The Good Fight

Written by Ted Staunton

Illustrated by Josh Rosen

Scholastic Canada

978-1-4431-6383-5

224 pp.

Ages 10-13

June 2021 

The 1930s were a difficult time. It was the Great Depression, Nazism was growing in Germany and elsewhere, and people were looking to blame others for their hardships. With antisemitism on the rise and prejudice against immigrants a perennial vocation for many, the city of Toronto was primed for a fiasco in the heat of the summer of 1933. It got one.

From The Good Fight by Ted Staunton, illus. by Josh Rosen

Sid Klein and his friend Plug Venditelli have been recruited by Tommy Ryan to be part of his whiz mob, a pickpocket gang. Tommy, who'd been taught by his uncle, would chose their mark and steal from him while Plug, as the stall man, distracted him, before Tommy passed the money on to Sid, the duke man. Though he was full of bravado about his Irish heritage, Tommy was actually Tadeusz Lepofsky and scoffed at Sid and Plug whose heritages–Jewish and Italian– might mark them on the streets of Toronto. Still, with the desperate times, the boys are willing to do what they could to provide extra coins for their families, including selling newspapers, running errands, collecting cockroaches, or stealing.

From The Good Fight by Ted Staunton, illus. by Josh Rosen

But when Sid pockets a swastika pin and learns more about efforts by the Swastika Club and local Nazi sympathizers to stop Jews from using the boardwalk on Balmy Beach, Sid is warned to watch himself. Still Christie Pits, a popular place to watch the city's ball teams play, including the championship games between the Harbord Playground and St. Peter's Church teams, is too inviting to avoid as a location to pick a pocket or two. When the trio of boys is picked up and threatened with jail unless they help the Red Squad–police tasked with putting away union agitators, anarchists and communists whom they believe are all immigrants and Jews–Sid and Plug find themselves caught up in trying to save themselves and protect their families on the night of the infamous Christie Pits riot of August 16, 1933.

From The Good Fight by Ted Staunton, illus. by Josh Rosen

Ted Staunton has penned a number of picture books, early readers, and middle grade and young adult novels including those as part of The Almost Epic Squad and Seven series, but I believe this is his first venture into historical fiction. Still, with his familial connection–his grandfather was the mayor of Toronto at the time of the Christie Pits riot–he ably links a story of the past to issues of prejudice and discrimination and helps us see how those injustices have been perpetrated. From the vile name-calling, violent skirmishes and exclusionary tactics, Toronto was not unconditionally welcoming to all its communities and not the mosaic it was purported to be. And during the Depression, desperation fuelled those prejudices, sparking abominable behaviour and attitudes throughout. But communities like Sid and Plug's overcame and even thrived, making opportunities for themselves, as the epilogue to the main story shares. 

 

By focusing on Sid's story with Plug and their families, Ted Staunton gives us multiple perspectives: that of children, those of immigrant families, and those struggling financially. And, of course, those targeted by hatred. The Good Fight tells us how they felt, how they managed, how they fought. Illustrated by Toronto's Josh Rosen, the story is gritty and distressing, and I suspect young readers will be hopeful that Sid and Plug don't go to jail, that their families aren't thrown out on the streets, that their Jewish and Italian friends will not be attacked, and that those responsible for the Christie Pits riot are brought to justice. From newspaper stories, accurate depictions of the clothing and speech of the day, and social conditions, The Good Fight gives parents and teachers a wonderful opportunity to talk about the past and the need to ensure atrocities such as the Christie Pits riot aren't repeated.

For a time, Toronto was known as Toronto the Good but, like anything, Toronto is neither all good nor all bad. It has moments in history of which is should be immensely proud and others, like the Christie Pits riot, which are a stain on the city's reputation. Making it right begins with telling those stories so that learning might happen and social justice prevail.