September 03, 2025

One Can

Written by Lana Button and Eric Walters
Illustrated by Isabelle Malenfant
Groundwood Books
978-1-773067346
32 pp.
Ages 3–6
September 2025 
 
For many Canadian public schools, yesterday was the first day of the 2025-2026 academic year. That first day of school brings such promise. It's usually a fresh start with a promise for better and more opportunities for...everything. But for too many children, that hope may be limited, even if they don't know it. For the child in Lana Button and Eric Walters's first picture book collaboration, illustrated by Isabelle Malenfant, those limitations do not curb their generosity and compassion.
From One Can, written by Lana Button and Eric Walters, illustrated by Isabelle Malenfant
Knowing that their class is collecting canned food for a food drive, a child grabs the lone can of Zoodelicious from an almost-bare pantry. Knowing it's their favourite, the child hopes it is that for someone else too. In class, the students place their donated cans on a 100-place carpet, with the child placing the Zoodelicious on the number 100, earning their can a snowflake sticker.
From One Can, written by Lana Button and Eric Walters, illustrated by Isabelle Malenfant
Things take an unexpected turn when Mom returns with groceries a few days later and his Zoodelicious can has a snowflake sticker on it. For the first time, the child recognizes that their family may be one of those in need that they were trying to help at school. A frank discussion between mother and child helps them understand better and even how to pay it forward with some much-loved mittens. 
From One Can, written by Lana Button and Eric Walters, illustrated by Isabelle Malenfant
While there are too many adults who think that picture books are frivolous stories aimed for our youngest readers, One Can will surely remind them of the power of storytelling to present deep issues that are also commonplace. There is no frivolousness to this story. Instead, Lana Button and Eric Walters have given us a lovely story of sharing, reciprocity, need, and compassion, all told from the perspective of a young child. What is most surprising is that the child does not even recognize their family as a needy one until they see the snowflake sticker on the Zoodelicious and realizes where their mother must have gotten those groceries. Before then, they had what they needed, probably because their mother worked hard to ensure that they did. Not surprisingly, when their mother reveals their circumstances, the child thinks only of the other 99 families who would still need food and more. 
 
This could have been a very heavy story. Poverty and food insecurity are serious issues. Even as food and clothing drives become common practices throughout the year, and children such as this one are provided regularly with school lunches, here by their own teacher, the silence and secrecy and even shame are resounding. I'm so pleased that Lana Button and Eric Walters avoided those negatives with much sensitivity. The child is not ashamed to look at the school's Mitten Tree–where donated mittens and winter accessories are displayed for gifting–and doesn't hide the macaroni given by the teacher for lunch. Illustrator Isabelle Malenfant matches that powerful but tasteful approach to their story. Isabelle Malenfant, who similarly gave a softness of touch to Morris Micklewhite and the Tangerine Dress and Pinny in Summer, keeps her palest colours for the child's home and the boldest for outside. Their poverty creates a veil over their life, though outside of the home and at school, the child is seen as vibrant as everyone else. In addition to the colours of her digital illustrations, Isabelle Malenfant uses perspective to juxtapose the child against two different worlds, one of limited resources and another where there is more. It gives the reader more context for this child's reality and even enhances our understanding of why they are able to extend generosity and compassion to others.

Lana Button's picture books like Tough Like Mum and Willow Finds a Way have always spoken to young children and what they might experience at school and home. And Eric Walters never shies away from tough issues like poverty in The King of Jam Sandwiches or COVID-19 in Don't Stand So Close to Me or incarceration, bullying, discrimination and more. Together these writers have approached the reality of many children, and instead of focusing on any limitations these children experience, they highlight how children can extend compassion and generosity to others. It seems one can, whether that of Zoodelicious or the picture book, can make a difference.

 • • • • • • •
 
Please consider joining author Lana Button 
 
at 
 
A Different Drummer Books 
513 Locust St., Burlington, Ontario
905-639-0925 
 
for the launch of One Can 
 
on 
 
Sunday, September 7, 2025 

1 PM
 
If you're able, please bring a can of food for FeedHalton.  
 

September 01, 2025

Memory Stones

Written by Kathy Kacer
Illustrated by Hayley Lowe
Second Story Press
978-1-77260-421-4
24 pp.
Ages 6–8
September 2025

Kathy Kacer, award-winning author of historical novels and non-fiction as well as picture books, often embeds her stories in the Holocaust. Being the daughter of Holocaust survivors, her stories reflect the courage and trauma of this genocide and its generational impact. In Memory Stones, her latest picture book, which is illustrated by Vancouver’s Hayley Lowe, Kathy Kacer again entwines multiple generations and shows how a child honours a special intergenerational relationship after her grandmother is gone.
From Memory Stones, written by Kathy Kacer, illustrated by Hayley Lowe
Sophie loved her granny more than she loved stars or books or her hamster.” With this opening line, Kathy Kacer introduces readers to the meaningful ways Sophie and her grandmother spend time together: going to the ice cream parlour, swinging on swings in the park, skipping stones in the ravine, and tending to a vegetable garden. But when her grandmother dies, Sophie is dismayed to see how the flowers she takes to the cemetery wilt and fade so quickly. Her mother tells her of the tradition of laying stones on the grave as a message to the angels that the person buried there is remembered. Sophie takes that tradition and adapts it to reflect the personal attachment she had with her granny.
From Memory Stones, written by Kathy Kacer, illustrated by Hayley Lowe
For many children, the first death they may experience is that of a grandparent. If it’s a grandparent with whom they’ve had a special bond, as Sophie did with her granny, it can be especially distressing. Kathy Kacer ensures that this connection is recognized by Sophie’s mother who gives the child the opportunity to express her grief as she chooses. By guiding her while encouraging her to make it personal, Kathy Kacer has provided a template on how to help a child through their grief. While the death of a grandparent is often tied up with heartache, illustrator Hayley Lowe uses pencil, gouache and digital tools in subdued but heartfelt colours to blend the sombreness of bereavement with the memories of pleasure derived from a special relationship.
From Memory Stones, written by Kathy Kacer, illustrated by Hayley Lowe
For children who will experience a loss, Memory Stones will reassure them that they can be empowered to make personal choices that may offer comfort and even uplift, whether with the placement of memory stones or with reminiscing about cherished moments.

August 29, 2025

2025 CCBC Book Awards: Finalists announced

From https://bookcentre.ca/blogs/industry-news/finalists-announced-for-the-2025-ccbc-book-awards

On Wednesday, August 17, 2025, the Canadian Children's Book Centre, our nationally-renowned authority on all things related to youngCanLit, announced the finalists for the 2025 English-language Canadian Children's Book Centre Awards. (See their website announcement here with videos of shortlists on Bibliovideo. A pdf is also available.) These awards celebrate picture books, historical fiction, YA, debut novels, science fiction and fantasy, and more. Over the years, the awards have changed, some discontinued and some transitioned (e.g., the long-awarded Norma Fleck award for Canadian children's non-fiction will now be sponsored to honour Sharon Fitzhenry). Still, this year's seven awards are a sampling of the extraordinary books for young people created by Canadian authors and illustrators. They are a great resource for exceptional reads from 2024 to 2025.
 
This year, the children's book awards include the following: 
  • Marilyn Baillie Picture Book Award ($20,000) 
  • Geoffrey Bilson Award for Historical Fiction for Young People ($5,000)
  • Sharon Fitzhenry Award for Canadian Children's Non-Fiction ($10,000)  
  • Amy Mathers Teen Book Award ($5,000) 
  • Jean Little First-Novel Award ($5,000) 
  • Arlene Barlin Award for Science Fiction and Fantasy ($5,000)
  • Richard Allen Chase Memorial Award ($2,500)
• • • • • • •
 
Here are the short lists for each award category, as announced by the Canadian Children's Book Centre:
 
Marilyn Baillie Picture Book Award
Supported by A. Charles Baillie
This award honours excellence in illustrated English picture books for children ages 3-8 and written and illustrated by Canadians.

A Face Is a Poem
Written and illustrated by Julie Morstad 
Tundra Books


I’m Afraid, Said the Leaf
Written by Danielle Daniel 
Illustrated by Matt James 
Tundra Books


It Bears Repeating
Written by Tanya Tagaq 
Illustrated by Cee Pootoogook 
Tundra Books


Mad at Dad
Written and illustrated by Janie Hao
Kids Can Press


SOS Water
Written and illustrated by Yayo 
Tradewind Books
 
 
 
 
 
 
Geoffrey Bilson Award for Historical Fiction for Young People 
Supported by the Canadian Children’s Book Centre’s Bilson Endowment Fund
This is given annually to reward excellence in the writing of an outstanding work of historical fiction for young readers by a Canadian author.

Age 16
Written and illustrated by Rosena Fung 
Annick Press


Eyes on the Ice
Written by Anna Rosner 
Groundwood Books


The Go-Between
Written by Jennifer Maruno 
Red Deer Press


Song of Freedom, Song of Dreams
Written by Shari Green 
Andrews McMeel Publishing


Wings to Soar
Written by Tina Athaide 
Charlesbridge Move








Sharon Fitzhenry Award for Canadian Children's Non-Fiction
Supported by the Fitzhenry Family Foundation 
It honours excellence in Canadian children’s non-fiction books for Grades 4-12 (ages 8-18).  

All Consuming: Shop Smarter for the Planet
 (Orca Think)

Written by Erin Silver 
Illustrated by Suharu Ogawa 
Orca Book Publishers
 

The Longest Shot: How Larry Kwong Changed the Face of Hockey
 
(Orca Biography)
Written by Chad Soon and George Chiang
Illustrated by Amy Qi 
Orca Book Publishers
 

Lost at Windy River: A True Story of Survival

Written by Trina Rathgeber 
Illustrated by Alina Pete 
Coloured by Jillian Dolan 
Orca Book Publishers
 

Meet Jim Egan
(Scholastic Canada Biography)
Written by Elizabeth MacLeod 
Illustrated by Mike Deas 
Scholastic Canada
 

You Can Be an Activist: How to Use Your Strengths & Passions to Make a Difference
 (CitizenKid)
Written by Charlene Rocha and Mary Beth Leatherdale 
Illustrated by Drew Shannon 
Kids Can Press 
 
 
 
 
 
 
Amy Mathers Teen Book Award
Supported by Accelerate360 Canada
This award honours excellence in fiction written in English for teens or young adults (ages 13-18) by a Canadian citizen or a permanent resident of Canada. 

Age 16
Written and illustrated by Rosena Fung 
Annick Press


And Then There Was Us
Written by Kern Carter 
Tundra Books


A Constellation of Minor Bears
Written by Jen Ferguson 
Heartdrum


Fledgling
 (The Keeper's Records of Revolution, Book 1)
Written by S.K. Ali 
Kokila


For She Is Wrath
Written by Emily Varga 
Wednesday Books
 

The Lightning Circle

Written by Vikki VanSickle 
Illustrated by Laura K. Watson 
Tundra Books 
 
 
 
 
 
 
 
Jean Little First-Novel Award
Supported by Teresa James
This award recognizes the achievements of a first-time Canadian children’s novel written for ages 8-12. 

Alterations
Written and illustrated by Ray Xu 
Union Square Kids


Maya Plays the Part
Written by Calyssa Erb 
Annick Press


Teddy vs. the Fuzzy Doom
(Secrets of Ravensbarrow, Book 1)
Written and illustrated by Braden Hallett
Annick Press

 
 
 
 
 
Arlene Barlin Award for Science Fiction and Fantasy
Supported by Elly Barlin-Daniels
This award, in honour of the sponsor's sister Arlene Barlin, is given to recognize excellence in Canadian children’s speculative fiction.

Fledgling
(The Keeper's Records of Revolution)
Written by S.K. Ali 
Kokila


The Headmasters
Written by Mark Morton 
Shadowpaw Press


Lockjaw
Written by Matteo L. Cerilli 
Tundra Books


Waking the Dead and Other Fun Activities
Written by Casey Lyall 
Greenwillow Books


Where the Dark Stands Still
Written by A.B. Poranek 
Margaret K. McElderry Books 
 
 
 
 
 
 
Richard Allen Chase Memorial Award
Supported by Rocky Mountain Book Award and Alice Chase 
It is awarded annually to a Canadian children’s title written for an elementary school-aged audience in Grades 4-6 (Ages 9-12) exemplifying Richard’s guiding principles of compassion, kindness, humanity, environmentalism, inclusivity, and connection to the land.

Hummingbird / Aamo-binashee
Written and illustrated by Jennifer Leason 
Anishinaabemowin translation by Norman Chartrand and Jennifer Leason 
Orca Book Publisher

I Wonder About Worlds: Discovering Planets and Exoplanets
Written by James Gladstone 
Illustrated by Yaara Eshet 
Owlkids Books


Mighty Scared: The Amazing Ways Animals Defend Themselves
Written by Erin Silver 
Illustrated by Hayden Maynard 
Orca Book Publishers


A Song for the Paper Children
Written by Christopher Tse 
Plumleaf Press


Two Pieces of Chocolate

Written by Kathy Kacer 
Illustrated by Gabrielle Grimard 
Second Story Press




 ðŸ“šðŸ“šðŸ“š

The winners of these awards will be announced on October 27, 2025 at a ticketed event in Toronto. 

 

August 27, 2025

The Tufted Puffins of Triangle Island (Wild By Nature)

Written by Deborah Hodge
Illustrated by Karen Reczuch
Groundwood Books
978-1-773067186 
32 pp. 
Ages 3–7 
August 2025 
 
Children's non-fiction books generally take two formats: one as a story, and the other as an information book with graphs, maps, info boxes, a glossary and more. Both formats work but some stories work better one way than the another. For the Tufted Puffins of Triangle Island, Deborah Hodge and Karen Reczuch's chose to tell their story as a narrative, taking readers right onto the island and making them witness to the lives of these seabirds. 
From The Tufted Puffins of Triangle Island, written by Deborah Hodge, illustrated by Karen Reczuch
First, Deborah Hodge transports us to Triangle Island, an isolated island off the northwestern tip of Vancouver Island. This Ecological Reserve is protected, as is the Marine Wildlife Area around it, offering safety for millions of seabirds from people and land predators. Each year, more than 50,000 Tufted Puffins return in the spring and, after finding their mates, prepare burrows in which nests are created.
From The Tufted Puffins of Triangle Island, written by Deborah Hodge, illustrated by Karen Reczuch
In addition to recounting the life cycle from the laying of the egg to it hatching six weeks later, Deborah Hodge discusses the food and feeding of the Tufted Puffins, the fledging of the birds, and their end-of-summer departure to the North Pacific. It's not until the birds are mature that they will return to Triangle Island to start new lives with the laying of eggs.
From The Tufted Puffins of Triangle Island, written by Deborah Hodge, illustrated by Karen Reczuch
While Deborah Hodge does append her story with a graphic list of other seabirds of Triangle Island and extensive information about the island itself—an extraordinary place of seabird diversity and national and provincial protection—including further reading, she stays true to a narrative. From their arrival to their breeding, departure and return, the lives of the Tufted Puffins of Triangle Island are told with simplicity but heart. It is evident that Deborah Hodge has a deep appreciation for this place and its wildlife and the need to protect them all.
From The Tufted Puffins of Triangle Island, written by Deborah Hodge, illustrated by Karen Reczuch
The remarkable beauty of Triangle Island and its uncommon accommodation of seabirds, among which the Tufted Puffins are but one species, is gloriously portrayed in Karen Reczuch's watercolour and coloured pencil illustrations. The scientific accuracy is there but it's Karen Reczuch's style of creating textures in the birds, in the landscape and with her perspective that generates an elegance of graphic storytelling.  
 
Karen Reczuch and Deborah Hodge have collaborated on previous picture books in their West Coast Wild series (e.g., West Coast Wild Rainforest and West Coast Wild ABC) and, as in The Tufted Puffins of Triangle Island, they have always given us reality with feeling. Even as they tell us about plants and animals and Canadian landscapes, they make us feel for the places they portray. I anticipate no less for this new series Wild By Nature if The Tufted Puffins of Triangle Island is any indication.