Everybelly

Written and illustrated by Thao Lam

Groundwood Books

978-1-77306-764-3

40 pp.

Ages 3-6

April 2025 

 

When did we learn to judge people based on how they look? When do we learn that bellies are not seen as beautiful or that because someone is different that they don't belong? Young children are often accepting of everyone, until or unless they are taught otherwise. For this child, the people whom she sees at their local pool are a rich mosaic of professions, preferences, and looks, and she appreciates all of them.

From Everybelly, written and illustrated by Thao Lam

Maddie and her mama go down to the community pool to swim. Everybody is there, from Stan and Dan who bake cookies, Vibhuti who is in a band, and Mr. Mendoza who talks to his daughter in Argentina on Sundays. There are artists and shopkeepers, students and the elderly. There are those with a walker or a prosthetic leg, or using a pool lift to move them from their wheelchair into the water. Everyone is there and enjoying the pool in their own way. Some float on inflatables, while others swim, and some just relax poolside. They are different and they are beautiful.

From Everybelly, written and illustrated by Thao Lam

It's obvious that Maddie notes everything and everyone. Whether it be how bellies can be used as tables for phones or drinks, or that bellies can stretch bigger and bigger until they pop like her friend's mom's who's giving her another brother. (Uma wanted a dog.) Maddie knows that there are some who work hard to keep their bellies flat though she likes when her belly is full because her mother works hard to keep them fed. (Maddie thinks about all the foods she would fill her belly with, from jelly beans and gimbap, to gỏi cuốn, and fried chicken.) Every belly is different, supported by bodies that vary in their abilities, their challenges, their attributes, and their clothing and adornments that include scars and tattoos. With all these people, Maddie's world is richer and more colourful.

From Everybelly, written and illustrated by Thao Lam

Everybelly is a tribute to the diversity of people that make our lives fuller. By seeing all the people whom she knows and even those she doesn't, Maddie is learning empathy and an appreciation for a wide variety of cultures, bodies, preferences, and more. She may notice what they look like, such as the size of their bellies, and what they are doing, like breastfeeding, but she accepts them as part of her community. Thao Lam, who both wrote the text and illustrated Everybelly, gives us the words to help see the innocence and openness of Maddie's perspective–like her claim that Mr. Popov was keeping time with his broom on the ceiling as she tap-danced (!)–and her acceptance of her world as full and vibrant. For her, this is the norm, and she relishes it.

From Everybelly, written and illustrated by Thao Lam

But beyond Maddie's words and thoughts, Thao Lam has given the child and her community exuberance via the artwork. Thao Lam's cut-paper collage as seen in earlier books like One Giant Leap and The Paper Boat is even bolder and splashier, giving greater depth and texture to a setting that is basically a pool and poolside. But that setting is all the richer for the people that inhabit the space, even if only temporarily. There are so many different bathing suits, hats, towels, and sandals. They are colourful and patterned. Some like burkinis hide more than others and some leave it all out to be seen. I could spend hours poring through the book, finding details that intrigue, like the heart surgery scar on one gentleman, the pigeons eating spilled popcorn, or the imprint of sunglasses left on a sunburned belly. Thao Lam lets us see this community in all its glorious bodies and lives to appreciate a mother-daughter relationship and a communal appreciation for diversity.

I Would Give You My Tail

Written by Tanya Tagaq

Illustrated by Qavavau Manumie 

Tundra Books

978-1-77488-057-9

32 pp.

Ages 3-7

April 2025

 

What is the secret to happiness? For a child sent to bring his grandmother back to camp to help with the birth of his new sibling, Kalluk finds many answers and from those who enrich his own northern life.

From I Would Give You My Tail, written by Tanya Tagaq, illustrated by Qavavau Manumie

On his journey, Kalluk encounters different animals and natural elements and asks each why they are so happy. The first, a pair of hares, find their happiness in being fast and clever but also from protecting the other. One hare even declares, "I would give you my tail if I could." A babbling brook delights in being cold and clean and enjoying the sensation of running over rocks and giving satisfaction to the fish. With each encounter, including with a mother fox and her pups, the boy feels gratitude for the food provided, the fresh water to be had, and the care and love his own mother had always given him. 

From I Would Give You My Tail, written by Tanya Tagaq, illustrated by Qavavau Manumie

When he fetches his grandmother, Anaanattiaq, they travel together back to camp. Kalluk takes time on their journey to ask his grandmother the same question. The wisdom of her words are not lost on the child.

You get peace from inside. Every day, life gives you choices, and when you make the choice to be a kind person, the goodness inside of you grows.

From I Would Give You My Tail, written by Tanya Tagaq, illustrated by Qavavau Manumie

An encounter with a conspiracy of ravens brings forth a discussion of wisdom and sharing, and ends with an airborne journey, a dialogue with the wind, and a swift delivery of Anaanattiaq and Kalluk to a home with a new infant. Now Kalluk has insight about gratitude and making good choices and more to share with his new baby sister.

From I Would Give You My Tail, written by Tanya Tagaq, illustrated by Qavavau Manumie

I defy anyone not to feel a peacefulness while reading I Would Give You My Tail. It's not as simple a story as it may appear to be. It's loaded with the calm that comes with appreciation for what we have and are given and the relationships we have with others and the natural world. Tanya Tagaq, an Inuk throat singer and author from Nunavut, fills her words with weight, the weight of virtue and relevance, generosity and acknowledgement. Through Kalluk's grasp of the messages he hears from the wind, and the hares, the ravens and the brook, he and the reader vicariously are filled with thankfulness for what is given by family and the environment. And Tanya Tagaq does so without preaching or admonishment. Her message is borne on affection and honour.

 

Qavavau Manumie, an Inuit artist in Kinngait, Nunavut, created the artwork of I Would Give You My Tail with coloured pencil. As such, there is a simplicity in the shapes and colours of the illustrations but there is still a complexity of spirit. From the natural touch of a mother upon her child's head to a boy as he watches and inquires, the art of Qavavau Manumie both emphasizes the familiar and the unique in the way of family and Inuit life, respectively.

 

Perhaps there are messages in I Would Give You My Tail about gratitude and happiness, but I also took away a sense of peace, a sense that there is appreciation for life in the natural world and among the Inuit. There is no need for grand gestures or spectacles of PDA when there is honesty and happiness that comes from doing for others, from being good, from sharing, and even from just having breath and food and water. I Would Give You My Tail gives us more than a sentimental tale of family. It gives us hope that happiness is readily at hand.

The Salt Princess (Everlasting Tales #2)

Retold and illustrated by Anoosha Syed

Translated by Humera Syed

Harper (HarperCollins)

978-0-06-332471-8

40 pp.

Ages 4-8

April 2025 

 

Folktales tell us a lot about a culture and people, yet many have commonalities across cultures and people. The Salt Princess, a story which Anoosha Syed humbly presents as a retelling, but illustrated by her, is one such folktale from Pakistan, told with a unique flair with the message that true happiness comes from being one's self.

From The Salt Princess, retold and illustrated by Anoosha Syed

In the Kingdom of Zammartud, the king had four daughters. Though her older sisters were "as lovely and bright" as their father hoped of his daughters, Amal was less so. Princess Amal loved pranks and making her sisters laugh. But, when her father asked his daughters how they loved him, her sisters compared their love for him to sweets like sugar, honey and sherbet. However, he is not pleased with Princess Amal's answer: "I love you like salt."

From The Salt Princess, retold and illustrated by Anoosha Syed

In a rage at comparing him to something as common as salt, the king banishes Princess Amal. She knows she had misspoken but now she is alone in the woods.

From The Salt Princess, retold and illustrated by Anoosha Syed

She is rescued by Prince Arsalan who hears her story and takes her to his kingdom. He appreciates her spirit and humour and, after a year had passed, he asks her to marry him. But that proposal reminds Amal of the absence of her family and the riff with her father. Being the clever woman she is, Amal devises a plan.

 

Prince Arsalan invites the king to a banquet where he is treated to countless sweet treats. Soon enough he realizes he would appreciate something other than desserts but even those dishes are lacking in flavour. It is only when a cloaked Amal gives him a humble farmer's dish of spinach seasoned with salt that his palate is satisfied. With that, Amal reveals herself and explains her love for him is as pure and valuable as the salt in that dish.

From The Salt Princess, retold and illustrated by Anoosha Syed

The tale in The Salt Princess will seem familiar with other stories in which a child is banished by a father who does not appreciate their self-expression. That parent has to come to realize the virtue and originality of being an individual and to look beyond the obvious. In her retelling, Anoosha Syed, a Pakistani Canadian artist, gives life to a tale she'd heard as a child and blankets it in the colour and culture of her heritage.

 

The story is told in words but also through the glow of Anoosha Syed's artwork. The illustrations begin bright and colourful, playful like Amal's mischievous pranks and spirited nature. But, as her story progresses, taking her into a forest, beautiful as it is, it becomes dark and foreboding. Then when she meets the prince, the artwork becomes comforting in tones of pinks and turquoise. And throughout the story, the artwork is rich in details in both the lushness of the shapes and vibrancy of its colours.

 

As with all folktales which entertain while teaching, The Salt Princess reminds us that perceptions of others may be misconstrued and inappropriately compel us to fit in by being untrue to ourselves. Thankfully, Princess Amal is a clever woman and true to herself and finds a way to prove to her father that her love for him is just as true, even if different.

2025 Stephen Leacock Student Humourous Short Story Competition

Stephen Leacock (1869-1944) was a well-known Canadian writer and humourist as well as academic whose impact on Canadian culture and society has been recognized with countless awards, including being recognized as a National Historic Person of Canada. For me, his book Sunshine Sketches of a Little Town makes him as quintessential a writer of CanLit as Lucy Maud Montgomery, Robertson Davies, Margaret Atwood and Michael Ondaatje. 

 

In 1947, the Stephen Leacock Memorial Medal for Humour was established, and the student writing award in 1977. 

The 2025 competition is now open, closing on April 15, 2025, and I encourage parents and teachers to invite Ontario teens (ages 14-19) to submit their humourous short stories or personal essays to this competition. The prizes are very generous and this contest gives young writers an opportunity to get their work out there and maybe meet a Canadian author of note. (See prizes below.)

 

Details follow. Full details can be found at https://leacock.ca/studentaward.php and inquiries can be made to Christy den Haan-Veltman, Registrar - Student Awards, at studentawards@leacock.ca.

 

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WHO MAY ENTER?

The contest is open to Ontario students (public, separate, private, home school, university or college) who are of ages 14 to 19.

 

 

WHAT TO SUBMIT?

The contest is looking for:

• an original humourous short story or humourous personal essay;
• maximum word count of 1500 words;
• a titled work; and
• formatted to include page numbers and the title on every page.

Depending on how you submit, whether online or by mail, the formatting will be different, so page attention to the requirements as posted on https://leacock.ca/studentaward.php.

 

HOW TO ENTER?

There is a $5 entry fee.

 

Submit your writing by the deadline of Tuesday, April 15, 2025 through the following link  https://leacock.ca/essayform.php or via mail (so make sure it's postmarked before the April 15th deadline).

 

(All this information are posted on the Leacock Award website at https://leacock.ca/studentaward.php)

HOW WILL SUBMISSIONS BE JUDGED?

Entries will be judged blind. (Entries are opened on arrival in Orillia by a disinterested party who removes the cover page and assigns a number to the entry. The number is placed in a register, along with the student’s name and school, and the numbered entry is then passed to the committee of judges who are all published authors, many of whom have been nominated or have won the Leacock Award. The register is not returned to the committee until the judging is complete.)

WHAT ARE THE PRIZES?

First Prize: $1500

Second Prize: $750

Third Prize: $750 

Winners will be announced on Thursday, May 15, 2025.

 

Winners will read their works at the "Meet the Authors Night" in Orillia on Friday, June 20, 2025 and receive their awards. (Note: All three student winners will receive two tickets, one for themselves, plus one for their guest, though additional tickets may be purchased.) 

The first place winner will also be invited (two tickets) for the Gala Dinner on Saturday, June 21, 2025, at which the winner of the Leacock Medal for Humour will be announced.

 

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Time to get your funny on and start writing.

 

Good luck to all young writers!

 

No Huddles for Heloise

Written by Deborah Kerbel

Illustrated by Udayana Lugo

Orca Book Publishers

978-1-4598-3910-6

32 pp.

Ages 4-7

March 2025 

I like Heloise. Heloise knows what she likes and doesn't like. She likes sledding and fish popsicles, sharing rocks with friends, and her own space. 

From No Huddles for Heloise, written by Deborah Kerbel, illustrated by Udayana Lugo

What she doesn't like, other than the leopard seals that no penguins like, are crowds and hullabaloo and those huddles that penguins do for warmth and protection. Those huddles that are just too close.

Huddles give Heloise the heebie-jeebies.

The jim-jams.

The willies.

And the collywobbles.

From No Huddles for Heloise, written by Deborah Kerbel, illustrated by Udayana Lugo

But how can she say no to the other penguins and not hurt their feelings? Typically, she has a number of excuses from taking her fish for a walk or polishing her rock collection. Heloise is perfectly happy on her own, enjoying her things, her space, and her own thoughts. 

From No Huddles for Heloise, written by Deborah Kerbel, illustrated by Udayana Lugo

But then the other penguins stop asking her to join them in huddles and Heloise begins to question her own wants and needs, and seeks companions elsewhere. Unfortunately, her travels are disappointing and even dangerous on her own and she returns home to find that her friends have found a way to accommodate her need for personal space while offering her the protection that huddles provide.

It's lovely to read a story about an introverted character who doesn't feel compelled to fit in with the extroverts or have the extroverts demand that their way of socializing and gregarious behaviour is preferable and, worse, the norm. I'm so glad Deborah Kerbel, an accomplished writer of picture books, middle grade and YA, demonstrates an acceptance of the introverted Heloise rather than sympathy for her nature. (The sympathy should be towards the attitude she experiences from those who are not introverted.) Instead, Deborah Kerbel validates the fullness of Heloise's life without the partying and closeness demanded or even just requested by her penguin peers. Heloise is a happy penguin, accepting of her nature and choices. She's never rude but she is true to her herself. Too bad that she feels like she doesn't belong because belonging does not mean being the same as others.

From No Huddles for Heloise, written by Deborah Kerbel, illustrated by Udayana Lugo

I love the positive messages that Deborah Kerbel gives us in No Huddles for Heloise, and BC's Udayana Lugo gives us the whimsy of that message in Heloise and her friends. From their accessories, like pom-pom hats, scarves, and bandanas, to props like a rock polisher or a whale stuffed animal, Udayana Lugo demonstrates the differences among the penguins are the norm and Heloise's introversion is just another manifestation of wonderful diversity. She created her art primarily using gouache and coloured pencils, which gives a bright and rich portrayal of the penguins and the landscape in which they live and play.

 

I'm with Heloise–except for the fish popsicles–that quiet and solitary activities offer comfort in ways that many extroverts will never understand. While we all must engage with others for safety, for work, or for other needs, it's lovely to see Heloise be accepted and even accommodated for her needs, not chastised for being different.

What's in the Cookie Tin?

Written by Yolanda T. Marshall

Illustrated by Golnoush Moini

Chalkboard Publishing

978-1-77105-884-1

36 pp.

Ages 3-8

2024 

 

Who doesn't have an assortment of cookie tins kicking around the house? Whether they were the packaging in which biscuits were purchased or tins specifically purchased to store cookies, most people have at least a couple. But what is inside a cookie tin cannot be discerned until that lid is removed. And when a tin displays an assortment of tasty treats, what would most children anticipate? 

From What's in the Cookie Tin?, written by Yolanda T. Marshall, illustrated by Golnoush Moini

Olivia and Benjamin head over to their grandparents' home, looking forward to their grandfather's wacky pranks and the hugs they get from Grandma. But they are especially keen to go through their father's childhood toys in the guest bedroom. That is, until Benjamin spots a blue and gold cookie tin on a shelf. Their struggle to open the tin–those tins can be a struggle for little hands–is interrupted by lunch.

From What's in the Cookie Tin?, written by Yolanda T. Marshall, illustrated by Golnoush Moini

Surprisingly, they revisit that cookie tin when Grandma goes to mend a tear in Olivia's dress. But why would Grandma want cookies to repair a torn dress? The surprise is on Grandma, though, much to the delight of the children because Grandpa had another trick up his sleeve.

From What's in the Cookie Tin?, written by Yolanda T. Marshall, illustrated by Golnoush Moini

Yolanda T. Marshall speaks to so many with this playful and yet innocent story of a cookie tin. That cookie tin, with which many who have ever enjoyed butter cookies from a tin will be familiar, brings joy and laughter through a little fun, a lot of tastiness, and a family-load of affection.  And Yolanda T. Marshall, who also wrote the recently reviewed Hot Cross Buns for Everyone!, not only tells a charming intergenerational story, but she also gives us a story of a black family. Though the number of stories with persons of colour are ever increasing, it's lovely to read a story that would allow black children to see themselves and their families as typical and sweet and lighthearted, as every child should.

 

Golnoush Moini, an illustrator and 2D animator from Vancouver, keeps that playfulness in her prominent colours and well-defined shapes. It's also refreshing how dark-skinned Golnoush Moini makes her characters, not trying to appease non-BIPOC who narrow-mindedly expect families of lighter skin. From the grandparents to the grandkids, the characters in What's in the Cookie Tin? are convincing real in appearance and activities.

This cookie tin is busy, getting opened by grandparents, children and parents, and swapped between cookie vessel and sewing kit. And yet it's a bigger story. Yolanda T. Marshall includes "Cookie Tin Memories" at the conclusion of her story in which educators share their own fond remembrances of cookie tins that held everything from buttons to craft supplies to loose change and even baked goods. (Butter cookies were often housed in these blue tins and Yolanda T. Marshall includes a recipe for them too.) But no one knows what's in the cookie tin until that lid is pried off and the secrets within revealed and share. So, what's in your family's cookie tins?

Funny Pages Festival: 2025 (Halifax Public Library)

 

If you're fortunate enough to live in Halifax and environs, then be prepared to listen and read and laugh with some of Canada's funniest writers and illustrators of books for young people. Touted as "Canada's only festival celebrating books that crack kids up!", Funny Pages, the brain child of funny writer Vicki Grant, returns to Halifax Public Library this April. Two days of events for preschoolers to young people in Grade 6 are scheduled. Full details can be found at the Funny Pages website but here is some basic info about dates and times and scheduled presenters (with information about some of their books).

 

Time and Dates:

 

Little Funny Pages

For Preschoolers to Grade 3:    

Thursday, April 24, 2025
10 AM to 2 PM
Halifax Central Library

For Grades 3-6:     

Friday April 25, 2025

9:30 AM to 2:30PM

Halifax Central Library

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Scheduled Presenters:

 

 

Paul Gilligan

King of the Mole People

Rise of the Slugs

Pluto Rocket: New in Town

Pluto Rocket: Joe Pidge Flips a Lid

Anna Humphrey

Megabat

Megabat is a Fraidybat

Bee & Flea and the Puddle Problem

Bee & Flea and the Compost Caper

Fluffle Bunnies: Buns Gone Bad

Fluffle Bunnies: Big City Buns

 

 

 

Andy Tolson

How to Kidnap a Mermaid

How to Rescue a Unicorn (coming in 2025)

How to Wrestle an Octopus (coming in 2026)

 

Mitali Banerjee Ruths

Archie Celebrates Diwali

The Party Diaries: Awesome Orange Birthday

The Party Diaries: Starry Henna Night

The Party Diaries: Lucky Mermaid Sleepover

The Inside Scouts Help the Brave Giraffe

The Inside Scouts Help the Strong Cheetah

 

 

 

Leslie Gentile

Elvis, Me and the Lemonade Stand Summer

Elvis, Me and the Postcard Winter 

 

 

 

Michelle Robinson

How to Wash a Woolly Mammoth

She Rex

Lobster's Vacation

Do Not Mess with the Mermaids

 

 

 

Yolanda T. Marshall 

Big Birthday Wishes

Hot Cross Buns for Everyone! 

What's in the Cookie Tin?

C is for Carnival

 

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It's time to take humour seriously and let the professional share their funny pages with young readers. Head to the Funny Pages website for details and contact info.