Bone, Fog, Ash & Star: The Last Days of Tian Di, Book Three

Written by Catherine Egan

Coteau Books

978-1-55050-593-1 (pbk)

978-1-55050-594-8 (pdf)

312 pp.

Ages 9+

For release October 2014

When Catherine Egan began her high fantasy series The Last Days of Tian Di with Shade &Sorceress (Coteau, 2012), everything was new to twelve-year-old Eliza Tok: who: learns she is the Shang Sorceress, as were her mother and grandmother; discovers her Magic; clashes with the Nia, the entrapped Xia Sorceress; befriends Charlie, the shape-shifting Shade; and connects with Faeries, Mancers, Witches, Cra, Dragons,and other assorted characters.

Now turning 16, Eliza continues to study Magic with the Mancer Foss in the Great Sand Sea, the home of her father's people, the Sorma. After The Unmaking (Coteau, 2013), Eliza is loathe to have any part of the Mancers at the Citadel, most especially Kyreth whose aim has been to control her and her powers. Unfortunately, Kyreth has other plans, including sending fog-like assassins, the Thanatosi, to murder Charlie and force Eliza back to the Citadel, where he would orchestrate her marriage to a Mancer and ensure an heir, a new Shang Sorceress.

To keep Charlie safe (though he has now lost his ability to shape shift), Foss and Eliza take him and Nell to the Realm of the Faeries where Jalo, a Faery smitten with Nell, gives them sanctuary. Too bad Jalo's mother, Tariro, hates humans and is determined to murder Nell to keep her son away from her.

Foss and Eliza return to the Citadel, with Eliza ready to take on the war they've chosen with her.  Even with a new Supreme Mancer, Aysu, Eliza realizes that Kyreth is still at work.  Exploring, she discovers her grandmother and Kyreth's wife, Selva, alive but under a Curse. Granddaughter and grandmother help each other and Eliza is sent to gather the Four Gifts of the Ancients, the Gehemmis, one of which Selva had been stealing when cursed.

So begins Eliza's newest quest, to retrieve the four Gehemmis and learn of the Magic contained within, and to find her future, wherever or with whomever it may rest.

If Shade and Sorceress is all about newness, and The Unmaking looking deeper into those that appear to be good or evil, then Bone, Fog, Ash & Star is about loss.  It's about making choices that may cause pain to others or heartbreak to one's self, that may confuse or antagonize those who are your allies, and may result in turning one's back on the innocence and trust of youth.  While Eliza grows into herself as a Shang Sorceress, finally recognizing the Magic she can accomplish and the hard choices she must make, she has lost some of the wonder of her youth, the wonder that allowed her to share in new worlds wholeheartedly, regardless of the possible dangers.

"You don't remember the loss, not exactly, but you cling to those you love with such ferocity, you would die for them, because the memory of the first loss is buried within you, and it defines you." (pg. 240)

Nia may be pointing out Eliza's loss but others in Bone, Fog, Ash & Star will undergo similar experiences, ranging from small sacrifices and mishaps to life-altering ruin and the ultimate loss, death.  Nell, who'd been amazed at the grandeur of the Faery Realm's Illusions, begins to lose some of her wonder of the supernatural. Charlie, who loses that which defined him as a Shade, must find a way to reconcile that loss with what is left for him to be.  There's the Blind Enchanter who gave up his sight and song for seeing the Sparkling Deluder. And Rea, Eliza's mother, who gave up and still gives something important up to be with her husband.  Loss is the substance of life. It is only luck that keeps it at bay as long as possible. Or the pen of a true spellbinder, like Catherine Egan.

Though Catherine Egan does provide a short epilogue with a joyous scene to close The Last Days of Tian Di, the reader will also feel a great loss. It's inevitable. We've followed and cheered for Eliza, afraid for her goodness and choices, and longing for the love she feels to be realized.  After travelling alongside this young Shang Sorceress and woman through three epic volumes, we can only hope that her unwritten life is as prodigious as this written one has been.  For that, we can only thank Catherine Egan for the courtesy she has extended to us in sharing it.

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Check in tomorrow when CanLit for LittleCanadians welcomes author Catherine Egan for a guest post about villains titled, "Isn't he scary?  Isn't he beautiful?"

Now you have to read the whole series, don't you think?

The Unmaking: The Last Days of Tian Di, Book Two

Written by Catherine Egan

Coteau Books

978-1-55050-559-7

248 pp.

Ages 9+

September, 2013

Epic. That's what The Unmaking, Catherine Egan's sequel to Shade and Sorceress, the first book in her The Last Days of Tian Di series, is.  Epic. When I reviewed Shade and Sorceress (here) over a year ago, I knew that I was reading something special.  I compared it to Harry Potter.  The Unmaking is even stronger: in its writing, its plotting, its ability to snatch the reader away from reality and deliver him or her to a land of magic, curses, faeries, dragons, sorceresses, wizards, shape-shifters, and ordinary humans.  Hold on for a fantasy ride like no other.

When Shade and Sorceress ended, Eliza was still being schooled as the next Shang Sorceress by her grandfather Kyreth and the other Mancers at the Citadel.  Her mother, Rea, the former Shang Sorceress, has returned, without any memory, and lives with Eliza's father, Rok, with his people, the Sorma. And although Nia, the evil Xia Sorceress, got her hands on the Book of Barriers, she is still trapped in her Arctic prison. Or she was. Now she's out for revenge.

Not surprising that Nia seeks out the Triumvira, consisting of the Oracle of the Ancients, the King of Faeries and Swarn, the Warrior Witch, who had banished Nia to her prison. But her revenge also includes Kyreth, revealing her previously unknown relationship to the Supreme Mancer. (You'll need to read the book for that detail!)  Having been visiting first Swarn to learn of potions, forging weapons and deflecting barrier, and then the Oracle, Eliza returns to the Citadel to find the Mancers turned to stone and Nia releasing a hideous creature of her own Making (an Ancient power).  Nia's monster, created from the finger she sliced from Rea's hand, is a formidable foe, and Eliza must find a way of neutralizing it before it goes after her mother.

Sadly, Charlie, Eliza's Shade companion, is seriously injured and Nell, Eliza's human friend, enlists the help of the helicopter-flying police constable, Ander, to deliver him to the Cave of Healing.  In Tian Xia, they find the evidence of Nia's revenge: Swarn's house burning, slaughtered dragons, and the ruins of the temples of the Faithful.  They also make the acquaintance of a Faery, Jalo, who has been sent by the King of Faeries to retrieve the Oracle and Swarn to protect them from the Xia Sorceress.

But, Nia is already moving onto the Realm of the Faeries, intent on destroying Malferio, their King and her former consort. Because of the King's purges of his subjects and his dastardly deeds against others, including his current Queen, Nia is able to convince others to assist in overthrowing him.

It must be a faery illusion that Catherine Egan manages to squeeze a tale of such epic proportions into a mere 268 pages. My bare bones synopsis here doesn't even mention Eliza working with a wizard who is cursed to forget everything he knows every 29 minutes; the baby dragon that Nell is relentless about saving; Jalo's manipulative mother who worries about her son's interest in Nell; and Swarn's battle with Nia in the Hall of the Ancients.

The battle of good vs. evil may be the foundation of The Unmaking but there are so many layers of skirmishes and antagonisms as well as alliances and allegiances that enrich that theme, not the least of which is the question of who is bad or good.  As the story develops, beyond even those few layers, so too do the motives of the characters, transformed with new experiences and revelations.

There are not enough words to provide a complete review of Catherine Egan's The Unmaking.  When you enjoy it, you'll understand my failing here.  Epic is still the best descriptor.

Shade and Sorceress: The Last Days of Tian Di, Book I

Written by Catherine Egan
Coteau Books
978-1550-505146
279 pp.
Ages 10+
September, 2012

It's wonderful getting into a new book and, as you're reading, you realize that it's captivating you the way the Harry Potter series did: anticipating the next turn in the plot or another unknown fantastical creature with crafty powers, or delivery to a world where the laws of nature need not hold true.  Shade and Sorceress continued to surprise me with unexpected plotting, ultimately leaving me waiting for next book in The Last Days of Tian Di series and hopefully answers to a few surprise questions at the book's conclusion.

Tian Di, the One World, was the fantastical world in which humans were slaves to the Faeries; that is, until the Mancers, scholars of that world, used magic to begin its ongoing separation into Di Shang, the land of humans and beasts, and Tian Xia, the home of the beings of power.  Not surprising that the arrival of five emissary Mancers to Holburg, the island home of twelve-year-old Eliza Tok, would cause such a stir, especially when they arrive on dragons.  On behalf of the Supreme Mancer, Kyreth, these emissaries have come to take Eliza back to their Citadel to begin her studies for her position as Shang Sorceress, the role her mother Rea held until she eloped with a human, Eliza's father, Rom Tok.  Determined to protect her daughter, Rea had used Magic to hide Eliza, although Rea was killed in assisting the Mancers and their allies to entrap the Xia Sorceress in the Arctic.

Although she enjoys learning, Eliza demonstrates no magical powers, except when Kyreth puts her in the life-threatening position of guarding the Crossing between the two worlds.  Eliza learns that her father has been taken by the Cra, the bird-like creatures of the Xia Sorceress, to the Arctic and will only be released if Eliza brings the Sorceress the Mancers' Book of Barriers.  With Charlie, who Eliza sees as a thirteen-year-old boy, though he is a shape-shifting Shade, and Nell, her human friend from Holburg, Eliza sets out to save her father by heading to Tian Xia to seek out the Triumvira, the 3 beings who banished the Sorceress to the Arctic.

Much illusion is used in Shade and Sorceress to hide that which is real and construct that which is imagined but the relationships upon which all plot lines rely are quite genuine.  There are parents protecting their children, lovers who betray, friends who offer unconditional support, prejudice based on power, new allies from nebulous connections, and deception by so many.  The wealth of characters and the nature of their gifts, against a backdrop of caves, carved, black cliffs, ravening forests, hanging gardens, a dead marsh, arctic tundra, temples, a crystal city and all landscapes and structures in between, make an auspicious introduction to The Last Days of Tian Di series.  Fortunately, Catherine Egan, Canadian-born author currently living in New Jersey, neither leaves the reader frustrated with an incomplete ending or a neatly resolved storyline.  With Shade and Sorceress, young readers, not just young adults, are promised a refreshingly new fantasy series that is otherworldy but devoid of vampires.