Anna Maria & Maestro Vivaldi

Written by Jan L. Coates

Illustrated by François Thisdale

Red Deer Press

978-0-88995-645-2

32 pp.

Ages 6-9

2022

 

Though a fictionalized account of the relationship between historical persons Anna Maria dal Violin (also known as Anna Maria della Pietà) and composer Antonio Vivaldi, Anna Maria & Maestro Vivaldi is a telling story of a child's musicality and a mentorship that galvanized it.

From Anna Maria & Maestro Vivaldi by Jan L. Coates, illus. by François Thisdale

An orphan at the Ospedale della Pietà in Venice, Anna Maria is guided by the school's music director, Maestro Vivaldi. While other girls laugh at her ways, the child finds family and friendship, as well as her voice, in her violin through the music she sees as colours and textures. As a synesthete –"Music paints beautiful colours for me, and shapes"–Anna Maria is encouraged by Vivaldi who calls it a rare gift. Though she is only eight, he places her in the exclusive orphan choir called the Figlie del Coro. Ignoring the disapproval of the older musicians, she thrives, following his instructions–"Let your bow dance delicately, like a bee sipping nectar"–and pours herself into her music.

From Anna Maria & Maestro Vivaldi by Jan L. Coates, illus. by François Thisdale

When the Maestro takes her to see Marco Ricci's landscape paintings, to witness the inspiration for his latest poems which would become his Four Seasons, he decides Anna Maria will be the soloist for the concertos. And when she ultimately performs the masterpiece, her music paints each season as an image rife with colours and textures and heart. She is no longer alone; she has a famiglia musicale.

From Anna Maria & Maestro Vivaldi by Jan L. Coates, illus. by François Thisdale

Historical fiction does not often take a picture book format though it is an inspired configuration for blending the real with the fabricated. We know that Nova Scotian author Jan L. Coates builds her story on the real Vivaldi and Anna Maria but embeds it in speculation of the child's synesthesia–seeing colours and shapes with the music–and Vivaldi's mentorship of her. By allowing Anna Maria's music to grow and her gift to be nurtured, Vivaldi elevates his music along with the child. Anna Maria dal Violin may be known in musical circles, but Jan L. Coates introduces her here as a child with challenges. By focusing on her humble beginnings as an orphan without family, Jan L. Coates inspires young readers to find their passion, ignore the detractors and focus on that which brings joy and accomplishment. Anna Maria had to find her family in her music and she does so successfully, with Vivaldi's help.

I have always said that there is an ethereal quality to François Thisdale's illustrations. He blends acrylic painting and drawing with photography and digitally creates sublime artwork that may be grounded in reality, here in an 18th century Venice, but it has a heavenly nature with its filmy backgrounds. There may be a very real basilica and a charming tuxedo cat ever present, but Anna Maria's music takes her life into the celestial. Her feet may be planted on a patterned floor or rug but, when she sees the music which François Thisdale helps us see, she and her story are elevated to greater heights.

Anna Maria dal Violin may or may not have had synesthesia but her musicality which was nurtured by her relationship with Maestro Antonio Vivaldi is not in question. The two musicians may have been inspired in different ways but, in Jan L. Coates and François Thisdale's story, they will forever be linked as protégée and master, or rather Maestro, and their story will remain as colourful and textured as the music Anna Maria voiced.