' da Boids!
by James Sage
illus. by Pierre Pratt
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Providing the birds with a bird feeder, more and more pigeons come to visit, much to the dismay of her neighbours who are displeased with the mess. Swanda seeks help from so-called experts–a pest control officer, a zookeeper and an exotic bird fancier– but it's not until Lexi from the deli tells Angelo who tells another neighbour who shares with another neighbour and so on and so on the titular advice that Swanda rids the building and neighbourhood of her countless feathered friends. But Swanda's story doesn't end there. A chance sighting and a lot of heart finds Swanda discovering some new wildlife to welcome into her home.
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From Stop Feedin' da Boids!
by James Sage
illus. by Pierre Pratt
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James Sage weaves a light-hearted story about a little girl who likes animals perhaps a little too much but whose intentions are always charitable. But it's
Pierre Pratt's artwork that provides the context for Swanda's love of animals and the neighbourhood that envelops her. She is part of her community, whether it be the countryside or a diverse neighbourhood of people, animals and urban life. They are both detailed landscapes of colours and textures, solitude and activity. Look for the dogs or cats looking out windows, or Mr. Kaminski's two-toned shoes, or the mega-armed bodybuilder. There's a 1920s feel to the Brooklyn of
Stop Feedin' da Boids!, and
Pierre Pratt uses strong strokes and bold colours to create a cityscape of tall angled buildings and community of diverse people, all different in size, colour, shape, expression and dress. It's wild and it's homey. It's the same style that charmed readers in
Gustave (by Rémy Simard, Groundwood, 2014) and
No-Matter-What Friend (by Kari-Lynn Winters, Tradewind Books, 2014) by bringing an intensity to the storytelling and readers into the story's setting.
Go ahead and read this one aloud–get that Brooklyn accent right!–but be sure to share the illustrations to get the whole story behind why Swanda should "
Stop Feedin' da Boids!"
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