Ruby's Hope: A Story of the Girl in the Most Famous Photograph of the Depression

Written by Monica Kulling

Illustrated by Sarah Dvojack

Page Street Kids

978-1-62414-818-7

40 pp.

Ages 6-10

September 2019

In 1936, photographer Dorothea Lange would take a picture at a pea-pickers' camp in California and capture a time, an existence, a struggle that would become the iconic "Migrant Mother" piece of art. Though it would be decades later that Florence Owens Thompson and her children would become known as the subjects of that photograph, Monica Kulling brings us a fictionalized account of the background of those captured forever as the face of the Great Depression.

From Ruby's Hope, written by Monica Kulling, illus. by Sarah Dvojack

Ruby's Hope begins with the little girl's family leaving Oklahoma after the economic tragedies of the late 1920s and early 1930s. With the stock market crash in 1929, followed by the drought that brought dust storms and the ruin of farms, seven-year-old Ruby's parents decide that, unlike the thistle that persevered in the field, they needed to move on, hopeful of a better life in California.

It sometimes seemed to Ruby that Ma pushed hope to its limits.

First the family–Ma, Pa, older siblings Leroy and Viola and babies Katherine and Norma–took to the lettuce fields. But when they head to the pea fields for the next round of picking, they run out of gas and a frost kills the crop, leaving the family desolate in a camp of migrant workers similarly unsettled. Pa and Leroy head to town to earn any kind of money, while

Days passed and food dwindled.

Ruby's hope dwindled too.

From Ruby's Hope, written by Monica Kulling, illus. by Sarah Dvojack

When a lady photographer comes to the camp to take images of the migrant farm workers for the government, Ruby brings her to see her mother. Though reluctant–"I don't see what good they'll do. We need gas to leave this place. We need food, not photographs"–Ma agrees, swayed that perhaps they might convey to others how hard the migrant workers' lives are. 

Though the story of Florence Owens Thompson and her family may not be as Monica Kulling envisions it–her Author's Note and discussion of How the "Migrant Mother" Came to Be provide more details about the facts as known–it accurately depicts a family on the move for work, eking out a living wherever possible and carrying on through drought, dust storms, frost and more. I like that Monica Kulling gives the story to Ruby who, while quite young, knows the hardship of leaving the only home she'd known and the worries of her parents and still keeps hope in her heart. Though her words are heavy with worry, hunger and poverty, I suspect the story would have been far harsher if written from the perspective of Ma, Pa or an older sibling. 

From Ruby's Hope, written by Monica Kulling, illus. by Sarah Dvojack

Still, the tragedy in the family's story is pervasive in Ruby's Hope. It's like the dust clouds that spread across prairies and plains: oppressive, stifling out air and sun, and crushing.  American artist Sarah Dvojack's pencil drawings coloured digitally extend that feel of hardship. The earthiness of the family's circumstances, environmental and economic, are conveyed in her lines and colours. From the actions of her characters, in the slump of their shoulders, of the dirt of their clothes and bodies, and the landscapes of their situation, Sarah Dvojack embeds the art with the burdens of the time and place.

Ruby's Hope: A Story of the Girl in the Most Famous Photograph of the Depression may be a fictionalized account of that image but its accuracy comes from the awareness of how people like Ruby's family laboured through horrific circumstances and how change can be be inspired with the right attention.

Migrant Mother, Photograph by Dorothea Lange (Retrieved from https://www.moma.org/collection/works/50989)

Harvey Comes Home

Written by Colleen Nelson

Illustrations by Tara Anderson

Pajama Press

978-1-77278-097-0

224 pp.

Ages 8-12

September 2019

A scent, a touch, a colour, a voice. They can draw memories. And memories can take you places. They can take you away from the present and towards something else. They can take you to a past that needs to be remembered or give direction to follow forward. And they can take you home in more ways than one.
 
Harvey is a West Highland Terrier who is left in the care of a dog-sitter while Maggie and her family go on holidays. While they are away, Harvey gets out of his yard and "His curiosity takes him farther and farther away from his home." (pg. 18) After several days away, scrambling for food, attacked by another dog, distracted from a rescue, Harvey is found by eleven-year-old Austin who helps his Grandpa out after school at the Brayside Retirement Villa. Though his mother and grandfather insist that Harvey's owners must be looking for him and that Austin needs to take him to the shelter to help locate them, Austin lies about his efforts, hopeful that he'll be able to keep the dog.

During the day, Harvey stays with Grandpa Phillip at Brayside where everyone, staff and residents alike, fawn over the Westie who acts as an unofficial therapy dog. But when Austin arrives, Harvey accompanies him on his chores. When the reticent Mr. Pickering takes a liking to Harvey, Austin finds the ninety-six-year-old man finally willing to talk and share about his past. He talks of his own dog, General, and of growing up during the 1930s. Though Mr. Pickering is sometimes confused about who Austin is, whether his own wife is still alive, and what Brayside is, he goes to a place of memory with Harvey by his side. As for Harvey, when he "sits beside Mr. Pickering, he drifts off into a place of contentment." (pg. 69)

While Mr. Pickering reminisces about living during the Depression and his complicated friendship with an abandoned girl named Bertie, Harvey's memories of Maggie are fading to elusive scents and sounds, Austin continues in his uncomfortable lies, and Maggie searches desperately for the Westie. Colleen Nelson's title may give away a happy ending for Harvey but it's wrapped in a complex tug-of-war of emotions as Mr. Pickering tells his heartrending stories about hardships and tragedies and lessons about forgiveness are learned.

Told in alternating chapters from the perspectives of Harvey, Maggie and Austin, Harvey Comes Home is not just a story about a dog lost and found. It's a story about the bonds between human and dog. These are the bonds that tie us in love and gratitude, responsibility and empathy. They are the ones that give us our humanity via our benevolence for others. But Harvey Comes Home is also about the power of memory to bring us home. I will admit that Colleen Nelson's story brought me to tears time and time again, as an aging Mr. Pickering grabs at his memories, as Bertie survives against all odds, and as Harvey and General are loved and love.  Colleen Nelson always tells a good story (see her YA titles Sadia, Blood Brothers, Finding Hope, and The Fall for a great sampling) but, in her first middle-grade novel, she is able to grab the reader's heartstrings while blending a dog story with an intergenerational relationship and embedding profound reflections on the Depression and the Dust Bowl. It's a complete package as Harvey's, Maggie's and Austin's stories converge, integrated with heart and important messages about connecting with others and forgiveness for mistakes made when scared, hurt or alone.

Harvey Comes Home will make dog-lovers hug their animals and children ask their grandparents to share their stories from their own childhoods, bringing all a little closer and giving life to new memories for all.

From Harvey Comes Home by Colleen Nelson, illus. by Tara Anderson