The Reflection in Me

Written by Marc Colagiovanni

Illustrated by Peter H. Reynolds

Orchard Books (Scholastic)

978-1-338-812048-6

32 pp.

Ages 4-8

March 2024 

 

When you look in the mirror, do you see your hair out of place, or a crooked smile, or a body shape that is too little or too much? Do you see something less than the perfection you want? Are those expectations from others, from social media, from yourself? Wouldn't it be nice to hear the voice inside tell you you're more than enough? What if it was your voice telling you that you are "perfectly perfect"? In The Reflection in Me, it is.

From The Reflection in Me, text by Marc Colagiovanni, art by Peter H. Reynolds

Before our story has even started–the above illustration is from the title page–a child has glanced in a mirror and casts their eyes down, dejected. But surprisingly the reflection in the mirror speaks to the child and tells them, "I like being you."  The child is astonished as the reflection recounts all the wonderful things about the child. From their amazing eyes that "sparkle like stars on the darkest of nights" to their marvelous voice that is as "joyous as a songbird whistling in the trees." 

From The Reflection in Me, text by Marc Colagiovanni, art by Peter H. Reynolds

At first, the child listens in disbelief, finding it difficult to believe these positive statements about themselves. (Their reflection is talking to them after all.) But, with each affirmation by the reflection, who speaks in a lilac font, the child begins to accept the positives about their smile, smartness, bravery and more, and always receives them with humility and delight. 

"I like that you are friendly."

I leaned in closer.

"It's very important to be caring, you know."

"It sure is. You're as gentle as a butterfly."

From The Reflection in Me, text by Marc Colagiovanni, art by Peter H. Reynolds

Like their earlier collaboration, When Things Aren't Going Right, Go Left (2023), Marc Colagiovanni and Peter H. Reynolds  have given us a story to empower children. In The Reflection in Me, children will learn to take stock of their positive attributes so that there may be self-acceptance and self-love. Children may not always get the encouragement or love they need to sustain themselves or to help them tackle challenges which they must face. With The Reflection in Me, kids are encouraged to look a little more closely at themselves and see the good stuff, without becoming arrogant or self-important. (For example, a tumble after a twirling dance could have embarrassed the child but they ended up laughing instead.)

Though Marc Colagiovanni is American which should preclude a review of The Reflection in Me on CanLit for LittleCanadians, his collaboration with Peter H. Reynolds gives him the favour of inclusion here. His words are impactful but spoken and heard by a child who needs to hear them. There is no pretense or preaching. There is only hope that all children will see the best in themselves.

 

 May you always see yourself as you truly are... perfectly perfect.

 

From The Reflection in Me, text by Marc Colagiovanni, art by Peter H. Reynolds

Peter H. Reynolds is all about the light and goodness that children have and can find in themselves. His collection of books, which include his recent All We Need is Love and a Really Soft Pillow! and Say Something!, are gentle reminders that children can be and do good. Peter H. Reynolds puts it all their hands, showing them what they can do. And he does it with brightness and colour. The Reflection in Me is similarly vibrant in colour but Peter H. Reynolds keeps the art simple so as not detract from the focus on self-acceptance (and not finding acceptance from the approval of others). It's a child and a mirror, and that's it. He doesn't need anything else. The expressions on the child and their reflection say it all. With just a subtle shifting of a line for a brow or a smile, or the reach of an arm, Peter H. Reynolds gives us delight and spirit and connection. It invites us to enjoy their repartee and be charmed with the self-learning that happens.

Self-acceptance may come from within but a little reinforcement from The Reflection in Me will certainly not hurt. With its perfect tone of support and brightness of art, The Reflection in Me will charm and inspire and hopefully empower children to find the best affirmations are inside themselves.

💜 💛  💙  💜  💚  🧡  💜

This short film, from 2017, upon which The Reflection in Me is based, is available at the channel of FableVision Studio (founded by Peter H. Reynolds) on YouTube.

 

Posted by FableVision on June 16, 2017 on YouTube

Leon Levels Up: Q & A with author Paul Coccia

Leon Levels Up 

 (Orca Currents)

Written by Paul Coccia
Orca Book Publishers
978-1-459837355
112 pp.
Ages 9-12
RL 2.3
February 2024

Reviewed here

 

On Feburary 16, 2024, I reviewed Paul Coccia's latest novel, a hi-lo middle grade story titled Leon Levels Up. With the official launch coming soon, Paul Coccia graciously agreed to a Q & A with me about the book. This is that interview.

 

 • • • • • • •

 

Author Paul Coccia

Helen Kubiw:  Leon Levels Up is definitely a story embedded in gaming. Why choose this is as a vehicle for your plot?

Paul Coccia:  There were the inspirations of my nephew and friend to whom I dedicated the book. My friend got a rather expensive virtual reality gaming system during the pandemic (when the book idea was conceived) and I realized that during isolation, the online world and gaming allowed a lot of people to connect virtually when we couldn’t in-person. My nephew loves video games and it seemed like a story premise that would appeal to kids.
     This next reason will sound writerly in some ways, but I was thinking about the child main character and their agency. When I thought of my chubby, non-athletic Leon who (like me) is not very good at sports, I also thought about where he would feel empowered. The virtual world provided the opportunity for Leon to feel strong and do things he’d never be able to do in the real world. Thinking about why a person would gravitate to video games gave me insight into Leon’s character and how he could be an action hero.

HK:  You acknowledge help from others with the topic of gaming, but do you do any gaming or did you try gaming to understand it better?

Paul Coccia:  I’m a very casual video game player and tend toward classic big-name franchises you’d likely find on the Nintendo systems. I’ve tried and found out that the first-person perspective a lot of games (and virtual reality) use is a sure way to have my character stuck in a corner. I can’t figure it out! Give me one of those dance competition video games though and I can get that choreography down quickly though.
     I do enjoy playing video games though, especially with one of my brothers or my nephew. I find it relaxing and entertaining, but I can go long periods without missing playing them. I enjoy the interactions with them more than I do the actual games.

HK:  Though Leon Levels Up is a piece of fiction, how real is the possibility of the tech that Leon and Nico play with at Pix Grid?

Paul Coccia:  All the technology presented in the novel is already in existence.  Nanobots, for example, have existed for years. I read they were being used for medical procedures and thought that was a cool use of modern technology.
      I wanted the game to be entirely possible in terms of technology and where it is today. However, someone making a game that involves tanks of nanobots in a gel is unlikely. Besides safety, there are hygiene concerns for cleaning the tank. The big deterrent would be the cost of making it combined with very few people being able to afford it. No video game company would take this on because it would cost a fortune. Is it possible though? Absolutely! 

HK:  Do you think Nico only used Leon so that he could get Gabs to let him play Dragon Hunt? Or do you think he saw something beyond what Leon could do for him?

Paul Coccia:  This question is very insightful. Nico is a character who thinks a lot of himself. When he invited Leon to play Dragon Hunt, Nico honestly felt the only person who had the skills worthy of playing with the great Nico was Leon. Nico wanted someone on his level of gaming. Leon was the only one who could possibly match or rival Nico’s skill in Nico’s eyes. This made Leon a worthy opponent/co-gamer. I don’t think readers would be surprised I think of Nico with this level of hubris.

HK:  Too many people see themselves only in terms of others, as does Leon. So, it’s not surprising that someone like Leon sees himself as “low level” when he compares himself to someone like Nico. What would you say to teens who only see themselves in terms of others? And would this be the same thing you would tell your teen self now?

Paul Coccia:  I think comparison is natural as is wanting and liking external validation, although it is not always fruitful. If all we look for is external validation, we will always be looking for an outside source for it. Internal validation, while it can be a difficult process, is a better investment for emotional energy. You can and should also consider if the person’s opinion you value is worth valuing and why.
     For my younger self, I would advise the sooner I stopped focusing on what people who don’t matter in my life thought I should do, I’d free up a lot of time and energy. With those, I can not only do things fulfilling to me, but appreciate, admire, and celebrate others without the negative effects of comparison. I can only be the best me; I can’t be the best someone else.


HK:   The hi-lo genre (high interest, low vocabulary) like that of the Orca Currents series is a popular one for older readers who may be challenged by reading. What are the challenges for you as an author to write a hi-lo novel?

Paul Coccia:  I find the length of hi-los the most challenging aspect. I find it easiest naturally to work in longer novel form. Things like word choice, sentence length, or complexity of the plot can be challenges, but they’re also incredibly rewarding when you know you’re hitting the mark. I find certain elements that make successful hi-lo books (e.g. dialogue tags like “he said”) are used more and can sound a bit clunky when writing or reading, but they are important for the hi-lo reader. Using a dependent clause as a sentence is another that technically is incorrect writing, but a hi-lo writer needs to break the rules for their readers’ success.

HK:  Leon Levels Up is a true coming-of-age story as Leon recognizes worth outside of materialism and popularity, becoming more grounded in realism as he immerses himself in the unreal. How hard is it to write a coming-of-age story in which a character must progress or develop in such a big way but in fewer pages than other novels?

Paul Coccia:  I’m a character-driven writer. It’s all about the character with me so length affecting character arc wasn’t as bad as the action was. Because Leon is running for his life quite literally a big chunk of the book, it became harder to build in situations where the character could stop and reflect. He’s too busy reacting physically to stop and have complex emotions beyond fear. In editing, I went back through to find where those moments could exist and build them out to help the reader get into Leon’s mind and understand his inferiority.
     One element of Leon that was very enjoyable to write was his age. Leon isn’t so young he is unaware of the world around him. He also isn’t too old to hide his vulnerabilities or emotions. Leon had a sweetness and sincerity to him I particularly liked writing.
 

 

HK:  I know you have a picture book coming out, and have written middle grade, young adult, and a short story as part of an anthology. Which genre was the most satisfying to write and which was the most difficult to write?

Paul Coccia:  One of the nice things about switching genres or audiences is getting to flex writing muscles I don’t always use like with articles or personal essays I’ve written for adults or the short story in Acorn Press’ The Annethology. Each project has helped me learn and deepen my respect for literature, particularly children’s literature.

     I’ve gotten a lot of satisfaction from each stab at a genre but know that my comfort zone is young adult novels.

     Picture books are a whole new challenge. They are hard! Writing them does not come easily to me. I have such admiration for picture book authors and illustrators who make it look easy. You need to be concise, choose few and just the right words, and still craft great stories and characters. They’re very rewarding, but less words do not equal less skill required. I think the opposite may be true.

 

• • • • • • •

Many thanks to Paul Coccia for being open to a Q & A, for taking the time to answer my questions, and for giving me a different perspective on a fabulous book which I had already enjoyed. Now I have more to think about, particularly, "I can only be the best me; I can’t be the best someone else." These are words to live by.

• • • • • • •

 

Great news: there's a book launch coming! 

Join Paul Coccia 

 

at

A Different Drummer Books

513 Locust Street

Burlington, Ontario

on

 

Saturday, April 6, 2024

1 PM (local time)

It's a great opportunity to pick up a signed copy of Leon Levels Up, meet Paul Coccia, and learn more about his book. 

Hope to see you there!

Butterfly on the Wind

Written by Adam Pottle

Illustrated by Ziyue Chen

Roaring Brook Press

978-1-250-821-97-3

40 pp.

Ages 3-6

March 2024 

 

The anticipation of presenting the fairy tale she'd written is making Aurora quite nervous. But for a Deaf child who will use ASL to tell her story, trembling hands will make for a challenging storytelling. When she sees a beautiful butterfly in the garden, she recalls her father telling her that a butterfly's wings could create a wind that could carry around the world. With that, she is inspired her to generate one with her hands and send it off into the world.

 

From Butterfly on the Wind, written by Adam Pottle, illustrated by Ziyue Chen

Her butterfly travels to a farm where a little boy Milos, who also speaks with his hands, watches it sway the raspberry bushes. He creates his own beautiful blue butterfly that joins Aurora's to travel to a cabin in the mountains where Abbey and her grandmother spot them.

From Butterfly on the Wind, written by Adam Pottle, illustrated by Ziyue Chen

Knowing the cold would be hard on the butterflies, grandmother and granddaughter make their own butterflies to create an even stronger wind that blows all four butterflies off to warmer climes and above an ocean.

From Butterfly on the Wind, written by Adam Pottle, illustrated by Ziyue Chen

With each step (or rather flutter) of their journey, the butterflies meet a new Deaf child who with their supportive friends and family sends the butterflies off with new ones until "a tornado of butterflies, a churning circle of color and beauty" travels back to Aurora. Emboldened by her small butterfly wind becoming a magnificent storm, she can step forward into the school for her presentation.

From Butterfly on the Wind, written by Adam Pottle, illustrated by Ziyue Chen

Saskatchewan writer Adam Pottle was born Deaf and raised in a hearing family, so his story Butterfly on the Wind has an authentic voice, and a voice that does not objectify Aurora or Miles's disability, or that of all the other Deaf children. They are not there to inspire us with overcoming their deafness. They are there to demonstrate that, like everyone, they will have struggles and must find a way to cope. Aurora's strategy of sending out a beautiful butterfly ultimately garners strength from others in the Deaf community and gives her the courage to step forward for a public performance. There is magic in her butterfly and in all the butterflies that follow, but that magic comes from within–even if she doesn't know it at the time–and has the power to unite and invigorate and sustain. 

The magic that Adam Pottle creates for Aurora and the other Deaf children is something special, and the art that Singaporean Deaf illustrator Ziyue Chen uses to carry that magic is sweet and yet powerful. She uses colour that is both soft and vibrant, ranging from pinks and purples to blues and yellows. Whether it's the butterflies or the landscapes, there is a vibe of life and happiness. 

Adam Pottle appends his story with an enlightening Author's Note– also a visual depiction of the ASL alphabet–that tells readers of the symbolic nature of the butterfly in Deaf culture, and the basis of his story. His motive to reach others–"May it travel around the world as swiftly and beautifully as Aurora's butterfly"–is a testament to his good intentions and the same spirit of strength and grace shown by butterflies.

 🦋 🦋 🦋 🦋 🦋

 

There will be a very special in-person (Saskatoon) and streamed (YouTube) book launch for Adam Pottle's new picture book Butterfly on the Wind

on

Saturday, April 6, 2024

at

2 PM

at

the Travel Alcove of McNally Robinson Booksellers

3130-8th Street East

Saskatoon, SK

and

streamed

via

McNally Robinson Saskatoon Events channel on YouTube

here

There will be live ASL interpretation and 

CNS transcription provided by Saskatchewan Deaf & Hard of Hearing Services

 

 

Is It Weather or Is It Climate Change? Answers to Your Questions about Extreme Weather

Written by Rachel Salt

Firefly Books

978-0-2281-0462-9 

64 pp.

Ages 12+

March 2024

 

With much in the media about climate change and extreme weather events that include droughts, floods, heatwaves, and fires, it's not surprising that young people may be confused about what is real and what is not. Because much of the information about climate change and extreme weather can be tainted with rhetoric, opinion, and even conspiracy, sorting the facts from the misinformation can be challenging. Environmental biologist Rachel Salt sifts through all the info out there and organizes it into an accurate STEM book that both clarifies and elaborates.

From Is It Weather or Is It Climate Change? by Rachel Salt

First, Rachel Salt introduces the concept of climate change and provides evidence for its existence, both historically and in current times. She then looks at extreme weather before taking a global tour of some events that provide evidence of climate change. These highlights begin with the wildfires, heatwaves, and rain (who knew there were things called atmospheric rivers?) in British Columbia. Also included are droughts in Mexico; winter storms in Texas; heatwaves and flooding in Germany; floods and droughts in Ethiopia; the melting glaciers and snowfields of the Third Pole, an extensive system of mountain ranges in Asia; and wildfires in Australia. In addition to these weather events, Rachel Salt addresses how they are impacting human life and what people are doing to adapt and even mitigate the impacts.

From Is It Weather or Is It Climate Change? by Rachel Salt

Is It Weather or Is It Climate Change? could be a rather depressing or distressing book but Rachel Salt consistently reminds young readers that there are people around the world taking action to fight climate change. She provides examples of adaptation that include Indigenous-led resistance to fossil-fuel projects, growing climate-resistant plants, replacing power sources with those without carbon emissions, and protecting and restoring wetlands.

While all the information is valuable and intrinsic to telling the big picture, several asides certainly caught my attention. One is the gender imbalance of climate change and climate-sensitive health impacts, both addressed in the exposé on Ethiopia but sadly applicable globally. Also, teachers will undoubtedly find an info box titled "Beware of Climate Lies" worthwhile for lessons in misinformation and fake news. Another relates to the "Confidence Meter" by which scientists measure how confident they are that climate change is influencing extreme weather, and demonstrates the complexity of discerning what extreme weather event constitutes evidence of climate change. Inclusion of all these help complete the story of climate change and extreme weather.

From Is It Weather or Is It Climate Change? by Rachel Salt

Is It Weather or Is It Climate Change? is best suited for a teen (or adult) audience as it is a comprehensive book of non-fiction that lays out everything from types of greenhouse gases (including carbon dioxide, methane, nitrous oxide, and chlorofluorocarbons) to the methods used to measure climate change (such as ice cores, marine sediment, ocean acidification and temperature records). The text is extensive and well-balanced with photographs, information boxes, graphs, and maps, and completed with important features of non-fiction books such as a glossary, an index, and a list of additional resources.

 

This will be a fabulous book for teaching climate change, media literacy, and weather events. Whether a teaching resource for educators of social studies, geography or science, or a reference for students, Is It Weather or Is It Climate Change? will answer questions, spark enquiry, and perhaps inspire action. With accurate knowledge such as this, good change can happen.

Spider in the Well

Written and illustrated by Jess Hannigan

Katherine Tegen Books (An Imprint of HarperCollins)

978-0-063289475

48 pp.

Ages 4-8

March 2024

 

The people of Bad Göodsburg have a problem: their wishing well is broken. The newsboy who delivers the papers–and sweeps the chimneys, delivers the milk, and shines the shoes–is tasked with one more job: find out what is wrong with the well. And when he hears about the charitable wishes of the baker, the doctor, and the shopkeeper, he is determined to ensure those wishes are granted.

From Spider in the Well, written and illustrated by Jess Hannigan

Making his way to the well, the boy learns that a spider in the well has been responsible for the well not working. But, though the spider was just being a spider, building a web that happens to catch the coins, it's what he reveals to the newsboy that truly gets the boy irate and screaming, "Unbelievable!" and demanding justice.

From Spider in the Well, written and illustrated by Jess Hannigan

But what justice needs to be achieved? And how will the town's newsboy and lackey ensure that righteousness prevails?

Without giving away the story of Spider in the Well, let me assure readers that this is more than a cautionary tale about being careful what you wish for. And it's not because wishes might be ill-advised. It's because people and their wishes are not always benevolent. Sometimes wishes are selfish and rooted in vanity, greed, and worse, and no one wants to be seen as less than virtuous. The fine citizens of Bad Göodsburg hide behind false virtues and are taken down by a spider and a boy who may be or may not be similarly ethically challenged.

From Spider in the Well, written and illustrated by Jess Hannigan

Jess Hannigan's tale of wishes gone wrong has the tone of a fable or even a fairy tale. It's told with a host of archetypes, from the self-righteous townspeople to the put-upon boy who overcomes unjust treatment to be rewarded in the end. There's even the anthropomorphic spider who helps the boy triumph. And for each one of these characters, Jess Hannigan gets the voices right, and gives the story a tone of reparation rather than of grifting. (You'll see what I mean when you read the ending.)

From Spider in the Well, written and illustrated by Jess Hannigan

Hamilton's Jess Hannigan is an illustrator–this is her first picture book as author-illustrator–and her digital artwork, strong in shape and colour, makes the story even more powerful. By creating characters and scenes that are both simplified and complex in content and perspective, Jess Hannigan draws us into the story and helps us to see the circumstances as the boy does. She has a striking style of soft but bold lines that create tension while keeping the reader sympathetic to the boy, something that is more easily achieved by drawing the townspeople as oddly shaped and weirdly coloured.

 

So, if there's a moral to the story of Jess Hannigan's Spider in the Well, it's to be careful what you wish for because you never know who may be listening. On the plus side, sometimes one person's wishes result in just rewards for another. Just ask the newsboy of Bad Göodsburg, now happily retired.

• • • • • • •

Consider checking out one of several book launches Jess Hannigan will have in Ontario for Spider in the Well.

 

Thursday, March 21, 2024

6:30 PM

Type Books Junction

2887 Dundas St. W., Toronto

 

Sunday, April 7, 2024

1 PM

Epic Books

226 Locke Street S., Hamilton

One Giant Leap

Written and illustrated by Thao Lam

Owlkids Books

978-1-77147-599-0

48 pp.

Ages 3-7

March 2024

 

Getting a child dressed, especially in winter, is akin to the prep required to outfit an astronaut. Each step must follow another to ensure coverage, safety, and fit. But when you're venturing out into that wide world of possibilities, it's best to be prepared.

From One Giant Leap, written and illustrated by Thao Lam

Zippers pulled up on a suit, boots tugged onto feet, gloves wrenched on, and a hat stretched down low on a forehead are just the first steps of venturing outside. But as the child is transported in an elevator to the 1st floor, an imaginative transformation occurs. What was a child in a snowsuit is now an astronaut in a spacesuit. So, when they finally venture outside, it isn't into the snow, it's onto the moon.

From One Giant Leap, written and illustrated by Thao Lam

Everything now is an exploration of a new land of shapes and structures. There's climbing and falling, searching and anticipating, and following footsteps. Are those aliens or something else? Is there peril? Can they communicate? Should they? What should they say?

From One Giant Leap, written and illustrated by Thao Lam

Can the astronaut reach their destination and fulfill their mission? Only by following their trek across barren landscapes of inhospitable structures and unusually-garbed creatures can readers even know whether they make it to...the coatroom at school.

As a wordless picture book, One Giant Leap has a story that is driven by the cut-paper collage of Thao Lam's artwork. The story which is immense comes from the reader seeing and interpreting the visuals. Is that a rocket launch pad or an apartment elevator? Are those aliens or children in colourful snowsuits? Are those buildings or mountains, man-made structures or lunar landforms? Vietnamese-Canadian author-illustrator Thao Lam, known for her complex and meaningful books including The Paper Boat: A Refugee Story and The Line in the Sand, still knows how to do playful. Dressing in a snowsuit and venturing out into the greater universe, this child embarks on an other-worldly adventure, fueled only by imagination. What they experience is all up to them, and Thao Lam lets us see what they see. It's a textured landscape of dull grays and blacks, with only a dash of colour from an orange spacesuit or when other bizarre creatures appear. But in that lunar landscape, it is all about starkness, with the energy provided only through the child's imagination.

From One Giant Leap, written and illustrated by Thao Lam

Whether stepping onto an unknown space body or onto a frozen city street, it's a giant leap of daring that must come from within. It's knowing what to expect and never knowing what could be found. For this little one, it's One Giant Leap into inventiveness and creative thought, and it looks like they had a great flight.

West Coast Wild Rainforest

Written by Deborah Hodge

Illustrated by Karen Reczuch

Groundwood Books

978-1-77306-839-8

44 pp.

Ages 3+

March 2024

 

Each time I read a book in Deborah Hodge and Karen Reczuch's West Coast Wild series (see the list below), I am transported to the Pacific Northwest to visit the forests, coasts, waters, and mountains. I get to stand under majestic conifers and watch animals play. With West Coast Wild Rainforest, Deborah Hodge and Karen Reczuch lead us into the temperate rainforest and show us the wonders within.

From West Coast Wild Rainforest, text by Deborah Hodge, illus. by Karen Reczuch

Our walk through the rainforest begins with the rain and its role in keeping the forest growing and the fires away. In addition to those multi-storeyed trees, Deborah Hodge introduces readers to mosses, lichens, and other vegetation of the undergrowth. That lush forest is perfect for making a home, and there is much discussion about the relationship between Douglas squirrels and the trees which provide them with shelter and food, and which the squirrels inadvertently replant.

From West Coast Wild Rainforest, text by Deborah Hodge, illus. by Karen Reczuch

In each part of the rainforest, there is life, and the cycles that happen with that life. There are the streams where young salmon hatch. Later they will return to spawn in these same streams, and then become food for the bears, wolves, and eagles, with leftovers fertilizing the forest.

In this wonderful cycle of nature, the trees protect the salmon and the salmon feed the trees. 

From West Coast Wild Rainforest, text by Deborah Hodge, illus. by Karen Reczuch

As the natural cycles of the forest are revealed, more animals are introduced, from black bears and bald eagles, to gray wolves, black-tailed deer, western screech-owls, chest-backed chickadees, and banana slugs. Everything has a place and a purpose, and together they help the forest to grow and thrive and nurture others.

West Coast Wild Rainforest is a lovely walk through a unique biome that defines one part of Canada. For those on the West Coast, this book will be a literary hike to see and smell and feel a complex of ecosystems that encompass vegetation, water, land, and animals. For the many readers who may never have the opportunity to visit British Columbia and its coastal areas, West Coast Wild Rainforest entreats us to do the same but teaches with Deborah Hodge's text and beguiles with Karen Reczuch's watercolour and pencil artwork. This is an opportunity to learn and to be present in a luxuriant biome unique to our Pacific coast. By telling a story with a scientific basis, Deborah Hodge's words show a reverence to the Pacific rainforest without dulling the learning with endless details. And with  Karen Reczuch's illustrations, depicted with realism and profound awe for the landscape and biota of this area, West Coast Wild Rainforest will reach many young, and older, readers and entrap them in the beauty of the Pacific coastal rainforest and fascinate them with its teeming life.

🌲•🌲• 🌲•🌲•🌲

 

West Coast Wild series

 West Coast Wild (2015)

West Coast Wild Babies (2020)

West Coast Wild ABC (2022)

West Coast Wild At Low Tide (2022)

West Coast Wild Rainforest (2024)

West Coast Wild Baby Animals (coming May 2024)

The Club

Written by Eric Walters

DCB

978-1-77086-734-5

264 pp

Ages 9-12

March 2, 2024

 

It's the start of their Grade 8 year, and Jaxson and best friend Logan are looking forward to making their final year in middle school an epic one. While Logan is all about basketball, Jaxson is driven by playing his trumpet. But then a new girl, Liv Parker, joins their school. Though Jaxson sort of kind of has a girlfriend, Samantha, Liv is an extraordinary trumpet player, and she and Jax are thrown together, in a good way.

When the music teacher, Ms. Hooper, auditions the students for the senior band, she knows that Liv and Jax are going to be the stars of the band and hopefully take them to the city championship, finally. In fact, she wants them to play a duet for the first school assembly just days away. To prepare, the two have to meet after hours at each other's homes. Though their households are very different, with Liv and her mom Jenn, a cybersecurity expert, living in an immaculate big house with a grand piano, Jax and his mom Ali, an artist and art history prof, live in a cluttered house filled with colour and stuff. Still, the two teens find they have a lot in common, including their music, love of sushi, and ways of thinking. Moreover, when asked about their dads, they both acknowledge that subject as "complicated." 

But soon things get even more complicated for both of them. When Samantha learns how much time Jax is spending with the new girl, she feels threatened and he can't convince her that they're only friends. Still, with all their rehearsing for assemblies and solos, Jax and Liv are spending more time at each other's houses, and by chance, their moms are becoming friends. But with that friendship, personal details are shared, and Jenn and Ali begin to wonder whether the kids share more than just a virtuosity with the trumpet.

 

The theme of family is a common one in contemporary stories, with families that were once deemed traditional now being seen as just one of a myriad of forms that families can take. Whether a family has a mom and dad like Logan's, or is a single-parent household like Jax's or Liv's, or like those reconfigured through divorce or loss, a family is a family is a family, and Eric Walters recognizes that families come in all shapes and sizes and are all natural. What makes them families is the love and respect that is given and received within that construct. And regardless of how that family was created, whether through sperm donation, a heterosexual marriage, adoption, or one of countless other ways people enter others' lives, it is valid and valuable if family members choose for it to be so. (Thankfully the kids' moms give them some choice about whether to explore their paternal heritage and never compel them to embrace DNA as the ultimate basis for family.) 

Blood makes you related but it doesn't make you family. (pg. 176)

Fortunately for Jax and Liv they would probably always have become family, regardless of their DNA. Just as Logan and Jax always considered themselves brothers, Liv and Jax were already simpatico because of their love of the trumpet and music. The DNA just made their relationship official and genetically solid.

 

Eric Walters's Afterword tells the reader that the story of The Club was inspired by a true story of half-siblings discovering each other through their DNA. Their story, like that of Jax and Liv, was one of positive connection. For the kids in The Club, there is no conflict or expectation that they must embrace strangers as family. For those two kids, it happens organically. But without the support of their core family, related or not, neither teen would've been secure enough to welcome others in and put themselves out as they become part of a larger club.

The story of The Club could be happening anywhere in the world. The circumstances are not uncommon, and with access to DNA and ancestral records, it's becoming more frequent that genetic relatives are being linked. But Eric Walters makes this less about the process and more about the outcomes and what they mean for these kids. Their worlds have changed and in a good way. I do wonder about those circumstances for which "new" family connections may not be positive or welcome but that would be another story. In The Club, Eric Walters gives us a story of being a family, discovering family, and making family. For Jax and Liv, they are able to strengthen what is already there with those who were previously unrecognized and make for a new type of familial association.

Kids Write 4 Kids Creative Writing Contest: Deadline March 31, 2024

Ripple Foundation, a Canadian educational charity run solely by volunteers, works diligently to support creative literacy for young people. To that end, they have established an annual writing contest called Kids Write 4 Kids, and that contest is on now. If you're a Canadian young person in Grades 4 through 8, then you have until March 31, 2024 to submit your story, whether fact or fiction, or poetry. Details are listed below.

Why You Should Enter?

•     Winners get published (see previous winners here).
•     Proceeds from book sales are donated to the winner’s charity of choice.
•     Winners become judges for next year’s contest.

Entry Details

•     Open to Canadian residents only.
•     Students must be in Grades 4, 5, 6, 7, or 8.
•     Stories must be original and written entirely by the author.
•     Only one entry per author will be accepted. (Subsequent entries will be disqualified.)
•     Only single author stories qualify. (No co-authored stories.)
•     Stories are accepted in English only.
•     Stories can be fact or fiction, prose or poetry.
•     There is no entry fee and no purchase is necessary.
•     All entries must review the story checklist.
•     Entries must be submitted by the author’s teacher, parent, or guardian at this online form. 

Contest rules and regulations are posted here

 

 

Submissions

• Maximum word count: 5,000 words (includes “a,” “an,” and “the,” but not the words on non-story pages such as the title page).
• Invented spelling is accepted.
• The text must be typed and submitted as DOC file format.
• Do not submit any images. (If your story does have images and your story is selected,  Ripple Foundation will contact you to obtain original images.)

 

 Deadline for submissions

• March 31, 2024
  

 

Although the contest was announced last fall, I was slow to get this posted. But, young writers still have weeks to get a submission in. So, time to get writing!

 

Good luck!

 

💻✐💻✎💻✐💻

Circle of Love

Written by Monique Gray Smith
Illustrated by Nicole Neidhardt

Heartdrum (HarperCollins)

978-0-06-307870-3

32 pp.

Ages 4-8

Releases March 12, 2024 

 

Indigenous writer Monique Gray Smith and artist Nicole Neidhardt take us into the heart of an intertribal community center where all are welcome, making for a richer kinship with diverse persons and where family extends beyond blood.

 

tawâw
(nêhiyawêwin: "there is always room")

Molly, her sibling, and her parents are joining their family and community for a feast at their local center. As they partake in the various activities, whether dancing, singing, reading, eating, or storytelling, Molly is bursting with feeling. She frames her experiences with her emotions, and by doing so Molly is mindful of the moment and what she is feeling. When Molly's Kôhkom and her wife, Kôhkom Raven, sing a welcome song, Molly feels connected. When she reads books to the little ones, she feels kind. When her sibling plays their fiddle, she is energized. Everything makes Molly feel something, and she always sees the positives, whether nourished, honoured or awed. And always there is love. And love is love, regardless of its form, of those who feel it, of  those who give it, and of those who need it.

From Circle of Love, text by Monique Gray Smith, art by Nicole Neidhardt

Moreover, everywhere there are reminders that this is a center based in Indigenous culture, whether it be the beading the children do, the sweetgrass burning, an elder smudging, traditional jingle dance, the beating of a drum, or a Métis sash. Everyone is welcome and there is room for all. 

From Circle of Love, text by Monique Gray Smith, art by Nicole Neidhardt

The lovely sense of community is unmistakable in Circle of Love. Diné (Navajo) illustrator Nicole Neidhardt, who came to Victoria BC from Arizona and New Mexico, ensures that her digital images depict everyone, showing different expressions of gender, family, ages, abilities, and backgrounds. Like the food at their table, there's a bit of everything and everyone, making their community vibrant and strong and satisfying. 

From Circle of Love, text by Monique Gray Smith, art by Nicole Neidhardt

Monique Gray Smith is a two-spirit writer of Cree, Lakota, and Scottish heritage whose picture books, novels, and non-fiction have been fueled by her ancestry. She writes for the very young and young adults, about traditions, residential schools, and reconciliation, and she writes of empathy and love. Circle of Love, like My Heart Fills with Happiness and You Hold Me Up, reminds us of the good that comes with building relationships, of being mindful of the moments that give our lives meaning, and of remaining grounded in our belonging to family and community. Monique Gray Smith honours those who are like her and not like her. She celebrates everyone by including them and recognizing their contributions to the community. With comprehensive notes appending her story, Monique Gray Smith ensures that, in this circle of love, everyone is welcome.

From Circle of Love, text by Monique Gray Smith, art by Nicole Neidhardt