The Secret of the Ravens

 

Written and illustrated by Joanna Cacao

Clarion Books

 978-0-35-865011-9

272 pp.

Ages 8-12

November 2023

Reviewed from ebook

 

In the Kawumiti Kingdom. twins Elliot and Liza are homeless and scour trash heaps for things to sell. When a boy tells them about capturing marked ravens who bestow upon them missions to earn coins, the twins are all in. Using a shoplifted book of magic, the twins undertake their first task: to collect eggs from the fairy-bluebird. After several additional missions, they head to Capital City looking for shelter but learn quickly how the poor and derelict are mistreated there, all on the orders of King Tavon. They do meet Seb, a royal apprentice, who tries to encourage them to apply for the same program, but Elliot will have none of it.

From The Secret of the Ravens, written and illustrated by Joanna Cacao

When the two go after the active venom of a titan snake, Liza is injured, and no one will help them without payment, so Seb takes them to a mage in the forest who does not charge. Isra, who was rumoured to have fought in the Human-Ryven War a century earlier, agrees to help but she can only create an antidote if they acquire the egg of a crowned eagle, a black lily, and jadeite. And so, as Liza remains with Isra in her cave, Elliot and Seb pursue the elusive ingredients she requires.

From The Secret of the Ravens, written and illustrated by Joanna Cacao

But the ingredients are more elusive than they realize. The egg may be tricky but possible, but Seb learns from his friend and commander, Leya, that the black lily is extinct, and jadeite is so rare that perhaps only Queen Reyna has a necklace with it.

From The Secret of the Ravens, written and illustrated by Joanna Cacao

And so, the  two boys, one a disciplined apprentice with friends in the castle and the other a brother with limited magic skills but a desperation to help his sister, must work together, never knowing whom they can trust, perhaps not even each other.

From The Secret of the Ravens, written and illustrated by Joanna Cacao

The Secret of the Ravens is Winnipeg's Joanna Cacao's debut as both author and illustrator, and, judging by the open ending of this story, it will not be her last. She's got lots more story to tell, whether it's about a family that needs reuniting or a family that needs to be created–there is a very subtle spark between Seb and Elliot–or because of the historical clash between the Humans and Ryvens. And there's always magic to be learned and to be worked.

 

Family is paramount here, though by creating a new world in which Humans mistreated Ryvens, in which magic and mages are common, and in which unusual species like the titan snake and black lily exist, Joanna Cacao has blended the familiar with the fantastic. The twins and Seb look like any young people, as are their challenges to survive and thrive. But the other elements take the story to a different level. With ease, Joanna Cacao has given us a world in which the supernatural is natural and magic–documented in an appendix to the story–can make things happen. Her art gives us both that reality and the fantastic, depicting characters who look like us but can teleport between locations, castles and forests of extraordinary beauty and detail, and snazzy and brassy magic with spells cast with words like Sumabog and Pakawalan. (Interestingly, casting spells use words that seem to reflect Joanna Cacao's Filipino heritage.)

From The Secret of the Ravens, written and illustrated by Joanna Cacao

I don't know when readers will be returning to the Kingdom of Kawumiti but return we must to discover whether Isra will be successful in seeing her own family again, whether Elliot survives a deadly pact he has made, and whether Liza, Seb and Elliot will be reunited. Oh, and there's also the little matter of justice for the Ryvens and retribution for King Tavon and Queen Reyna. So, there's lots more story to be told and read and imagined.

The Golden Apples

Written by Dan Yashinsky

Illustrated by Ekaterina Khlebnikova

Running the Goat, Books & Broadsides

978-1-998802050

40 pp.

Ages 6-9

September 2023

 

It all starts with golden apples. And it ends with golden apples. But the story in between is big, far greater than a few golden apples coveted by a king. The real story of The Golden Apples is Jack's story of quests, and it is this story that must be told aloud by a storyteller, such as Dan Yashinsky or the reader, and heard by all children, young and old.

From The Golden Apples, by Dan Yashinsky, illus. by Ekaterina Khlebnikova

Once upon a time–imagine a true storyteller like Dan Yashinsky saying this with an evocative, spirited voice– there was a king, a queen, and their three sons. When golden apples appear on a tree in their garden, and they disappear before the king can enjoy them, he sends his sons out, one at a time, to locate the golden-feathered bird which Jack, the youngest, had witnessed taking them. Both older boys succumb to temptations along the way, but Jack heeds the advice of a benevolent fox and discovers the bird. Unfortunately, Jack too is foolish in that he disregards some directives and lands himself in trouble. Still, he is offered opportunities to get himself out of trouble by undertaking yet another task.

From The Golden Apples, by Dan Yashinsky, illus. by Ekaterina Khlebnikova

Unfortunately, each task requires him to steal something. And each time, he ignores a piece of advice from the fox who tries to help him be successful. From the golden bird to a golden-maned horse, and a princess with beautiful eyes, Jack verges on getting things right until he doesn't. Still, this is Jack, the "hero" of many tales of folklore, so it all works out in the end, even if with a few twists along the way.

 

Dan Yashinsky, founder of the Toronto Storytelling Festival, knows how to tell a story. Whether it is in person or in written form, Dan Yashinsky keeps listeners and readers captivated, waiting for the next scene, the next conflict, the next laugh. He makes us want to find out what happens next, without padding his stories with filler to draw them out. Readers will quickly realize that Jack is the son often disregarded and the one who, with a little help and some cleverness, is able to surpass the minimal expectations others have of him. This may be familiar to some children who feel undervalued in families or in the classroom, but it offers them hope that they can achieve with perseverance. Still Dan Yashinsky makes Jack real with his ineptitude–come on, Jack, listen to the fox!–and unintentional fumbles but with a good heart. (In the end, he does something very difficult and heart-breaking that comes to a good end.)

From The Golden Apples, by Dan Yashinsky, illus. by Ekaterina Khlebnikova

I think Christmas is a great time for storytelling, as families gather around, perhaps in the aftermath of a big meal or as children are settling down before sleep. And The Golden Apples, told as Dan Yashinsky wrote it, with heart and verve, will bring everyone together. With the added dimension of Russian artist Ekaterina Khlebnikova's illustrations, a blend of different media that add depth and whimsy–like Nirvana and Metallica posters on the princess's walls, or Jack's headphones-wearing brother–The Golden Apples also has colour, humour, and texture. The Golden Apples may not be a Christmas story, but it would be a fine story to tell this holiday season or anytime a great tale is called for.

How to Decorate a Christmas Tree

Written by Vikki VanSickle

Illustrated by Miki Sato

Tundra Books

978-0-735268586

40 pp.

Ages 4-8

October 2023

 

We always decorate our tree about a week before Christmas so I'm right on target for my family for the reading of this book. But Vikki VanSickle and Miki Sato's picture book How to Decorate a Christmas Tree will resonate with anyone who has ever decorated a tree at Christmas, whether early or late, because of the familiarity of the task and the heart which is embedded in it.

From How to Decorate a Christmas Tree, written by Vikki VanSickle, illustrated by Miki Sato

We may all have our own way of preparing a Christmas tree for the holidays, but certain steps are always needed.  First, the tree must be gotten, whether from a forest, a store, or a storage area. This family waits until it's cold to pick up their tree but, depending on where you live, this might or might not be feasible. Inside, the tree is released from its bindings, placed in the cleared area, and the first sensory experience begins. Ah, that fresh scent!

From How to Decorate a Christmas Tree, written by Vikki VanSickle, illustrated by Miki Sato

With each new step, from unravelling the strings of lights, to retrieving the ornaments and placing them one at a time on the tree, the family must be cautious of the tabby cat that likes to get into things and under things. And as the family places each ornament on the tree, some handmade, some store-bought, there is a memory and an emotion that comes with it. It could be a memory of a time, or a place, or a person, or a feeling, but each ornament touches them as they place them gingerly and strategically upon the tree. And each story is told to a little one in a playpen too young for this year's endeavour but included just the same.

From How to Decorate a Christmas Tree, written by Vikki VanSickle, illustrated by Miki Sato

You could Google "how to decorate a Christmas tree" online and you would probably find hundreds if not thousands of sites to help. But, Vikki VanSickle, who has written everything from picture books to middle grade and young adult, whether humourous, realistic fiction, romance, or speculative fiction, doesn't make this a one-size-fits-all story. She's not telling you how you must decorate. Instead, she lets us glimpse in the window of one family as a little girl tells her baby brother everything that they do and why and what it means. She's sharing and making a Christmas for all to remember.

From How to Decorate a Christmas Tree, written by Vikki VanSickle, illustrated by Miki Sato

Illustrator Miki Sato's watercolour and cut-paper art gives the texture that makes How to Decorate a Christmas Tree something more special. Whether she makes the ornaments that appear tactile though in only two dimensions or gives us a popcorn strand so real that we can smell its popping in the air, Miki Sato brings us into that living room to open boxes, delicately handle fragile memories, and to enjoy the comfort of family.

Whether you decorate your Christmas tree with a cat in attendance or a dog, with popcorn or tinsel, with homemade ornaments or store-bought bling, your tree will be perfect because it's yours, created with love and memories of Christmases past and future, and always family, whether present or not. Merry Christmas!

 

From How to Decorate a Christmas Tree, written by Vikki VanSickle, illustrated by Miki Sato

Dragon's Dilemma

Written by Catherine Little

Illustrated by Sae Kimura

Plumleaf Press

978-1-73889826-8

32 pp.

Ages 5-10

December 2023

 

When Catherine Little told us of the Emperor's Great Race, a story often told to children for the Lunar New Year, in Twelve in a Race (2022), we learned that there were twelve animals whose positions lead to the Chinese Zodiac: a pig, a dog, a rooster, a monkey, a goat, a horse, a snake, a dragon, a rabbit, a tiger, an ox and a rat.  This is the dragon's story.

From Dragon's Dilemma, written by Catherine Little, illustrated by Sae Kimura

Seeing his competition, Dragon comes into the race convinced that he would win.

I am by far the biggest, by far the fastest, 

and I am the only one who can fly! (pg. 13)

As the emperor  begins the race, the dragon takes to the skies and surveys his competition, seeing who is faster and slower, and all the while assured of his victory. So, while the other animals raced along the ground, Dragon decides he has no need to rush and would take in the sights of the Seven Natural Wonders of the World: the Grand Canyon, Parícutin Volcano, Guanabara Bay, the Northern Lights, Victoria Falls, Mount Everest, and the Great Barrier Reef.

From Dragon's Dilemma, written by Catherine Little, illustrated by Sae Kimura

From his final stop on Mount Everest, Dragon spots the animals in the final leg of the race and prepares to swoop in to victory. But, as he passes over the parched mountainsides and dried rice fields, he is spotted by villagers who are sure the dragon has arrived to help them out, because "We Dragons are kind, and we try to help when we can." (pg. 24) And even though he intends to help after the race, children singing a song to praise him compels him to deliver, via many trips, water from the river to their parched lands.

From Dragon's Dilemma, written by Catherine Little, illustrated by Sae Kimura

Resuming the race, he is moved to see Rabbit struggling and blows him across the finish line before taking his own place, coming in fifth. Though disappointed in his showing in the race, Dragon can still recall the impact of his good deed and the appreciation of the villagers.

From Dragon's Dilemma, written by Catherine Little, illustrated by Sae Kimura

Though many Asian-Canadians will know the story of the Emperor's Great Race and the Chinese Zodiac, it was a new one to me. The story of how the animals' behaviours impacted their placement (see Twelve in a Race) is riveting and learning more details of Dragon's race result is all the more compelling. He may have been disappointed by his fifth-place result but for young readers there is far more to the story. Catherine Little not only introduces the Seven Natural Wonders of the World to readers but she teaches the decency of benevolence and compassion. Dragon is initially quite confident, even overly assured of his success. He could have swooped in and won the race handily. However, he was able to put aside his hubris and do good, even at a cost for himself. And that good will would sustain him, as it often does all of us, through a time of disappointment.

 

Dragon's Dilemma is Catherine Little's second collaboration with illustrator Sae Kimura, a Japanese-born, Toronto-residing multidisciplinary artist who creates stories with acrylic gouache, pencil crayons or watercolour, as well as puppets and silkscreen (Check out her website at https://www.esalalamu.com/ for a more complete bio.) While keeping the realism of the animals and known landmarks, Sae Kimura introduces fantastical elements that give her illustrations a dream-like quality. Her dragon is exotic in colours and form, and her landscapes, from pink-tinged clouds and textured lands, are wonderfully evocative of a different and unreal time. 

 

The Lunar New Year on February 10, 2024 will herald the Year of the Dragon so the Dragon's Dilemma, as well as Twelve in a Race, will be perfect accompaniments for the festivities whether at home, at school, or in the community. And take a lesson from Dragon that, given the choice of selfish achievement or benevolent charity, compassion should always lead.

The Imposter

Written and illustrated by Kelly Collier

Clarion Books (An imprint of HarperCollins)

978-0-358697060

40 pp.

Ages 4-8

November  2023

 

In her newest picture book, author-illustrator Kelly Collier addresses the efforts we go to in order to belong, whether to a family or a peer group.  And it doesn't matter if you're human, dog, or skunk, belonging brings comfort, protection, and even resilience. It's no wonder that Skunk doesn't like being alone.

 

From The Imposter, written and illustrated by Kelly Collier

Skunk sees all the love and attention dogs get at the park and he is envious of them and their relationships with their people and other dogs. When he sees a notice for a lost dog, he's flummoxed that a dog, Max, would run away from the very life for which Skunk yearns. Although he is chastised by a squirrel, a raccoon, and a cat for even wanting to be a dog, they agree to help him pretend to be the missing dog.

From The Imposter, written and illustrated by Kelly Collier

First they paint away his stripe, and dress him up with fake ears, a collar and more. Then they teach him how to act like Max. But just as he's on the threshold of presenting himself to Max's family, his conscience takes over and he thinks about Max being lost. Not only does he blow his chance for a family in a very skunky way, but he also decides that he must find Max and return him to his people. Together the quartet of new friends find a happy ending for Max and Skunk and his new friends.

From The Imposter, written and illustrated by Kelly Collier

Why do we always think that being something else or attaining something will make us happier? Why do we believe the grass is always greener on the other side? Skunk truly believes that dogs have better lives, being loved and cared for. It's no surprise he wishes for that same comfort and affection. But Skunk has a conscience that prevents him from usurping Max's role. He has empathy and compassion. He realizes what he is doing is wrong and, instead of taking advantage of Max's disappearance, Skunk tries to make things right by finding the missing pooch. As such, Kelly Collier has given us a skunk with heart.

 

From The Imposter, written and illustrated by Kelly Collier

Even though Skunk was looking for a better life, not unlike the lead character in Kelly Collier's first book, A Horse Named Steve, Skunk lacks Steve's hubris. Skunk can see beyond himself and thus recognize the need to give rather than just take. He could've stepped into Max's comfortable doggie boots–though we know it would never have worked–but instead gave up his chance in a big and smelly way when he realizes he wasn't being honest or true to himself. And though it looks like he's given up on his dream, Kelly Collier makes us feel for Skunk through her illustrations. She makes us see him sagging in posture and spirit until he finds a purpose and friends with whom he can work for that purpose. She's gives us the greens of hope and the softness of line and colour in her artwork as she takes Skunk on his journey from desperation to contentment.

Self-acceptance is a tough concept for young people when they see others living what may appear to be better lives. Skunk just needed to be accepted by others to see his own self-worth, though his new friends already knew that he was a creature who mattered. He is no imposter and never was. He was always the real thing.

Once, a Bird

Written by Rina Singh

Illustrated by Nathalie Dion

Orca Book Publishers

978-1-4598-3143-8

32 pp.

Ages 3-6

September 2023 

 

I know many people are trying to forget a time of lockdowns and restricted movements during the early years of the pandemic. But Rina Singh and Nathalie Dion's story reminds us of the gifts of nature and community that were revealed during those tenuous times. And though their story takes us out of those times, it never lets us forget what discoveries were made when tensions were high, isolation was the norm, and health was insecure.

From Once, a Bird, written by Rina Singh, illustrated by Nathalie Dion

Without words, Rina Singh tells a story of the arrival of a robin to a land of complexity and quiet. There may be snow on the ground but as the bird travels over parks, highways, and agricultural fields, there is no one to be seen. It is people-less and still. It could be a dystopian landscape, but Nathalie Dion gives us hope and light in the greenness of the fields, the blues of the skies and the unscathed infrastructure.

From Once, a Bird, written by Rina Singh, illustrated by Nathalie Dion

The bird finds its way to a budding tree outside a walk-up apartment building where an elderly woman spots it. She alone is looking out her windows as her neighbours keep their blinds and curtains closed. But then others take in the sight of the robin, each in their own way. Whether it be a grandson and grandfather watching it with binoculars, or a young person taking photos with her phone, or two children chatting between windows. Even a new puppy dog is held up to witness the bird.

 
As life goes on for the bird, building its nest, laying its eggs, and feeding its young, the neighbourhood begins to open up: a door, a window, a walk with the dog. And, with time, the neighbourhood returns to normal as the bird and its young fly off, having taken the people through the tough times.

From Once, a Bird, written by Rina Singh, illustrated by Nathalie Dion

Although the audience for Once, a Bird is listed as 3-5 years of age, the depth of the storytelling is far greater, and could be for all ages. Rina Singh has given a nuanced story of isolation and connection with nature that may have been born of a pandemic, and all who have been living with solitude and/or withdrawal, whether because of distance, mental health, or even personality, will also understand. She offers hope that separation does not mean desolation, and that opening oneself to the natural world can help sustain us.

I've reviewed a number of picture books illustrated by Montreal's Nathalie Dion (e.g., The Big Bad Wolf in My House, I Found Hope in a Cherry Tree, The Dog's Gardener) and her watercolour and gouache art lends itself well to contemplative stories such as Once, a Bird. There is an intangible, almost divine, sense of beauty that comes from both introspection and deep relationships depicted in her illustrations. Her art is sensitive to the ephemeral nature of challenges, keeping her colours subdued but calm, and introducing brighter colours, initially only on the robin, as the people emerge, and the neighbourhood returns to life.

 

For hope through difficult times, take note of how once a bird brought a community together, and how Rina Singh and Nathalie Dion were able to do the same to tell its and our story.

 

• • • • • • • 

A French-language edition is also available as Il était une fois un oiseau.

 

 

When the Owl Calls Your Name

Written and illustrated by Alan Syliboy

Nimbus Publishing

978-1-77471-246-7

32 pp.

All ages

November 2023

 

While many children will be familiar with the depiction of owls as wise, old creatures, there are many cultures that associate the beautiful, majestic owl with death. In many Indigenous cultures, the owl may be seen as a harbinger of an impending death, a messenger of the Creator calling someone home. This is the premise of Mi'kmaw artist Alan Syliboy's story of When the Owl Calls Your Name which is based on "The Owl Song" performed by Alan Syliboy and the Thundermakers. (A video of this spoken word performance with music and dance is appended to this review.)

From When the Owl Calls Your Name, written and illustrated by Alan Syliboy

When the Owl Calls Your Name is not a typical picture book for children. It does not have a plotted story, moving from initiating conflict to resolution. It is a lyrical exploration of what it means when the owl calls your name. In text that is so beautiful that it is almost sorrowful, Alan Syliboy tells us that when the owl is heard to call our name, he will lead our spirit to the place of the ancient ones. But the owl is very quiet, flying on silent wings, so you never know when it is coming for you. With that recognition, Alan Syliboy reminds us we can't always be prepared for death so we must live our lives as if it could happen at any moment.

From When the Owl Calls Your Name, written and illustrated by Alan Syliboy

There is a unique essence to When the Owl Calls Your Name that speaks to both the Mi'kmaw culture, in content and art, and the spiritual beliefs of life beyond the corporeal. The messaging is straight-forward, both informative of beliefs and inspirational with regards to life paths, even beyond death. But the artwork will draw readers in, especially with the uniqueness of Alan Syliboy's shapes and line that are very reminiscent of ancient petroglyphs, though far more elaborate. The stylized people have upside-down trapezoid heads without facial features and ferns projecting from their heads, while the spirits are softer, in line and shape, with swirls of a different life within. And the owl is gorgeous, ornate in its face, feathers, and body. Alan Syliboy is very strategic with his use of colour, using greys and white, with only hints of purple, for much of the story when the owl visits and the spirit is leaving the body. But when living in the now or joining ancient ones who would embrace the new arrival, there is warmth and colour within.

From When the Owl Calls Your Name, written and illustrated by Alan Syliboy

When the Owl Calls Your Name is both a book that shares cultural beliefs and an inspirational poem that tells readers what the appearance of the owl means. The owl both portends death but reassures that death heralds the beginning of a new journey, according to the signpost that brought us to this life. It reminds that there is a place for us after death with the ancient ones but also that we never know when the Creator will be calling us home.

 So you must live your life in such a way

That you will be ready for the owl

when he calls your name.

 

• • • • • • • 

The video of the spoken word performance of "The Owl Song" by Alan Syliboy and the Thundermakers, along with members of Symphony Nova Scotia and an interpretive dancer, can be viewed at https://youtu.be/_3THnJGNqPk?si=3PH_q_CQZ0VKy1sc.

 

The Owl Song – Alan Syliboy and the Thundermakers with Symphony Nova Scotia (The Fusion Sessions)

 Posted on April 29, 2021 by Symphony Nova Scotia on YouTube.

Scaredy Squirrel Gets Festive (Scaredy's Nutty Adventures)

Written and illustrated by Mélanie Watt

Tundra Books

987-0-7352-6961-3

88 pp.

Ages 6-9

October 2023

 

In six perfect chapters, Scaredy Orville Squirrel (abbreviated appropriately as S.O.S.) prepares for Christmas. Starting in July, he makes a checklist to ensure a perfect holiday. Once December arrives, it's time to start checking things off his list. With a little help from his friends– Ivy, a rabbit, Rash, an armadillo, and Timber (Tim), a beaver–Scaredy gets to work with decorations. A mishap with a toboggan almost has their tree festooned in pickles and clown noses, but with some effort and a lot of paint, they get the perfect decorations.

 

Next Scaredy Squirrel enlists his friends to secure the area from holiday troublemakers like nutcrackers, abominable snowmen, last-minute shoppers, and elves.

 

From Scaredy Squirrel Gets Festive, written and illustrated by Mélanie Watt

His plan for a gingerbread house that will last forever–though Ivy questions that intent with "Seriously? I doubt gingerbread can last past Easter"–is put into action to construct a sturdy, albeit inedible, masterpiece.

From Scaredy Squirrel Gets Festive, written and illustrated by Mélanie Watt

While Scaredy has already gotten the perfect gifts for his friends, he gets to wrapping them as they debate what to get for him. Then it's only his Christmas Eve get-together, prepping for Santa's visit, and waking to Christmas morning surprises. Though he couldn't plan for everything, it still is a perfect Christmas for Scaredy Squirrel.

Two things about Scaredy: he's always prepared, and he always does things with safety in mind. Scaredy Squirrel Gets Festive is loaded with checklists, plans, files, instructions, and profiles that ensure that things get done and done well and in a timely fashion. From "Scaredy's Christmas TO-DO List" to his instructions on "How to Wrap the Perfect Gift," Scaredy has it covered. (Mélanie Watt even gets the reader primed for Scaredy's predilections with "The Holiday Reader Quiz" before the story even starts, just to make sure the reader is prepared to proceed to the next pages. I got 5 points.)

From Scaredy Squirrel Gets Festive, written and illustrated by Mélanie Watt

As we learned in the first Scaredy Squirrel book, Scaredy is always scared about his safety, and that's why he insists his friends wear painter's suits when painting, why there's a fire extinguisher handy, why they wear masks while varnishing, and why he's so prepared. Still, with his friends who are all a little bit different, whether calm and wise, or bold and impetus, Scaredy is both given reasons to continue to be cautious and reasons to indulge a bit more.

Mélanie Watt has always taken a tongue-in-cheek approach to Scaredy's overcautious nature. Children reading her stories, whether the original picture books or whether the chapter book graphic novel series Scaredy's Nutty Adventures, will both see the wisdom of Scaredy's caution but will laugh at his extreme reactions, from panicking and playing dead when supposedly exposed to a pointy elf or wearing gloves to prevent paper cuts when wrapping gifts. They'll be familiar with many of activities Scaredy and his friends undertake in Scaredy Squirrel Gets Festive and so will understand both the nature of his fears and the silliness of his responses, regardless of whether they are brash like Rash or guarded like Scaredy.

From Scaredy Squirrel Gets Festive, written and illustrated by Mélanie Watt

The stories and the humour within have and will always delight young readers, but it's all so much more when Mélanie Watt adds her artwork. Her heavily-outlined characters and objects make them pop off the page but also complement the bold text of Scaredy's lists and instructions. There is nothing subtle about the illustrations or Scaredy so anything less than bold, bright, and lively just wouldn't work. Moreover, Mélanie Watt knows how to add the humour into her drawings, like the helmet Rash undoubtedly needs to wear to keep him safe, the cat mask Rash dons when he can't find a respirator mask when they're varnishing, or Rash's roving toad Chucky who seems to pop up in unexpected places. 

 

It's just the right time now to start your holiday season off, and, with Scaredy and his friends, it'll be easy to get festive. Just watch out for those pointy elves, and Gary the germ, and those last-minute Christmas shoppers, and...

• • • • • • • 

 

Scaredy's Nutty Adventures series

Scaredy Squirrel in a Nutshell

Scaredy Squirrel Gets a Surprise

Scaredy Squirrel Gets Festive

Death & Sparkles and the Sacred Golden Cupcake

Written and illustrated by Rob Justus

Chronicle Books

978-1-7972-0638-7

316 pp.

Ages 10-14

November 2023

 

When Death first met Sparkles, the last unicorn and media sweetheart, in Death & Sparkles (2021), it was a difficult relationship. Death had never had a friend–how could he when whomever he touched would die?–and Sparkles was all about his celebrity. But they found a way to work together and give support as needed. But in their newest adventure, their friendship will be challenged by a quartet of moles who may know a little more about unicorns–or 'corns as they call them–and are accordingly less than impressed by Sparkles and his ancestors.

From Death & Sparkles and the Sacred Golden Cupcake, written and illustrated by Rob Justus

Rob Justus, who apparently rendered the illustrations "in magical cupcakes with a sprinkle of digital art" develops his story along two parallel subplots. In the first, four moles, identified by their colours of Purple, Brown, Pink, and Blue, are obligated to tend the unicorns' sacred garden resplendent in golden colossal statues. When the  moles turn sixteen, they are sure that they will be invited to the ceremonial coming-of-age party held for uni-colts becoming unicorns. Instead, they are unceremoniously excluded by the unicorns. To exact their revenge, the moles intend to steal the sacred golden cupcake. Instead, they are discovered and banished to the darkness of the underground.

From Death & Sparkles and the Sacred Golden Cupcake, written and illustrated by Rob Justus

The second subplot revolves around our two titular protagonists. Sparkles is not feeling quite right. His horn is glowing and his body is tingling. When Death suggests a growth spurt, Sparkles opens a suitcase left to him by his late parents and discovers a letter about the journey he must go on as well as a golden cupcake on a chain that compels him to dance. Regardless of what Death wants, Sparkles drags his friend to club after club, looking for the right one. When they are transported to an underground cavern and a golden-gated garden, and they must make choices as to where they should go, there is a clash of personalities, as the egocentric Sparkles plows on ahead, ignoring Death and following his "super-mega important unicorn family quest." (pg. 134) Separated, Death meets the moles and, feeling welcomed and appreciated, befriends them, unknowingly becoming part of their scheme to get the scared golden cupcake.

From Death & Sparkles and the Sacred Golden Cupcake, written and illustrated by Rob Justus

There may be a lot of pink and purple and bling in Rob Justus's second book starring Death and Sparkles but within all the sugary sweetness and sparkling flashiness there are important messages about being different, empathizing with others, true friendship, and humility (something Sparkles lacks). By juxtaposing the subdued and cautious Death with the look-at-me, self-absorbed Sparkles, Rob Justus lets us see that both extremes can be tiresome. However, a bit of risky taking with some judicious caution makes for a great partnership. And, though the mistreatment of the moles by the unicorns shows Sparkles that his heritage is not as noble as he'd imagined, it does inspire him to do better. (Now, if he just wasn't so over-confident and pushy. Sigh.)

From Death & Sparkles and the Sacred Golden Cupcake, written and illustrated by Rob Justus

Although Death & Sparkles and the Sacred Golden Cupcake only releases tomorrow, I'm already looking forward to Book 3 in this series. (Please let there be more books coming.) Judging by Rob Justus's Acknowledgments, he has lots of ideas. Maybe the ghost pirates didn't show up here, but I think Death and Sparkles have lots more adventures, and calamity, to experience, and more revelations to make about themselves.

 

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Death & Sparkles (2021)

Death & Sparkles and the Sacred Golden Cupcake (2023)

Next Door

Written by Deborah Kerbel

Illustrated by Isaac Liang

Kids Can Press

978-1-5253-0658-7

32 pp.

Ages 3-7

October 2023

 

Wordless picture books have a general hush about them. In wordless books, i.e., ones in which the stories are told through illustrations alone, no one is speaking and there is no text to distract. It's all rather subdued. In fact, it's a perfect reflection of what the main character, a young boy with hearing aids, must experience much of the time. But don't be fooled into thinking that there is no story to be told or personal connection to be made.

From Next Door, written by Deborah Kerbel, illustrated by Isaac Liang

A boy and his mother head out from their home just as a moving van arrives and begins unloading boxes. It's evident these are not their goods as the boy is familiar with the places and people he encounters on their walk. Though he may have limited hearing, as evidenced by his hearing aids, he notices everything, from the musician busking, the construction workers at work, and even baby birds in a high nest. It's unfortunate when a cyclist races past the boy, startling him into dropping his teddy bear. But, after confirming he is okay, communicating via American Sign Language, his mother settles the boy.

From Next Door, written by Deborah Kerbel, illustrated by Isaac Liang

Returning to their building, they visit their new neighbours in the apartment next door. Using her own way of communicating, with hand movements and an Arabic/English dictionary, the woman welcomes them. But the boy spies a little girl hiding from them. When he approaches her, it is evident that neither can understand the other. But through the sharing of food and art, the two children find their own way to communicate.

 

This story is deeply personal for Toronto author Deborah Kerbel whose own sister had been born profoundly deaf. Deborah Kerbel's Author's Note speaks of her sister's abilities to connect, and Next Door's story reflects that ability for children who find different ways to communicate because of hearing and language differences. Undoubtedly a child who has a hearing impairment and one whose language is different than those around them may both feel at a disadvantage when trying to communicate. But, as the boy demonstrates, his disability is not a hindrance to living a good life, one in which he communicates with others, just in his own way. He successfully uses American Sign Language and his hearing aids to enable connection with others. But, when he meets the new little girl next door, he's on an equal playing field as she struggles to get him to understand her. But, with some effort and the common ground of art, along with a tasty cookie, a connection is made.

From Next Door, written by Deborah Kerbel, illustrated by Isaac Liang

Deborah Kerbel opens up about her sister's story to help convey the possibility that communication does not cease with hearing or a different language. We find new ways to communicate when the customary route is not available. By juxtaposing the boy's circumstances with that of his new young neighbour, Deborah Kerbel has found a way for any child for whom communication is challenging, because of, for example, cultural differences, emotional barriers, or physical barriers, to accept that different can still be effective. 

 

Isaac Liang is a deaf illustrator from Singapore who imbues the art of Next Door with knowledge and sensitivity. Because of his personal experiences with hearing impairment, Isaac Liang has found a way to bring the quiet and the connection for the children through his digital art. Because comprehension through the sense of hearing is compromised, his emboldens the story with colour and shape. Perhaps words are unnecessary but meaning still comes through with every building, person, and detail. 

Next Door is a great picture book for helping children develop their visual literacy skills and their empathy and acceptance for those who communicate differently. Hopefully it will help them to recognize that we do not all hear or see or understand the same way–the cyclist who almost collides with the child assumed the boy could hear him coming–and to find new ways of communicating that might work better for others. And, when it all comes down to it, kindness always works.