June 27, 2018

The Ruinous Sweep: Q & A with author Tim Wynne-Jones, plus giveaway

The Ruinous Sweep
Written by Tim Wynne-Jones
Candlewick Press
978-0-7637-9745-7
400 pp.
Ages 14+
June 2018

Yesterday, I reviewed Tim Wynne-Jones's latest young adult thriller, The Ruinous Sweep.  Today, as part of a blog tour, I have the pleasure of posting a Q & A with the author about his book.

(Be sure to read to the end for details about a special giveaway.)

 

HK:  Much of The Ruinous Sweep reflects Dante’s Divine Comedy, from the title to Bee who mirrors Beatrice, keeper of divine knowledge, to the deadly sins including lust, anger and treachery, and the Inferno beasts of a lion and a leopard.  Was the initial premise for The Ruinous Sweep always based on Divine Comedy or was it secondary to the scary incident you mention in your Acknowledgements? 

TWJ: Wow! Somebody knows their Dante. The answer to your question is the latter of the two proposed. I didn’t think about Dante at all until I was a couple of chapters in. Suddenly, it occurred to me that the mysterious, moon-wet landscape Donovan found himself lost within, dazed and confused, was reminiscent of a very famous 14th Century epic poem. So, I started reading that classic again to see what my protagonist was likely to run into. For a brief moment I thought he’d follow Dante’s entire journey, but pretty soon it became obvious that twenty-first century Donovan had his own demons to vanquish and the two wanderers parted company. But it sure gave me a lift in the early going to fall back on that amazing story. Fiction, even when it seems unique and entirely new, usually builds, in one way or another, on what has gone before. There’s nothing new under the sun. Or under the moon, for that matter.


HK:  Do you believe readers need to have a background understanding of Divine Comedy to appreciate the fullness of the story of The Ruinous Sweep or do you hope The Ruinous Sweep will lead them to check out Dante’s epic work?

TWJ: Not at all. I think everybody knows a little something about that random, transitional world between worlds, where nothing quite makes sense but there is this pervasive, suspenseful feeling that at any moment anything might happen and everything will change for the better or worse! We’ve all experienced it, if only in our dreams.


HK:  For much of the book, the story is told in two voices: that of Donovan who is confused about what has happened and what is happening, and his girlfriend Bee as she deals with the aftermath of a horrifying night.  Usually when told in the voices of boyfriend and girlfriend, their perspectives come together in the end but not in The Ruinous Sweep.  Instead their perspectives become untangled when the mystery is solved.  Why did you keep the two separate for much of the book rather than blend them into a strong couple working together, even if separated by circumstances? (I don’t want to spoil the ending by giving away too much.)

TWJ: In the first draft, I wrote all of Donovan’s story first. It’s weird, because while I was locked into his story I couldn’t really see or imagine Bee. I only knew he was desperate to reach her and that, one way or another, she would be there for him. Then one of my sons sent me a video of the composer Ludovico Einaudi playing I Giorni (The Days) with the violinist Daniel Hope in a club in Stockholm. And there she was, Beatrice, all in shadows, just over the pianist’s shoulder.  (See the video here at https://www.youtube.com/watch?v=54LgLNpW3KE) She looks kind of distracted as if she’s only half there or the sad and beautiful music is reminding her of something or someone. A journey all her own.


HK:  While many assume that the adage of actions having consequences usually refers to negative actions, like getting angry or dealing in criminal activity, some positive actions, like trying to not hurt someone’s feelings or to protect someone from potential harm, can also have dire consequences.  Is this something you believe needs to be recognized or was it merely an unintentional message in The Ruinous Sweep?

TWJ: This is such a great question. What I love about writing is that, for me, it’s always a learning experience. I never set out to write a book I know the ending of; I never write a book with an agenda; I set out to discover what effect will result from this or that cause. For example, Hamlet’s father’s ghost tells his son who murdered him. Go. It worked pretty well for Shakespeare. Once I start that ball rolling, all sorts of issues come up but I can only understand them in the context of my characters and what they are going through. Their motivation rules. I don’t want to put words in their mouths. Of course I do, but I try really, really hard not to make them mules for some message I might have to pass along. I set them loose in trying times and watch and learn. Sometimes I just have to shake my head at what they get up to, but then I turn the jets up higher, increase the stakes, and put them in even worse jeopardy. That’s how I come to learn what the story is really about. I often don’t know the theme of one of my novels until I read the reviews. Which might explain why I got such lousy marks in high school English.


HK:  There is a character in The Ruinous Sweep who has a unique ability to communicate with those at death’s door.  Do you believe in mediums and have you ever had a reading from one?

TWJ: I’m not sure what I think. I guess I’d have to waffle and say I definitely don’t not believe in mediums. Dante was led on his journey through Hell by the ancient Roman poet, Virgil. Donovan Turner gets himself a crusty farmer lady with a heart of gold named Jilly. There are just some trips you can’t make alone.


HK:  One thing I appreciate in your writing, whether middle grade or young adult, is that you give young readers much credibility.  You “talk up” to them, recognizing that their stories do not need to be simple for them to be understand.  How do you find the right balance of writing for youth without writing down to them?

TWJ: When I was a teenager I read adult books; there really wasn’t a genre that was labelled “young adult.” But in any case, I’ve always thought that if you’re reading a book that pulls you in, featuring characters you really care about, caught up in truly intriguing situations, you’ll figure out whatever you need to figure out in order to go along for the ride. I remember smiling when the Harry Potter books came out. There were all these experts who said adolescents couldn’t possibly read books that were that long. Hah! Rowling proved the “experts” wrong.  Kids who were so young they could barely even pick up The Order of the Phoenix read it in a weekend and remembered every significant detail. Honestly, I think young readers are often way better readers than adults, if they’re sufficiently engaged by the story. For one thing, their brains aren’t full of mortgages and back problems. I always tell my writing students not to ever underestimate a young reader. No spoon-feeding. No needless explaining. No sugar coating. Don’t dumb down the language. Feed a kid a delicious new word and let them figure out what it means from the context in which it’s used. All of us, adults and kids alike, skip over what we don’t quite grasp but if the journey is exciting enough, it doesn’t slow us down.


HK:  If there was one message which you’d like readers to take away from The Ruinous Sweep, what would it be?

TWJ: It may already be apparent that I don’t write messages into my books. But I know I learn things from writing them and I hope my reader learns stuff, too, although it might not be exactly what I learned. This journey began for me with a traumatic experience I needed to come to terms with. A violent experience that left me stunned and confused. As Sting says, “Nothing comes from violence and nothing ever could.” And I guess that song says at least one of the things I’d like my readers to understand: we must never forget how fragile we are. 

•  •  •  •  •  •  •  •  •

Many thanks
to author Tim Wynne-Jones
for responding to some probing questions with his honest answers
and
to book publicist Winston Stilwell
for arranging this Q & A.

•  •  •  •  •  •  •  •  •


BUT WAIT!


 WANT TO WIN AN AUDIO BOOK of THE RUINOUS SWEEP?

As part of the The Ruinous Sweep blog tour,  
Tim Wynne-Jones and his publicity team 
are offering an audio book of The Ruinous Sweep,
 read by the author himself.


Residents of Canada and the U.S. 
who would like to enter to win the audio book
just need to leave a comment below
(before noon (EST) on July 3, 2018) 
explaining why you'd like to listen to the audio book
of The Ruinous Sweep.
We'll do a random draw (using a random number generator)
and notify the winner via reply to their comment.

We look forward to reading your comments below.

June 26, 2018

The Ruinous Sweep

Written by Tim Wynne-Jones
Candlewick Press
978-0-7637-9745-7
400 pp.
Ages 14+
June 2018

You're a traveler in a land that is part memory, part dream, and with all vestiges of the kind of pain that only the living can feel.  (pg. 127)

Donovan Turner, 17, is a reluctant traveler but one just the same. He is everywhere and nowhere.  He is running away from his sleazy dad Allen, with whom he's supposed to stay while mom Trish and boyfriend Scott are off camping in Algonquin Park. He is hitchhiking in the rain. He's hallucinating, he is disoriented and nothing seems real.  But it's far too real.

As the reader accompanies Donovan from one precarious situation to another, the teen's confusion is palpable. He worries that he has caused an accident that kills a man with a briefcase full of money, which Donovan takes. He finds his way to a farm where he hides the money and discovers his bruised and bloodied father drinking and playing cards with two rough-looking men. How could that be? Donovan can't figure out what he did, if he's guilty of anything for which he is accused and all he wants to do is find a way to connect with his girlfriend Beatrice.

Bee too is trying to figure out the story but she's starting at it from the side of Donovan's hospital bed. The story she hears from the police is that Donovan was a victim of a hit and run just outside his home, but they're also investigating the death of Donovan's dad. Bee doesn't believe that Donovan killed his dad but the few murmurings from Donovan, which she records in her journal, have her determined to protect him and learn the truth herself.

While Donovan is navigating new worlds, trying to understand his circumstances, wondering if he is dead or can make things right, Bee is looking for the answers the police will not pursue. Allen was a reprehensible person whose actions "had landed him in a country tattered around the edges and peopled by all manner of fallen comrades: addicts and losers and barstool prophets; the let-down, it-wasn't-my fault crowd" (pg. 93) and Donovan intended to stop seeing him. But would Donovan take his own baseball bat to his father?

Tim Wynne-Jones knows how to tell a great story.  He has won two Governor General's Awards for English-language Children's Literature (Some of the Kinder Planets, 1993, and The Maestro, 1995) and his last three novels have been short-listed for that same notable award. Though his middle-grade fiction is unsurpassed for its empathetic characters and depth of plotting, I believe his young adult suspense novels (check out my review of Blink & Caution), to which we can add The Ruinous Sweep, are unparallelled in the complexity of their mysteries and magnitude of their stories.  The Ruinous Sweep is a layered and woven story of so many dimensions that the reader can be forgiven the need to pause. While Bee's story line is essentially one of progression from learning of Donovan's accident and solving the mystery, with the occasional memory of their dating, Donovan's is complicated. His story is a tragic one that goes backwards and forwards and sideways. It's one of anger, shock, violence, running from and to, and connecting.  He's in limbo and looking for salvation. 

Readers may recognize references to Dante's Divine Comedy throughout The Ruinous Sweep from characters including Beatrice, the Pagans, and the Virgil-like Jilly, and other attributes such as the deadly sins of wrath and greed.  While these references to Dante's epic work provide additional scope to Tim Wynne-Jones's story, they are not everything. The Ruinous Sweep is, in its lyrical telling and intricate mystery, as daring as YA just as Dante's work is as epic poem.

✜✜✜✜✜✜✜✜✜✜

Check back tomorrow for my interview with author Tim Wynne-Jones and an opportunity to win a free audio book edition of The Ruinous Sweep, read by Tim Wynne-Jones. This giveaway is open to Canadian and US residents.

June 24, 2018

The Ruinous Sweep: Multiple Ontario book launches


Governor General Award winning author

Tim Wynne-Jones

is launching his newest young adult novel

The Ruinous Sweep
Written by Tim Wynne-Jones
Candlewick Press
978-0-7637-9745-7
400 pp.
Ages 14+
June 2018

at multiple launches in Ontario over the next few weeks.

Do take in at least one
and get your own copy signed by the author himself.


When and where are the launches?

June 26, 2018
7-9 p.m.

25One Community
251 Bank St. 2nd floor
Ottawa, ON

••••••••••••••••••••••••

July 4, 2018
6-8 p.m.

Ben McNally Books
366 Bay St.
Toronto, ON

••••••••••••••••••••••••

July 7, 2018
1- 3 p.m.

The Book Nook & Other Treasures
60 Gore Street East
Perth, ON

••••••••••••••••••••••••

July 18, 2018
7 - 9 p.m.

Novel Idea
156 Princess Street
Kingston, ON


SPECIAL ANNOUNCEMENT
We'll be doing lots here at CanLit for LittleCanadians to promote The Ruinous Sweep including:
  • My review on Tuesday, June 26, 2018
  • A Q & A with Tim Wynne-Jones on Wednesday, June 27, 2018
AND (here's the best part)
  • a giveaway for a free audio book of The Ruinous Sweep, read by Tim Wynne-Jones. Just leave a comment on the Q & A post between June 27 and July 3 (noon EST) and we'll do a random draw and notify the winner via the comment reply. (Sorry, the giveaway is limited to residents of Canada and the US only.)
••••••••••••••••••••••••

June 22, 2018

Gordon: Bark to the Future!

A P.U.R.S.T. Adventure
Written and illustrated by Ashley Spires
Kids Can Press
978-1-77138-409-4
72 pp.
Ages 7-10
May 2018

Gordon, the dog who first appeared in Ashley Spires's Binky Takes Charge (Kids Can Press, 2012) as a new recruit to P.U.R.S.T. (Pets of the Universe Ready for Space Travel), is now at the heart of his own adventure, and it's up to him to save the day.
From Gordon: Bark to the Future! by Ashley Spires
When the aliens (insects) attack in full force, the easily-distracted but tech-savvy canine is the only one of his team to escape to the lab behind the couch.  His only choice is to use his prototype device to send himself back five days earlier to stop the alien invasion before it begins.
But he must be careful not to change anything else.

If he changes the past too much, he could jeopardize the future, which is, technically, his present because he's in the past.

Holy Hair Balls, that's confusing. (pg. 17)
But Gordon soon realizes that he's gone back 5 years and Binky is but a kitten without space accreditation, Gracie (Binky's sidekick) doesn't live next door and Gordon hasn't even been born! Worse yet, his device is out of allofuzzium fuel. Contacting P.U.R.S.T., which is still the felines-only F.U.R.S.T., has the cats freaking out and abandoning headquarters.  It really is up to Gordon alone.
The past needs a poop scoop because this place stinks. (pg. 31)
Gordon makes it back but then realizes he has made a serious revision in the time continuum and must return to truly make things right.
From Gordon: Bark to the Future! by Ashley Spires

I've loved Binky since he appeared in his first adventure, Binky the Space Cat (Kids Can Press, 2009), and cherish every new adventure in his family of books.  Even with Binky only being a secondary character to Gordon's adventure in Gordon: Bark to the Future! (as also happened in Fluffy Strikes Back, Kids Can Press, 2016), the hilarity of pets striking out to save their humans charms even a steadfast cat-lover such as myself.  Gordon has spunk and brains, and even though his attention is sometimes lost to the need for play and food, he comes through with fun and invention. Ashley Spires always, always delights with her illustrations and stories. Look at Gordon in the illustration above trying to swing his way to the top of the roof, only to slide down the wall past the oblivious kitten that is Binky. The art is direct, effective and effusive with story and sensation.

The space pets of P.U.R.S.T. are still fighting those dastardly aliens and keeping their humans safe in Gordon: Bark to the Future! but, with time travel in their arsenal, it's a whole new world of fighting back. Good boy, Gordon!

June 15, 2018

Mallard, Mallard, Moose

Written and illustrated by Lori Doody
Running the Goat Books & Broadsides
978-1-927917-16-9
44 pp.
Ages 3-7
April 2018

The title sounds like the game Duck-Duck-Goose but, although there are ducks and a goose, the hero of the story is a moose and this is no game. It's about finding a home.
From Mallard, Mallard, Moose by Lori Doody
A moose is wandering the streets of St. John's, Newfoundland. It happens. But, he's accompanied by two mallards who follow him everywhere. He's perplexed by their attentions and "It was beginning to put him in a foul mood." His wanderings are not aimless: he's looking for a new home for his ducks. But, like Goldilocks, somethings just don't fit. A park has swans that make the mallards nervous. The downtown has pigeons. The harbourside has seagulls and even a menacing chicken. Location after location don't seem to work for the ducks. Even the restaurant Mallard Cottage looks to have potential until they check out the menu which apparently highlights wild game. (Oh dear!) It's not until a goose, which Lori Doody identifies as a Graylag Goose, a Eurasian species that is only rarely found in North America, agrees "to take the mallards under his wing" that the moose know his quest is complete.
From Mallard, Mallard, Moose by Lori Doody
Like her previous picture books Capelin Weather and The Puffin Problem (Running the Goat Books & Broadsides,  2017), Lori Doody embeds the reader in a Newfoundland setting of hilly streets, buildings of colourful clapboard siding, shorelines, animals and whimsically-named businesses. Her art is the centrepiece of Mallard, Mallard, Moose though the story itself is charming and feasible. That's the thing with Mallard, Mallard, Moose.  You know the story could be true. Moose in Newfoundland? Yep. Mallards too? Yes. One species imprinting on another? It's happened. And the Graylag Goose, which extraordinarily was a resident of St. John's for ten years, probably encountered more than a few mallards. This could be their story, and Lori Doody makes it all the more authentic with her folksy fine art. The mixed media on paper allows her to emphasize the depth of colour and the simple lines of a St. John's landscape and transport readers to a storefront window or park bench to observe the goings-on. It's bold and humble and concrete and pragmatic, and it works so well.  I love the drama and the earthiness of the story and art in Mallard, Mallard, Moose and I expect and hope that we'll continue to see Newfoundland in Lori Doody's picture books in the future.

June 13, 2018

Forest Kid Committee and Forest Teen Committee: Summer Reading Lists

In the past several weeks, selected young readers who'd applied to participate on the second Forest Kid Committee (ages 9-13) and the first Forest Teen Committee (ages 14+) came together at the Ontario Library Association and talked books.  From their discussions, which were interspersed with visits from award-winning Canadian authors and pizza and ice cream, these young people produced three extraordinary lists of recommended titles to keep everyone reading Canadian over the summer.  These are their recommendations to their peers in the Silver Birch, Red Maple and White Pine reading programs of the Forest of Reading.


Silver Birch (Grades 3-6)

Clara Humble and the Not-So-Super Powers
by Anna Humphrey
Owlkids Books
224 pp.
Ages 8-12
2016
Dingus
by Andrew Larsen
Kid Can Press
208 pp.
Ages 9-12
2017
Reviewed here
Downside Up
by Richard Scrimger
Tundra Books
272 pp.
Ages 9-12
2016
Howard Wallace PI: Shadow of a Pug
by Casey Lyall
Sterling Children’s Books
247 pp.
Ages 8-12
2017
MiNRS 3
by Kevin Sylvester
Simon & Schuster
336 pp.
Ages 8-12
2018
Missing Mike
by Shari Green
Pajama Press
248 pp.
Ages 8-12
2018
Review here
Seeking Refuge
by Irene N. Watts
Illus. by Kathryn E. Shoemaker
Tradewind Books
136 pp.
Ages 8-11
2017
Supergifted
by Gordon Korman
Scholastic Canada
297 pp.
Ages 8-12
2018

These Are My Words: The Residential School Diary of Violet Pesheens, Northern Ontario, 1966
by Ruby Slipperjack
Scholastic Canada
192 pp.
Ages 9-12
2016
A World Below
by Wesley King
Simon & Schuster
272 pp.
Ages 8-12
2018








Red Maple (Grades 7-8)

90 Days of Different
by Eric Walters
Orca Book Publishers
312 pp.
Ages 12+
2017
250 Hours
by Colleen Nelson
Coteau Books
152 pp.
Ages 12+
2015
Review here

The Assassin’s Curse (The Blackthorn Key Book 3)
by Kevin Sands
Simon & Schuster Canada
532 pp.
Ages 9-13
2017
Don’t Tell the Enemy
by Marsha Forchuk Skrypuch
Scholastic Canada
184 pp.
Ages 10-14
2018
Review here

The Lost Girls of Camp Forevermore
by Kim Fu
HarperCollins Canada
256 pp.
Ages 12-17
2018
The Painting
by Charis Cotter
Tundra
271 pp.
Ages 9-13
2017
Say You Will
by Eric Walters
Doubleday Canada
192 pp.
Ages 12+
2015
A Time to Run
by Lorna Schultz Nicholson
Clockwise Press
208 pp.
Ages 11-15
2018
To Look a Nazi in the Eye
by Kathy Kacer with Jordana Lebowitz
Second Story Press
256 pp.
Ages 13-19
2017
Trial by Fire: A Riley Donovan Mystery
by Norah McClintock
Orca Book Publishers
231 pp.
Ages 12+
2016
Review here




White Pine (Grades 9+)

36 Questions That Changed My Mind About You
by Vicki Grant  

Running Press Teens
288 pp.
Ages 13+
2017
Review here

90 Days of Different
by Eric Walters
Orca Book Publishers
312 pp.
Ages 12+
2017
The Agony of Bun O’Keefe
by Heather Smith
Razorbill Canada
224 pp.
Ages 12+
2017
Caterpillars Can’t Swim
by Liane Shaw
Second Story Press
256 pp.
Ages 13-18
2017
Review here
The Game of Hope
by Sandra Gulland
Penguin Teen
384 pp.
Ages 14-18
2018
Kat and Meg Conquer the World
by Anna Priemaza
Harper Teen
368 pp.
Ages 13+
2017
Maud
by Melanie J. Fishbane
Penguin Teen
386 pp.
Ages 12+
2017
Missing
by Kelley Armstrong
Doubleday Canada
375 pp.
Ages 12+
2017
Munro vs. The Coyote
by Darren Groth
Orca Book Publishers
288 pp.
Ages 12+
2017
On the Spectrum
by Jennifer Gold
Second Story Press
336 pp.
Age 13-18
2017
Review here

Prince of Pot
by Tanya Lloyd Kyi
Groundwood Books
216 pp.
Ages 13+
2017
Review here

Pulse Point
by Colleen Nelson and Nancy Chappell-Pollack
Yellow Dog
192 pp.
Ages 12-15
2018
Review here

Saints and Misfits
by S.K. Ali
Simon & Schuster
336 pp.
Ages 15+
2017
The Skeleton Tree
by Iain Lawrence
Tundra Books
288 pp.
Ages 10-15
2016
With Malice
by Eileen Cook
Houghton Mifflin Harcourt
316 pp.
Ages 13+
2016
Review here




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The downloadable lists, which include annotations about each book, can be downloaded from the Ontario Library Association's Forest of Reading at the following links:

Forest Kid Committee Summer Reading List for Grades 3-8
http://www.accessola.org/web/Documents/OLA/Forest/Resources/2018/Kid%20Committee%20List%202018.pdf

Forest Teen Committee Summer Reading List for Grades 9+
http://www.accessola.org/web/Documents/OLA/Forest/Resources/2018/Teen%20Committee%20List%202018.pdf


June 12, 2018

I'm Sad

Written by Michael Ian Black
Illustrated by Debbie Ridpath Ohi
Simon & Schuster Books for Young Readers
978-1-4814-7627-0
40 pp.
Ages 4-8
June 2018

At any time, there will be media coverage about a celebrity's unexpected death from suicide. There will be yet another outcry for resources to support mental health initiatives.  And there will be those who still won't get it, thinking that having everything–fame, money, friends, home–is enough assurance that overwhelming, debilitating sadness cannot overtake and even engulf.  But if there's a great place to start to acquire an understanding of sadness, which can manifest as depression, it's the newest collaboration from the dynamic duo of Michael Ian Black and Debbie Ridpath Ohi who amused and enlightened us with I'm Bored (Simon & Schuster Books for Young Readers, 2012).
From I'm Sad by Michael Ian Black, illus. by Debbie Ridpath Ohi
The first double spread has a single image of the pink flamingo simply stating, "I'm sad." The message is a simple statement but Debbie Ridpath Ohi's illustration says so much more. From the drooping feathers to the bowed neck and downcast eyes, this bird is barely holding itself up or together.  The imaginative little girl and bored potato from I'm Bored listen and attempt to understand. They try to help by acknowledging that they don't think the flamingo will always feel sad and that everybody feels sad sometimes. Even as they try to help, as all friends would want to do, they grapple with understanding what the flamingo needs, initially only thinking of what would work for them. Michael Ian Black astutely recognizes that we all can only understand from our own frame of reference, with the little girl thinking ice cream, sports and activity while the potato knows that dirt would certainly cheer it up.  Even after the little girl recognizes that sometimes allowing oneself to be sad can be therapeutic and relieving flamingo that its sadness will not change their friendship, it's a good laugh courtesy of the potato's dry wit that relieves some of the tension.  It may not alleviate the sadness but it can help.
I'm Sad by Michael Ian Black, illus. by Debbie Ridpath Ohi
Many children's books that attempt to provide bibliotherapy fall short of the mark because they tend to get too preachy, convinced they have the answer. I'm Sad is not one of them. It surpasses in its message that sadness can be a significant emotion and reassurance can be the most effective strategy for helping a friend feeling debilitated by it.  By having the little girl and the potato attempt to understand, question, reassure, and suggest, Michael Ian Black has them standing with flamingo in its struggle with sadness. They don't try to vacuum it up or ignore it. They simply accept it as the flamingo explains it.  If flamingo begins to feels better, so be it.  If it doesn't, they are still there for it.

In the boldness of her colour and line, Debbie Ridpath Ohi makes sure that the depth of Michael Ian Black's message is evident. Amidst the potato's cynicism and the little girl's joie de vivre, the flamingo's sadness is unmistakable. Debbie Ridpath Ohi's ability to evoke so much story with the simplest of lines continues to astound and impress me. (See my reviews of Sam & Eva and I'm Bored.) Even her final image packs a punch of friendship and support with only a silhouette without benefit of colour.
From I'm Sad by Michael Ian Black, illus. by Debbie Ridpath Ohi
All school libraries and guidance counselling offices should have a copy of I'm Sad to help children understand the sadness they or their friends or family may be experiencing and to reassure, just as the little girl and potato do, that support is there, even if the sadness can't be wiped out.
From I'm Sad by Michael Ian Black, illus. by Debbie Ridpath Ohi
• • • • • • • • • •
n.b. There is a classroom guide by Marcie Colleen available for download here