2025 Lane Anderson Award: Winner announced

 

The Lane Anderson Award for excellence in Canadian science writing was awarded on Wednesday, January 28, 2026 in Toronto. The event, hosted by Carol-Ann Hoyte and Winston Stitwell, presented the winners from shortlists selected by independent juries of experts in science, science writing and literature. The awards created and sponsored by the Fitzhenry Family Foundation, and named for the mothers of its two founders, Robert and Hilda Fitzhenry, were given in two categories, one for adults and the other for young readers, with each winner receiving a generous $10,000.

 

 

  • • • • • • •

Congratulations to this year's winner

in the Young Reader category

 

 

A Planet Is a Poem
Written by Amanda West Lewis
Illustrated by Oliver Averill
Kids Can Press
56 pp.
Ages 8-12
2024

Reviewed here

• • • • • • •

 

Benjamin Grows a Garden

Written by Melanie Florence

Illustrated by Hawlii Pichette

Kids Can Press

978-1-5253-0321-0

40 pp.

Ages 3–7

September 2025

 

Melanie Florence introduced us to Benjamin in Benjamin's Thunderstorm (2023), also illustrated by Hawlii Pichette, and we got to know the little boy who learns more about his Cree culture and language while partaking in ordinary activities like playing in the rain and listening to the thunder. By making connections with his Indigenous heritage, Benjamin's experiences are far richer and more meaningful. This time, in Benjamin Grows a Garden, it is spring, and the boy is back outside and enjoying preparing a garden with his mother.

From Benjamin Grows a Garden, written by Melanie Florence, illustrated by Hawlii Pichette

With spring birds accompanying their efforts, Benjamin and his mother prepare the soil for the seeds that will grow into a variety of fruits and vegetables that feed the family and their community. He's already anticipating the corn, beans, and squash that will go into Three Sisters Soup; the berries that will be served with bannock; and the zucchini, tomatoes, and pumpkins that will become stews and pies and salads. 

 

Into the rich tilled soil, Benjamin drops the corns seeds and waters them. Later on, when they have grown a bit, bean seeds are planted. And even later, the squash is planted, so that the corn supports the bean vines, and the squash beneath keeps the soil damp and cool.

From Benjamin Grows a Garden, written by Melanie Florence, illustrated by Hawlii Pichette

This is an impressive garden, diverse in its offerings and expansive in its magnitude. With sun and water and careful attention to the garden's needs, there is a bounty to enjoy and share.

  Benjamin loved springtime.

  Spring was when Benjamin and his mother planted 

their garden together and watched it grow. (pg. 29)

This book was released last fall, but I think it's a perfect time to think about the coming spring and the opportunities for making a garden. Many are perusing seed catalogues right now in preparation, and I suspect Benjamin's mother will be doing the same, unless she derives all her seeds from her own plants. But, more than just the planting of seeds, Benjamin and his mother partake in a traditional discussion of why they plant what they do and speaking Cree as they name that which is planted. (A "Pronunciation Guide" provided by Dr. Arok Wolvengrey of the First Nations University of Canada presents help with this vocabulary.) As such, Melanie Florence, award-winning author of Missing Nimâmâ (illustrated by François Thisdale, 2015) and Stolen Words (illustrated by Gabrielle Grimard, 2017), makes planting a garden more than just the mechanics of getting seeds into the ground. Melanie Florence makes it a bonding time for mother and son, and a preservation of culture, language, and tradition.

From Benjamin Grows a Garden, written by Melanie Florence, illustrated by Hawlii Pichette

Hawlii Pichette, the Mushkego Cree urban mixed-blood artist who illustrated the first Benjamin book, continues to support Melanie Florence's story with visuals while furthering the culture through her Woodland style of art. Hawlii Pichette may use digital tools to create her art, but she retains the distinct elements of bold colours, thick black outlines, and segmented interiors for vegetables, trees, shirts, and more. With her style and emphasis on Benjamin and his mother's work tending to the land, the organic connection is evident. There is a distinct warmth of relationship to nature and between family that comes through in Hawlii Pichette's illustrations.

From Benjamin Grows a Garden, written by Melanie Florence, illustrated by Hawlii Pichette

If land and opportunity presents, now is the time to start thinking about planting a garden in the spring. Whether you and your children follow in the traditions of Benjamin and many Indigenous Peoples in the planting of corn, beans, and squash, or consider the countless other fruits and vegetables that might be grown from seeds, your bounty will include far beyond a mouthful of food.

 

• • • • • • • 

Benjamin's Thunderstorm (2023)

Benjamin Grows a Garden (2025)

Planting Sunshine

Written by Andrée Poulin

Illustrated by Enzo (Enzo Lord Mariano)

Groundwood Books

978-1-77946-095-0

116 pp.

Ages 9–12

February 2026 

 

As is often the case, Theo's day is normal enough until it isn't. And what changes everything is watching the news coverage of war breaking out far, far away.

Theo's father

turns on the TV— 

     and war arrives

in their living room. (pg. 9)

Theo cannot believe what he is hearing and seeing. Horrified by the sights and sounds of bombs and guns, tanks and drones, and most of all the destruction of people and place, Theo is troubled. He wants to know why this happens, whether they are safe, and asks why humans are so cruel.

From Planting Sunshine, written by Andrée Poulin, illustrated by Enzo

Though the countries involved are never identified, readers might recognize some of the images described as those from the attack on Ukraine by Russia, such as the elderly woman who confronts a Russian soldier with sunflower seeds and suggests that if he puts them in his pocket. . .

At least when you die here

     on the soil of my country

     the sunflowers will grow 

                    around you. (pg. 20)

Theo asks his neighbour Mrs. Lena, an elderly woman who grew up in "the country now caught in this terrible war" (pg. 21), about the war and this incident, and she tells him of the sunflower—soniashnyk, in Ukrainian—being the "flower that feeds hope." (pg. 22) Seeing Theo's continued distress, day after day, she gives him sunflower seeds to plant.

From Planting Sunshine, written by Andrée Poulin, illustrated by Enzo

Each day there is more horrific news from the war, and the details stay with Theo. He thinks about the numbers, about the images, about the losses, and all he can do is wonder why no one is stopping it. Each day Theo asks, "Will the war end today?" (pg. 38) The war may be very far away but it's impacting Theo in the way he sees life. The word "bomb" no longer reminds him of diving board cannonballs. His friends playing war angers him. His dad refuses to let Theo watch the news anymore, so Theo hides his tablet and watches at night. And then the nightmares start, a mix of anger, fear, hatred and more.

 

When he meets a girl drawing doves on a wall as protest, Theo is finally able to share what he's feeling–never wanting to burden Mrs. Lena or his teacher or his father—and feels a little less alone. And he finds his own way to express his anger and his grief. 

From Planting Sunshine, written by Andrée Poulin, illustrated by Enzo

Still, he is unconvinced that the war will end or that things would change, until Mrs. Lena offers him the idea of hope. She tells him, "Hope lives in the after." (pg. 91) And, with a little help from those around him, Theo finds a way to settle his anger, remember what should never be forgotten, work to help a cause, and find "a small way to start building peace." (pg. 110)

I could quote page after page of eloquent text that clutches at the heart of Theo's bewilderment and trauma. Andrée Poulin has always had a knack for telling tough stories lightly—not lightheartedly—for a young audience. Whether it's sanitation (Burying the Moon, 2021), diversity and tolerance (Tickled Pink, 2020), or abandonment (The Biggest Poutine in the World, 2016), Andrée Poulin recognizes that her audience is young, and will be impacted differently about important issues. Theo is just such a child, significantly impacted by a war thousands of kilometres away, and not understanding fully what is happening. He's feeling a lot and needs help understanding those emotions and directing them into activities that help. Andrée Poulin takes Theo full circle, from unfamiliarity with war, to an introduction by media, to immersion in images and sensory overload, to impact and trauma, and finally purposeful attention. And she does so eloquently in words and in verse form. This book will become an exemplar of telling a story with sensitivity and compassion, and awareness of how world events can impact children in powerful ways. 

From Planting Sunshine, written by Andrée Poulin, illustrated by Enzo

Enzo (a.k.a. Enzo Lord Mariano), a Montreal-based illustrator, provides the artwork that frames Andrée Poulin's story. Using Procreate with watercolour textures, Enzo gives us some war images—the ones of a blue tractor in a field of sunflowers that is later devastated by bombs is especially heartrending—but generally it's all about Theo because this is his story. It is not a story of war. It is a story of a boy who struggles with the concept of war and his emotions with the senseless destruction it perpetuates. Enzo helps us see Theo's anguish and his anger, the trauma of his sleepless nights, and his despondency. But Enzo also shows us family, friendship, and community, and how those can soften the suffering.

 

I don't think I can say enough about Planting Sunshine. (A French-language version, Semer des soleils, was published in 2024 by La courte echelle.) Not only does it remind all that there is an ongoing conflict in Ukraine, but that there are children beyond the borders of that war that are struggling with it. Highly sensitive children like Theo can be impacted by what they see and hear in the news and cannot always articulate what they are feeling or recognize how to grapple with those emotions. In a world of strife and public media, children will continue to be exposed to all manner of frightening news. Awareness of their potential struggles and attention to their needs might help them find ways to plant sunshine and to unearth hope.

The Bear Fairy

Written by Paul Coccia
Illustrated by Fred Blunt
Tundra Books
978-1-77488-558-1 
40 pp.
Ages 3–7 

Releases February 17, 2026

 

Adorable is an adjective I usually use for puppies and kittens, beautiful babies, and sweet children. But now I can use it for bear fairies. Or, at least, the Bear Fairy of Paul Coccia's debut picture book. He may not be the dainty fairy of many tales, but he twinkles with his own brilliance.

From The Bear Fairy, written by Paul Coccia, illustrated by Fred Blunt

Spencer is a red-curled and bespectacled boy who is determined to catch a fairy. He constructs a fairy door in a tree, a daisy chain, and even a box-and-stick trap. His blue-haired friend Mariah is convinced that fairies are only attracted to beautiful little girls like her. 

Surprisingly, it's a littered potato chip bag that ultimately draws a fairy. More surprising is that it is a bear fairy with pink wings and wearing a pink dress. Though he wishes to leave—the chip bag is empty after all—Spencer convinces the Bear Fairy to stay so the boy can show him to Mariah. They spend a day of playing in the park, racing remote cars, and watching TV, with plenty of. snacks. The Bear Fairy may be lots of fun, but he also has his own quirks which Spencer must accommodate, like his tardiness when getting ready.

. . . I'm still sprucing up—

90 percent of being a fairy 

is in the looks, you know. 

It's not all magic dust and 

fluttering around! (pg. 25)

From The Bear Fairy, written by Paul Coccia, illustrated by Fred Blunt

 But when Spencer presents the Bear Fairy to Mariah, herself festooned in a pink dress with pink wings, the girl declares that he's not any of the things expected of a fairy. Worse, she insists emphatically that he's a crummy old fairy because he's pudgy, hairy, and not beautiful.

From The Bear Fairy, written by Paul Coccia, illustrated by Fred Blunt

Spencer will not allow her to slander his fairy and defends the Bear Fairy as the perfect fairy he is.

 

Paul Coccia has a knack for giving us important stories, but always with a lightness that helps soften less than fortunate circumstances. However, his earlier books have all be been for middle grade readers (e.g., On the Line [written with Eric Walters], 2022; I Got You Babe, 2023; Leon Levels Up, 2024) and young adult novels (e.g., Cub, 2019; The Player, 2021; Recommended Reading, 2025). Now, young readers, and those who read to them, can experience that same mastery in storytelling with The Bear Fairy. Not only do we get a story of stereotypes—yes, there are fairy stereotypes—and accepting others as they are, we get humour, cheeky puns, and adorableness. Paul Coccia has given the Bear Fairy, Spencer, and Mariah voices that make them true in their characters. They offer hope that all may be accepted, eventually.

From The Bear Fairy, written by Paul Coccia, illustrated by Fred Blunt

Fred Blunt, a Welsh illustrator, must have a touch of the whimsy himself judging by the art credit that identifies his work as created "with cheap paper, pencils, tatty brushes, ink and a computer." His materials may be downplayed, but his art is nothing but lofty and animated like the Bear  Fairy himself. Fred Blunt keeps the bear fairy cheeky, while Spencer and Mariah are both ordinary and off-the-wall, and creates upbeat landscapes both indoors and outside. There's the colour of wonder, and the lines and shapes of jocularity and fun.

 

I'm glad I met the Bear Fairy, just as Spencer surely is. So what if his fairy is pudgy and hairy? He's also fluffy and cuddly and beautiful. (Those are Spencer's assertions, and I concur.) He's perfect just as he is. And I thank Paul Coccia for introducing us to the Bear Fairy who exemplifies all of us. We are as we are, sometimes seen as the best and sometimes seen as less than perfect. And if we don't fit some stereotype because of our gender, age, appearance, or abilities, then that's on those who reinforce those impressions. We're perfect for those who accept us as we are.

Sophie Shares the Stars

Written by Heather Smith

Illustrated by Catherine Petit

Orca Book Publishers

978-1-4598-4015-7

32 pp.

Ages 3–5

September 2025 

 

Sophie has lived with her Michael since she was three years old. (She is eight now.) It's obvious that she adores her adopted father and he her. In fact, he's given her the universe both as a ceiling display and as a deeply felt sentiment.

My Michael says, "You are the whole universe."

I think that means he can't live without me. (pg. 3) 

From Sophie Shares the Stars, written by Heather Smith, illustrated by Catherine Petit

The life they have together is filled with love. They spend time talking, playing, and going to beach, and, when she messes up, he helps do better. But when her father, affectionately called My Michael, becomes ill, things change. It doesn't change between them but around them. Sophie tries to help him as he helped her when she had been ill. But Michael's illness is not a flu or a cold or a broken leg or anything with a visible nature. He has one of the myriads of invisible illnesses that most people do not see. Not surprising that their neighbour, Mr. Donaldson, declares that he saw Michael the day before and he didn't look sick. The child never knows what to say—and she shouldn't have to explain for her father—and always changes the subject.

From Sophie Shares the Stars, written by Heather Smith, illustrated by Catherine Petit

But the one thing Sophie can do is share her universe with him. By removing some of the glow-in-the-dark stars from her ceiling and creating the Big Dipper on the wall behind her Michael's bed, she shares the stars with him. Her Michael has good days and bad, but she's always there to hope he'll feel better, to make sure he knows he's loved, and to see him as the Michael is.

From Sophie Shares the Stars, written by Heather Smith, illustrated by Catherine Petit

Sophie Shares the Stars is a touching story about a familial relationship, but it tackles more by including adoption and an invisible illness. In her "Author's Note," Heather Smith speaks to her personal connection with the story, but, even without that knowledge, I know that she would have treated the topics with sensitivity and understanding, never with judgement. Anyone with an invisible illness, particularly those which are chronic or a mental illness, can attest to the frustration and isolation that comes with dealing with the illness and with others. If those others cannot see a cast, an open wound, or bandages, many will not understand the complex symptoms with which the ill person is suffering. I appreciate that Heather Smith never reveals Sophie's Michael's illness, but it really is irrelevant to the story. It is invisible and that's all that needs to be said. Because the story is about Sophie and her relationship with her Michael, and how they became a family, and grow stronger each day as a family, regardless of the challenge of his illness.

 

Montreal illustrator Catherine Petit uses pencil and digital tools to create the upbeat artwork that is all about the relationship between father and daughter. This child is well loved, bursts with energy and wonder, and shares her goodness with her father, knowing that he would choose her again. His open arms, and his dedication to bringing her joy and safety, are visible in every illustration, even when he's not feeling his best. And her devotion to him is palpable. She may be his universe, but Catherine Petit lets us see her smile, her eyes, and her concerned hugs and soothing caresses that he is hers.

 

I know this picture book is aimed at young children, and those who have been fostered or adopted will appreciate how a new family can be created when a birth family is not available to care for a child. But Sophie Shares the Stars will also be a reminder to all readers that there are those who live with invisible illnesses who many appear unimpaired—"appear" is the operative word—but whose lives and those who love them are significantly impacted, even when symptoms wax and wane. Thankfully for both Sophie and her Michael, they are there for the other to make life not just bearable but bright.

Oakley's Great Canadian Adventure (The Secret Lives of Squirrels)

Written and illustrated by Nancy Rose

Nimbus Publishing

978-1-77471-468-3

32 pp.

Ages 4–9

October 2025 

 

Nancy Rose has been telling stories with her red squirrel friends for almost a decade, with Oakley appearing about five years ago to help teach concepts of letters and numbers (Oakley the Squirrel: The Search for Z: A Nutty Alphabet Book [2021] and Oakley the Squirrel: Camping 1, 2, 3!: A Nutty Numbers Book [2023]). Now Oakley is ready to take on the country of Canada and see what it has to offer.

From Oakley's Great Canadian Adventure, written and illustrated by Nancy Rose

In defined double-page presentations of an illustration based on a photographed diorama opposite a page of text titled with the province or territory visited, a quaint verse about Oakley's experience, and an info box of additional details, Nancy Rose takes her sciurine friend cross-country. Readers are taken from east to west and then north to ensure all areas are represented.

From Oakley's Great Canadian Adventure, written and illustrated by Nancy Rose

Oakley visits tourist attractions like the lighthouse at Peggy's Cove, Hopewell Rocks in New Brunswick, and the Badlands of Drumheller. He builds an igloo in Nunavut, goes on a polar bear tour in Churchill, and hikes the trail in Cathedral Grove in British Columbia. He sees and does a lot, and young readers will learn about the diversity of landforms, flora, fauna, weather, and adventures to be had across Canada. But also important are the notes Nancy Rose always adds about the Indigenous Peoples of the province or territory, and some history of the land and its people. As an introduction to Canada, Oakley's Great Canadian Adventure is rich in content and curious in its presentation.

From Oakley's Great Canadian Adventure, written and illustrated by Nancy Rose

Often called "the squirrel lady" because of her viral photos of squirrels, Nancy Rose has segued that venture into telling stories with her elaborate outdoor dioramas. She creates them with found materials and entices her friend Oakley—earlier it was Mr. Peanuts from The Secret Lives of Squirrels (2016)—with peanuts. By blending her crafting and photography interests with the natural world, Nancy Rose has given us a series of whimsical stories and concept books that will attract young readers and, here in Oakley's Great Canadian Adventure, teach them about our country.

From Oakley's Great Canadian Adventure, written and illustrated by Nancy Rose

  

Standoff (Kidnapped From Ukraine, #2)

Written by Marsha Forchuk Skrypuch

Scholastic
978-1-5461-0454-4
288 pp.
Ages 8–13
October 2025

 

As it had been for me reading Under Attack, the first book in Marsha Forchuk Skrypuch's Kidnapped From Ukraine series, delving into Standoff was a challenge. I knew to expect a sensitive but authentic story about the Russian invasion of Ukraine in 2022, but I also knew that it would be emotionally demanding of me because of my heritage. It was. But it was also eloquent and inspiring and well worth the read.

 

In the earlier Under Attack, readers are introduced to the Popkov family: dad Ivan who worked at the Azovstal steel plant in Mariupol, mom Yaroslava who worked at a nail salon, and twelve-year-old twin sisters Dariia and Rada. When the first attack occurs in February of 2022, Dariia and her mom are separated from Rada and their dad. The first book covers Dariia's perspective and experiences, while Standoff is told from Rada's point of view from the onset of the first attack. While Dariia and their mom find shelter at a salon and other commercial buildings, Rada and her dad head to the steel plant with its extensive bunkers, and from which he will join up with the Territorial Defense . With the wise words, "Be brave but not stupid" (pg. 42), her dad leaves Rada in the care of the Yanin family: Mr. Yanin, an engineer; his son Viktor, a classmate of Rada's; and his nine-year-old daughter Alina. (Mrs. Yanin was killed in the attack on their apartment building.)

 

Each day is a scramble for food, clothing, water, heat and more. Still, the make-shift family connects with another family when Rada meets Lesia Stepanova. Lesia is sheltering in another bunker at the plant with both her grandmothers (Baba and Babushka), her sister-in-law Maiia, and Lesia's baby nephew Oleh. Lesia's mother is also in the Territorial Defense, while Lesia's older brother is in Moscow on a business trip. After they attempt to evacuate Mariupol during a ceasefire—which the Russians failed to observe—they add nine-year-old Mychailo Voron and a woman named Svetlana Boyko to their little group.

 

Their lives become a series of routines to help them get through each day, whether it is doing lessons, or toileting, or preparing and sharing their meager provisions. Hope comes with the promise of a ceasefire—more than once—though the Russians are quick to apprehend and attempt to transport Ukrainians to Russia. It's only when the Red Cross, the UN, and other international observers and aid are involved that those efforts are stymied.

 

Life is tenuous. On the inside of the plant, Rada and her new family struggle and worry and grieve. Outside, their challenges are both the same and different: worried for their loved ones, grappling with a lack of resources, terrified of being injured or killed, and never knowing whom they could trust. 

 

The attack and war on Ukraine has sadly been part of the news cycle for almost four years, but for many it is a story from "over there." Marsha Forchuk Skrypuch's stories, both Under Attack and Standoff, take a distant conflict and make it personal. This isn't happening faraway to people we don't know. It's happening to children, to the elderly, to parents, and to shopkeepers, neighbours, and people we care about. We feel their horror, recognize their anxieties, grasp their grief, and acknowledge their needs to hold on to whatever might offer comfort, whether a cat or a Motanka doll. Whether it's a middle grader reading this book and stunned by the horrific circumstances that Rada and her families, born and made, endure, or an older reader who understands the cruelty of others and the grief of loss, Standoff will hit hard. But Marsha Forchuk Skrypuch knows how to tell a story of immense tragedy by pairing it with resilience, affection, and hope. Even the title of the third book in the series, which releases in April, tells us that there is more to the twins' stories and, even with more hardships and loss, they endure. 

 

For an authentic and very personal perspective on the war in Ukraine, Marsha Forchuk Skrypuch offers a story of Ukrainians from Mariupol and what they saw and felt when the Russians attacked. She even offers more background in her "Author's Note" and the Q & A with which she appends Standoff, helping young people gain greater understanding about the events and the history behind the Russian invasion. We can only hope that with awareness comes understanding, and with time there will be a favourable resolution for the people of Ukraine.  

 

 • • • • • • •

 

Under Attack (January, 2025)

Standoff (October, 2025)

Still Alive (April, 2026)
 

Sometimes I Feel That Way Too

Written by Hannah Beach

Illustrated by Rebecca Bender

Plumleaf Press 

978-1-069093561

36 pp.

Ages 4–8

January 2026 

 

Giving voice to your feelings is not always easy and it is especially challenging for children who don't always have the words to do so. Hannah Beach, an emotional health and play-based learning consultant, gives both an appropriate and playful means by which children might express those feelings, especially with Rebecca Bender's lively artwork to give them context.

From Sometimes I Feel That Way Too, written by Hannah Beach, illustrated by Rebecca Bender

A child awakens and sees their teddy bear snuggled up against the dog, and declares that, "Sometimes I feel that way too." In a series of double-page spreads, this child goes through their day, sensing how a balloon might be excited, or how a lone tree leaf in autumn might feel sad, or how all the boots lined up at school feel like they belong. In each case, he expresses the circumstances in which he might feel the same way. At school, at home, or on a walk in the rain, at play, at learning, or eating, this little boy feels a lot and can always find something that mirrors his feelings. Sometimes they're joyous and exuberant emotions like the popping of popcorn, but sometimes they're less so like when they feel lonely, angry or disappointed. In each case, the child sees something in their everyday life that reflects that feeling.

From Sometimes I Feel That Way Too, written by Hannah Beach, illustrated by Rebecca Bender

The words Hannah Beach uses, via her little character, are words that young children will understand, as are the feelings. Whether it's a snail tucked up in their shell, or a lonesome orange that doesn't get picked for a snack, or a stacking block game that topples, it's all seen from this child's point of view. Illustrator Rebecca Bender does the same, emphasizing what the child sees and feels. Her artwork, created with a soft blend of gouache, watercolour, pencil, collage, and digital media, emphasizes the child who appears throughout the day, inside a school or home and outside, displaying a full range of emotions. We see that range in his face, in his eyes, in his body language, and in his smile. Rebecca Bender makes us see all the feelings he's feeling. Just as she has consistently done in all her books—including her award-winning Giraffe and Bird series (see Giraffe and Bird Together Again [2018]) and How Do You Feel? (2016)—Rebecca Bender gives us a lightness to a big message. 

From Sometimes I Feel That Way Too, written by Hannah Beach, illustrated by Rebecca Bender

If you're a teacher or a parent who wants to help a child express their emotions in their own terms, Sometimes I Feel That Way Too would provide a perfect starting point. Children could find their own examples of what looks sad or lonely, angry or disappointing from within their own activities and experiences. Feelings are very personal, so it only makes sense to connect them to a child's own daily life. And, when they communicate those feelings in their own way—this child likes to draw the items that mirror his emotions—those who care for them will be better equipped to help.

From Sometimes I Feel That Way Too, written by Hannah Beach, illustrated by Rebecca Bender

To Be With You

Words by Dave Gunning

Illustrated by Meaghan Smith

Nimbus Publishing

978-1-77471-405-8

32 pp.

Ages 3–7

September 2025 

 

Based on Canadian singer-songwriter Dave Gunning's song of the same title, To Be With You is a love song. It's the love of a dog for their child, and the unbreakable bond that connects them every moment of every day and every night.

From To Be With You, words by Dave Gunning, art by Meaghan Smith

In very simple rhyming text that young children will adore and repeat easily, the song (listen to it here) speaks to different dogs spending time with their children: playing, sleeping, eating together, going for walks, and touching. Its refrain, "All I want is to be with you," repeats over and over again, though the children and dogs vary. There's a girl in a wheelchair hugging a dog as big as herself, and a dachshund excited for a walk with their child who wears yellow rain gear. There's a girl with a leg brace running through a wildflower meadow with a large floppy dog, and a husky-like dog chasing bubbles that a small boy is blowing. All children are here as are all the dogs that bring them companionship, love, and safety. And Dave Gunning's words make it clear that,

All I want is to be with you

All day long and all night too

All I want is to be with you

All I want is to be with you 

From To Be With You, words by Dave Gunning, art by Meaghan Smith

Much of the sweetness in To Be With You comes from Meaghan Smith's illustrations. She may also be an East Coast singer-songwriter, but her art is what defines this book. (The first book I've reviewed that included her art was It Snowed (2025) which she wrote and illustrated.) She brings great softness and affection to her art. Most notably, though, we notice that we rarely see the child's full face. The emphasis is on each dog, speaking to the child about what they are feeling, demonstrating exuberance, love, and togetherness with every flick of a tail, tongue hanging out, and eyes wide open anticipating their next moment together. Meaghan Smith makes the story, and Dave Gunning's words, about the dog, and it's a joyous perspective.

From To Be With You, words by Dave Gunning, art by Meaghan Smith

For the child who loves their dog, and who loves them right back, To Be With You will become a lovely accompaniment to a bedtime routine, a walk in the park, or a wind-down song before a nap. Moreover, the words could just as easily be a love song between a parent and child—do listen to the song (link here again) because its melody is very catchy—and could become a new lullaby to share  in your home.

How to Be Brave Like a Snail

Written by Naseem Hrab

Illustrated by Kelly Collier

Owlkids Books

978-1-77147-672-0

40 pp.

Ages 4–7

October 2025 

 

Naseem Hrab's Snail has taught young readers a lot, but mostly he has taught them to appreciate the ways of the vulnerable and how to fit in with his self-confident friends. And now the little gastropod is looking to face his fears and be courageous.

From How to Be Brave Like a Snail, written by Naseem Hrab, illustrated by Kelly Collier

Snail recognizes that there are some things that demonstrate his bravery. He's not afraid of all loud noises or of taking a tour of his backyard or of lullaby karaoke. What he does have a hard time with is asking for help, making mistakes, and believing in himself. When his friends begin planning to participate in a paper airplane contest, he can't bear the thought of losing. Knowing how deeply Snail feels, his friend Stump offers to help him with making the creases and with practising. 

From How to Be Brave Like a Snail, written by Naseem Hrab, illustrated by Kelly Collier

Both Snail and Stump participate in the contest, and, though it isn't clear who won, Snail is given a ribbon for the neatest creases. He's delighted. But Stump, who gets no recognition, is overwhelmed with prickly feelings. With Snail's help and a clever paper plane idea, Stump is able to accept his feelings and dealing with them in a constructive way.

 

I've always liked the ways of Snail and Stump. They are unassuming and thoughtful. They are neither loud nor self-absorbed, insolent nor self-important. They are true friends to each other and accepting of others, even if they don't want to be like them. They are good. But being true to yourself sometimes means acknowledging your vulnerabilities and finding your own ways to cope. Both Snail and Stump have feelings that threaten to stop them from doing or feeling. So they could overcome those emotions or accept them. Through their friendship and concern for each other, they are able to accept and overcome them.

From How to Be Brave Like a Snail, written by Naseem Hrab, illustrated by Kelly Collier

This is a sensitive issue for many children, especially those who are on the quiet side and more apt to feel vulnerable compared to their stronger and more boisterous peers. They tend to be overlooked and even discount themselves. I like that Naseem Hrab, author of a wonderful collection of picture books like Ira Crumb Feel the Feelings (2018), Weekend Dad (2020), and Otis & Peanut (2023), has more than acknowledged these children. She has given them a voice to share those vulnerabilities and even a novel coping strategy to help disperse them. (The "Classroom Discussion and Activity Guide" at Owlkids Books offers more help to do so with young readers.) 

 

As with the earlier two Snail and Stump books, the illustrations were created by Kelly Collier, the author-illustrator of books like A Horse Named Steve (2017) and The Imposter (2023). All Kelly Collier's characters, from Snail and Stump to Bear, Rabbit, and Rabbit, are easily recognizable though she adds playfulness to their looks. Whether it's Snail's eyebrows, that help him show emotions, or the way Stump covers his eyes with his twig arms when he cries, Kelly Collier has made them and their emotions recognizable and natural.

 

Feelings are very big things. Whether it's fear or anger, disappointment or sadness, they can overwhelm. Dealing with those big feelings when you're little can seem impossible. But, with a quick read of How to Be Brave Like a Snail (and maybe How to Party Like a Snail [2022] and How to Staycation Like a Snail [2024]), and undertaking a creative paper plane activity, those challenging feelings can be kept in check so they don't overwhelm or sabotage the good ones.

 

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How to Party Like a Snail (2022)

How to Staycation Like a Snail (2024)

How to Be Brave Like a Snail (2025)

 

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