The Big Bed

Written by Bunmi Laditan

Illustrated by Tom Knight

Farrrar Straus Giroux

978-0-374-30123-1

32 pp.

Ages 4-6

February 2018 

This child is going to be arguing cases before the Supreme Court; that is, before she ends up presiding over it and being appointed Chief Justice.  She is confident, articulate and, though very young, she knows what she's after and why she should get it. In this case, it's sleeping with Mom in The Big Bed.

From The Big Bed by Bunmi Laditan, illus. by Tom Knight

With eloquent arguments that she purports to be "reasonable" and filled with positive reinforcement about her father's skills as a wrestler and piggyback-ride giver, the little girl opines about what happens at night.  Seems the big bed isn't big enough for herself and her parents, and it's clear who will be leaving.  As she's afraid of the dark, and her father still has his own mommy–hence no need to share hers–she recommends a solution that she is sure he will "find not only satisfactory, but also quite generous."

From The Big Bed by Bunmi Laditan, illus. by Tom Knight

Bunmi Laditan, the blogger behind the very funny "The Honest Toddler" (at http://www.thehonesttoddler.com/), brings her trademark humour to this child's story.  Because it is all told from the child's perspective, from sitting her father down, arguing her case, presenting her plan to her mother (who laughs hysterically) and a culminating claim that "Mommy and I just want you to be happy", I feel like this is based on something Mommy Bunmi Laditan has experienced.  Everyone knows kids say the darnedest things and this little one does more than just say, she reasons and orates.  Supporting that perspective are British artist Tom Knight's illustrations.  His artwork, particularly that of the graphics the child herself creates, bolsters the cuteness of a child's perspective and makes The Big Bed as convincing as she is.

I truly hope her father can get some sleep on his new cot.

From The Big Bed by Bunmi Laditan, illus. by Tom Knight

Ink Me: Seven The Series

Written by Richard Scrimger

Orca Book Publishers

978-1-4598-0016-8

224 pp.

Ages 10+

Release date October 10, 2012

Reviewed from Advance Reading Copy

Anticipation for Orca's upcoming Seven The Series has been growing since first announced earlier in the year and its enticing book trailer released in February.  If Ink Me, just one of the seven books set for simultaneous release on October 10, 2012, is any indicator, all young readers will be hooked instantly.

Bunny (a.k.a. Bernard) is just one of seven grandsons who, upon the death of their grandfather, receive a letter and instructions about a task to perform.  At 15, Bunny is the youngest of the grandsons but he may be the most challenged, living with a mental disability.  Regardless, Bunny is a very astute young man, understanding far more than many, even if Bunny believes that,

"they all reddy no Im a dummy." (pg. 3)

And Ink Me is all about how people, places, objects, situations - everything - are perceived and how these perceptions, right or wrong or misunderstood, affect everything else.

Bunny's task is to go to a particular tattoo parlour where they have been instructed to give him a specific tattoo.  The tattoo of the number 15 with a candle doesn't strike Bunny as anything special or too unusual; after all, he turned 15 on his most recent birthday.  But, the reader soon realizes, even if Bunny does not, that the tattoo that he sports indicates that he is part of the 15 Street gang and that he has made one kill.

When Bunny defends a skinny gang member, Jaden, from a beating by a member of a rival gang, the Angels, he is introduced to other members of 15 at the gym where they hang out.  Being white, Bunny is an oddity within the gang but his tattoo and surprising knowledge, albeit naively, of gang members with whom 15 is making a deal, gives him some credibility.  For the first time, Bunny is enjoying the camaraderie of friends, particularly Jaden.  Moreover, Morgan, a former pro fighter who now runs the gym, recognizes that Bunny could be a great fighter, with his fast reflexes and the moves his grandfather had taught him, and Morgan starts training him.

Although enjoying the benefits of his new friendships, Bunny also must withstand the negatives associated with being a part of 15, though he does not always recognize these drawbacks as such.  Even after being hauled away with the gang by the police and interrogated about "the deal" and later chased and shot at by a rival gang, Bunny continues to see everything as a new experience and himself under the care of his friends.  The line between the good guys and the bad guys continues to get blurred for Bunny as the deal between 15 and two other gangs is brokered.

Richard Scrimger, one of my favourite Canadian authors, is brilliant at telling a story without any lessons creeping in to weigh down the plot; that is, until the last few pages of the book are turned.  Readers will be too engrossed in the upshot of Bunny's honesty and incomprehension to realize that Ink Me exposes the vulnerability of perceptions to misinterpretation.  Whether it be the tattoo that marks Bunny as a gang member, or Jaden acting one way but in reality being someone else, or how guns are bad except when they're useful, these matters are all vulnerable to misperception.  Even Bunny's mom, a philosophy professor, has a hard time believing what Bunny tells her, instead reading situations as she chooses or as she is accustomed.  Though writing as Bunny must have been an arduous task for Richard Scrimger, as the text is so laden with spelling and grammatical mistakes, the author provides a real example of the dangers of "misreading."  I had to remind myself constantly that "no" in Bunny's text is "know" for me, and that I had to read carefully in order that I not let my prejudices alter the text's meaning.  Ink Me is a brilliant story, less about gangs and tattoos than about our relationships with others and the roles misunderstanding and perspective play in securing or destroying the integrity of those connections.