Julia and Romano

Written by Eric Walters
DCB Young Readers 

978-1-77086-823-6
Ages 13+
304 pp.
March 2026

 

When sixteen-year-old Julia Anderson's mom, Susan Eden, moves the two of them to Campbell River, BC, Julia a.k.a. Jules is not impressed. Not only is she leaving her boyfriend Paris, and friends like Jodi, Shannon, and Beth behind, she must leave the big city Toronto for a smaller community where the major industries are forestry and fishing. But, because Mom caught Jules's dad cheating and wanted a new start, she accepted a job as the executive director and lawyer for the environmental group Eco-Guardians at Campbell River.

 

So, while Mom is busy dealing with a logging company eager to cut a disputed tract of forest, as well as with associated businesses like the mill, Jules goes exploring. When she is accosted by dangerous Steller sea lions, she meets local teen Cody who takes her for fish and chips. She doesn't know much about him, as he goes to the other high school in town, but the two bump into each other a few times, and he shows her around town. Cody is smitten and becomes very protective of her. He warns her to be careful around some people, like the Devil Dogs, a local biker gang, and at her first bush party.

 

Even as the two teens are falling in love, they learn that Julia's mom has been fighting Cody's dad, Raphael Romano, who owns Royal Lumber Mill. The two teens had never realized that the conflict their parents had was with each other because Jules has her father's last name. And his dad and her mom are not pleased about Cody and Jules's relationship.

 

As in Shakespeare's Romeo and Juliet which inspired Julia and Cody's story, there is conflict between families, a secret relationship, and a love that cannot be broken. Even the teens see the similarities, they anticipate a happier ending.

“This isn’t Romeo and Juliet,” Cody said. “This is Julia and Romano. We’re free to write our own story and this one can have a happy ending.” (pg. 148)

I'm glad the Forest Kid Committee (Red Maple) put this novel on its summer reading list because that means teens (and late middle-grade readers) have already been enjoying the story of Jules and Cody. I'm also glad that I finally got to review this novel. Beyond its sweet Shakespearean inspiration, Julia and Romano is influenced by the unique location of Campbell River, focusing on the land, its people, and its industry. Campbell River becomes a character in itself, shaping the way people interact, the struggles they have, and how the environment dictates so much. Eric Walters, extraordinary storyteller and observant writer of the human condition, tells Jules and Cody's story as a function of their place: how they meet, how they date, and how they are conflicted. He gives them latitude to be themselves and to grow to be new people. This is how Julia and Romano differs from Shakespeare's play. Eric Walters's characters are not doomed by their circumstances. They can be more than the legal and environmental feud between their families. They can make change happen and continue to love.

 

Don't worry that Jules and Cody's story will end as Romeo and Juliet's did. Eric Walters has written a love story that will endure.

Briarwood

Written by Natalie Hyde

DCB Young Readers

978-1-770868199

246 pp.

Ages 9–12

March 2026 

 

"Sometimes, inspiration and creativity combine in weird and wonderful ways to produce something unexpected." (pg. 99) 

 

It's whispered that Briarwood is a camp of magic, and Callie Garcia is desperate to go there. When a teacher accuses her of cheating on the entrance test and Smedley St. Claire is selected to go instead of her—though she'd scored 98%—Callie believes her dream of following in the tradition of her grandmother's grandfather, Theo Garcia, is lost. GG Theo was a man of ideas who'd left a journal of scientific formulas and inventions' designs and a final message to "Find Archer." But then the director of Briarwood, a Dr. Archer, intervenes and offers Callie a job as a mechanic and she wonders if she has been fated to attend.

 

Briarwood is a camp in the trees, with bunkhouses, walkways, bridges, and all workings powered by steam. So, while her bunkmates Smedley, Shawna, Hank, Tiffany and Dan participate in activities like swimming, alchemy, ropes, and rocketry, Callie is told she'll be reporting to Mr. Davenport. Instead, it's Dr. Archer who takes her to a treehouse lab where she will be fixing things. But there's also a secret lab which she is not allowed to enter, although Dr. Archer tells her that if anything happens to him she is to hide or destroy the special wrench that will allow access to it.

 

When Callie sees inventions that resemble those in her GG Theo's journal, like a hovering bicycle, she knows there must be a connection. But she's too busy trying to figure out the nature of the special metallic water that powers the machines at Briarwood. She is warned against touching the water ever, and not to tell others about what she has seen. With readings of journals at the lab and that of her GG Theo, as well as with her observations, Callie starts putting together a story or two of deception, surveillance, sabotage, and science. And when Dr. Archer goes missing, Callie with a few bunkmates whom she may or may not trust sets out to save Briarwood and its director.

 

Briarwood is magical, but not magical in the supernatural sense. It's wonder comes from the automated nature of its workings, like food delivery at the table, mechanical chameleons that carry messages, and the zip bridges that appear and disappear. Natalie Hyde has created a weird and wonderful place of creativity and engineering, a camp where ingenuity is encouraged, and young people are challenged to see marvels in the mechanisms within. She has shown us clever middle graders who are neither stereotypes of nerdy brainiacs or unrealistic pre-teens with unbelievable skills or strengths. Natalie Hyde makes Briarwood and the mystery to be solved true to life. Moreover, Natalie Hyde makes science, specifically mechanical engineering and chemistry, a fantastical element to the story. The inventions are amazing and yet possible. Camp Briarwood is a marvel that would captivate any young person with imagination and a sense of discovery.

While many young people will be attending summer camps this year, I doubt any camps will be as amazing as the marvel that is Briarwood. Still, I hope that, wherever they go, they find friendship, challenges, perhaps a little mystery, and a whole lot of wonder, just as Callie did at Briarwood.

Good Boy Timmy

Written by Eric Walters

Illustrated by Eugenie Fernandes

DCB Young Readers

978-1-77086-736-9

24 pp.

Ages 3-5

November 2024

 

Who is Timmy the dog? Is he the old dog who is too old to act badly? Or is he the dog who can get into trouble when no one is around?  Or is he the good dog this little girl and her dad believe him to be?

From Good Boy Timmy, written by Eric Walters, illustrated by Eugenie Fernandes

Timmy loves going to the park. He gets to see all the other dogs and the kids at play, but Dad is convinced Timmy loves being at home. So, when they must leave Timmy alone, well provided with food and water, they are convinced he'll be a good boy since, after all, he's too old to misbehave.

From Good Boy Timmy, written by Eric Walters, illustrated by Eugenie Fernandes

Timmy is offended by what he hears, knowing that he is a relative of wild wolves and a descendant of daring dingoes, and he knows how to be rambunctious. He's watched "Animal Planet" on TV! So, Timmy chooses to be Bad Boy Timmy, ripping things apart including the girl's favourite pink sweater, getting into cupboards, and spilling the goldfish bowl. Or does he?

From Good Boy Timmy, written by Eric Walters, illustrated by Eugenie Fernandes

From the text to the illustrations, Good Boy Timmy has a familiar feel to the innocent stories of mid-century primers but with more heart. Instead of the stereotypical characters of those early stories, Eric Walters has given us a family of father and daughter with Timmy and a story about choosing our best behaviours. Just because you can do something doesn't mean you should do it. And by making the behaviour of that of a dog, Eric Walters doesn't judge children who will all experience different and difficult choices in their lives. His story is instead a gentle reminder to choose well even when tempted to do otherwise.

Eugenie Fernandes also illustrated Eric Walters's picture book Today is the Day as well as her own books including When Rabbit Was a Lion and Finding Lucy. She has a light touch, keeping the stories about the characters and their connections to each other. She gives them life and light and a sense of fun. Timmy may be the star of the book, and Eugenie Fernandes makes him an adorable star, but the little girl and dad are just as captivating, especially in their affection for him.

For a charming story that reminds us all why we should make good choices, Good Boy Timmy is the read. It's also a gentle reminder that dogs will be dogs, as is their nature, but even an old dog can remember important lessons learned.